2,412 posts
|
Post by theatreian on Sept 30, 2017 21:42:16 GMT
Debbie and Alexandra were outstanding tonight.
|
|
60 posts
|
Post by skullion on Sept 30, 2017 22:09:04 GMT
(I'd love for someone... anyone... to explain why a Rodgers and Hammerstein song set in Maine, USA should have any connection at all with Liverpool, England... ) That dates back to the 60s when Gerry and the Pacemakers released it as a single, the crowd at Liverpool would sing along to the hits of the day during the game, and that one really caught on. This clip doesn't include it but has a couple of examples of the sort of thing: There is a debate as to whether it was Liverpool or Celtic who started singing it first but that's another matter!
|
|
2,302 posts
|
Post by Tibidabo on Sept 30, 2017 23:04:40 GMT
We're sitting right next to each other on the comfy sofa costume and hair wise, Miss Tibby. But I'm loving Susan, He he! Pass the lemon puffs Caify! I'd be interested to know what it is you love about Susan? Genuinely. I can't bear to watch her dance nor to listen to her when she opens her mouth. Normally I can see what it is when people like someone I don't or vice versa, but with her I really can't.
|
|
1,089 posts
|
Post by tonyloco on Sept 30, 2017 23:11:32 GMT
I agree with most of what has been said above, including the contradictory bits, but what I want to know is why, oh why, whenever they cut from one camera to another, the new camera is always showing just the upper bodies of the dancers and then the shot opens up until eventually their feet are visible. This procedure means that a great deal of the actual steps are not visible. You would think that somebody on the production team would realise that for a dance show the TV audience would really like to see the dancing, but I guess their priorities lie elsewhere, like finding furniture and props to distract and confuse! There's no point in me going on, and on, and on, about the strange choice of music and the weird arrangements, but I thought it was the last straw tonight when we actually got two genuine 1920s numbers for charlstons and they totally cocked up the vocals on 'If you knew Susie' and played 'Charleston' about fifty per cent too fast. Bah! Humbug!!
|
|
|
Post by Deleted on Sept 30, 2017 23:16:56 GMT
Wasn't overly impressed with anyone last week (Debbie and Giovanni probably being the most entertaining) but loved Aston and Janette's routine tonight, although I think it was more what Janette was doing with her body than anything else. Absolutely ridiculously good.
|
|
2,452 posts
|
Post by theatremadness on Sept 30, 2017 23:35:32 GMT
(I'd love for someone... anyone... to explain why a Rodgers and Hammerstein song set in Maine, USA should have any connection at all with Liverpool, England... ) It's the anthem for Liverpool F.C. since Liverpudlian group Gerry & the Pacemakers released their pretty popular cover in 1963. The title is actually written as part of a gate to an entrance of the stadium the football team play