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Post by Someone in a tree on Mar 8, 2022 14:27:46 GMT
If this does transfer to NYC, I wonder if they will make some attempt to stage the ball scene similar to London, or at least just not on the proscenium stage. Honestly its one of the best parts of the production, even if it has nothing to do with the show. When one of the best parts of any show is the set then it can't be very good?
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Post by Someone in a tree on Mar 8, 2022 14:25:52 GMT
My god I think I’ll have had enough Cinders to last a lifetime by then 🥺 But hopefully Hope Mill's version will have less backstage drama! Plus a decent score and lyrics.
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Post by Someone in a tree on Mar 8, 2022 10:41:06 GMT
Sets, set changes and cast entrances and exits using flying can be wonderful. it may not be Peter Panesque just a change to the usual trucks and backdrops
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Post by Someone in a tree on Mar 8, 2022 9:32:30 GMT
I like in the round staging (although some folk believe it's a vicious circle!)
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Post by Someone in a tree on Mar 7, 2022 12:05:22 GMT
Ooh I'm also looking to do my first Broadway trip around Easter-ish time. Looking forward to hearing what advice people have Company and Strange Loop.
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Post by Someone in a tree on Mar 7, 2022 12:03:59 GMT
A talk with Deila Smith
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Post by Someone in a tree on Mar 5, 2022 7:06:32 GMT
Last night was something classical with lots of prerecorded sounds at the Barbican
Tonight is The golden Cockerell - a Russian opera about a king who invades a country. Its going to be interesting
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Post by Someone in a tree on Mar 4, 2022 23:39:29 GMT
That's a really naff idea. Why not base a show around composers who once liked / like cardigans.
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Post by Someone in a tree on Mar 4, 2022 17:27:46 GMT
For those after more reasonably priced tickets, I’ve just had an email from TodayTix promoting the Cock lottery (no giggling at the back please!). £20 tickets for each show. London's hottest new play COCK starring Jonathan Bailey and Taron Egerton begins performances tomorrow and our daily mobile Lottery gives you the chance to get amazing seats to this West End play for just £20. Beginning tomorrow 5 March, entries for the COCK £20 Lottery will open daily at 12:00am and close four hours before each performance time. For further information, click here. I've entered the lottery for Cock sounds so wrong when read out loud. Good luck. I've got everything crossed for you including my...
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Post by Someone in a tree on Mar 4, 2022 16:05:25 GMT
It would be hard to top Bernadette, Julia and Ruthie's Gimmick from Hey Mr Producer. In fact that whole Sondheim set was absolute perfection and is hard to beat. Not that I'm going but my worry is that they will try to recreate the previous gig when they should 'move on' Evans could sing Hat brilliantly but it would be more fun if sang something different and gave another person a chance at this classic. I suspect Cameron is wanting an album and dvd out of this (albeit for charity) so it will all be on the safe side.
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Post by Someone in a tree on Mar 4, 2022 14:12:53 GMT
🌟🌟 From the Independent.
The montage scenes about mobile phones sound a bit Chorus Line. Are they?
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Post by Someone in a tree on Mar 4, 2022 9:41:02 GMT
Some great names but I refuse to fund Imelda's gurning.
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Post by Someone in a tree on Mar 3, 2022 17:10:38 GMT
This is surely planned to come into London. Just a thought - wouldn't the Gillian Lynne be perfect for a Chichester transfer to preserve the open staging! Lots of people said that last year with South Pacific, but the Gillian Lynne just wasn't an option. I suspect that theatre is reserved now for ALW revivals. It would be lovley to see something half decent in that theatre
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Post by Someone in a tree on Mar 3, 2022 10:32:16 GMT
Let's hope for a London transfer. I loved the recentish Regents Park prouduction but when it transferred into town it sadly didn't last long.
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Post by Someone in a tree on Mar 3, 2022 9:28:25 GMT
UK foreign aid to Pakistan is currently around £300m a year. Why don't we just cut out the middleman and give it directly to Uncle Vlad?
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Post by Someone in a tree on Mar 3, 2022 6:40:16 GMT
assuming the stage isn't too high is an OK price for a 4 hander
It would be interesting to know what portion of the seats are reasonable and what are mega bucks?
Of course it's a private enterprise so they can do what ever they like but to me it appears to be a rip off that takes theatre goers for fools.
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Post by Someone in a tree on Mar 2, 2022 15:39:54 GMT
Had a good chuckle watching Alex Jones and Ronan Keating navigate the name on The One Show. Thanks to the member who posted to flag Taron and Jonathan were on the show. As this opens on Saturday, I was surprised there’s not more excitement on the board for this play - is anyone going this weekend? I’m not there until almost the end of the month - the same weekend Bridgerton season 2 launches on Netflix so no doubt Jonathan’s profile will soar with the two projects running at the same time. I find it hard to get excited about something that is so expensive and excludes many people.
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Post by Someone in a tree on Mar 2, 2022 13:30:04 GMT
@jan great article thanks for sharing.
Various commentators saying this is begining of the end of Putin but they are not saying how long he has left apart from 'quite a while'
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Post by Someone in a tree on Mar 1, 2022 8:06:55 GMT
I want keen on the prologue and epilogue but loved the rest especially Kathleen Hunter. 90% of this production is amazing.
I don't read reviews or threads until I've seen a show, I've now discovered the director and adaptor has decided to 'improve' it. He shouldn't of bothered.
But an evening of brilliantly accomplished performances that reiterated why I love theatre.
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Post by Someone in a tree on Mar 1, 2022 8:02:32 GMT
It is time to sell off the National Theatre complex and turn it into a truly NATIONAL company. It can have a base in the Midlands and create work that goes out to all parts of England. Small, mid and full scale productions that speak to the whole nation not an urban metropolitan elite. That would refocus the place theatre holds in our national cultural life ENO can do the same. If you are going to claim public funds as a National company, then you have to take the work to the whole country. Sorry to play devil's advocate and state the obvious, but why * wouldn't * a national company, be it ballet, theatre, opera, or an orchestra NOT be based in the capitol city? Seems to me that the national companies attract an audience from not only outside the south, but also outside the country. If you want to be where the creme de la creme of talent is, the capitol is the place to base a company, and London has the reputation of being the best theatre centre on earth. Those companies can and DO tour. And I know I watched a lot of Royal Ballet as well as the National Theatre streaming online during lockdown. I've seen Royal Ballet on tour - their productions are every bit as glorious when they're guesting elsewhere as they are at Covent Garden. Touring is expensive. I remember a BBC documentary about English National Ballet who are paid to tour but would rather perform in London because its cheaper. Of course shows need to tour but they need to be correctly funded in the first place.
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Post by Someone in a tree on Mar 1, 2022 7:59:53 GMT
One of the first RSC shows I was taken to see by school was The Crucible. That was touring outside of the usual round of theatres: RSC/Nat West Tour 28 August-8 December 1984. The Winter’s Tale and The Crucible. Venues: 28 August-1 September, Doncaster Road Baths S****horpe, Humberside; 4–8 September, Newbiggin-by-the-Sea Sports and Community Centre, Northumberland; 11–15 September, Bassetlaw Centre Worksop, Nottinghamshire; 18–22 September, Ripon Cathedral, North Yorkshire; 25–29 September, Barrow-in-Furness Sports Hall, Cumbria; 2–6 October, Lodge Park Sports Centre Corby, Northamptonshire; 9–13 October, Royal Agricultural Showground Wadebridge, Cornwall; 16–20 October, Lincoln Cathedral, Lincolnshire; 23–27 October, Wessex Hall Arts Centre Poole, Dorset; 30 October-3 November, T P Riley School Walsall, West Midlands; 6–10 November, Stratford Park Leisure Centre Stroud, Gloucestershire; 13–24 November, Whitla Hall Belfast, Northern Ireland; 27 November-1 December, Morelose Sports Centre Workington, Cumbria; 4–8 December, The Dolphin Centre Darlington, Durham Wouldn't it be amazing to have to this sort of thing happening again? It certainly proves that it can be done if the will is there S****horpe - I'm loving how our sensors work. Sorry for going off topic.
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Post by Someone in a tree on Feb 28, 2022 18:35:35 GMT
Today I've discovered Flying over sunset and my god it sounds amazing with lots of beautiful lush string and bits of woodwind and horn. Stunningly beautiful.
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Post by Someone in a tree on Feb 28, 2022 11:09:51 GMT
I am a stepping stone for reading sh*te on twitter
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Post by Someone in a tree on Feb 28, 2022 9:27:50 GMT
This didn't do too well at last night's popularity competition. Oh dear
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Post by Someone in a tree on Feb 26, 2022 17:22:18 GMT
How can the guy who wrote Hex talk about talent?
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Post by Someone in a tree on Feb 25, 2022 11:19:31 GMT
Yay I love strange loop. Hopefully it will come over here soon. But I said that about the brilliant sounding Great Comet...
I also can't stop listening to the new Anyone can whistle recording with Dame Julia on
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Post by Someone in a tree on Feb 25, 2022 8:17:20 GMT
It's terrifying to see war on our door step. Ive holidayed in Ukraine twice and its mortifying to see spots I've stood on now on the news and covered in bloodshed.
I worry that Ukraine is Czechoslovakia and I'm wondering which country will be Poland
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Post by Someone in a tree on Feb 24, 2022 7:25:30 GMT
Does Ray Shell play the train to Milan?
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Post by Someone in a tree on Feb 23, 2022 16:31:02 GMT
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NT 2022
Feb 22, 2022 9:29:29 GMT
via mobile
Post by Someone in a tree on Feb 22, 2022 9:29:29 GMT
It's a bums on seats season
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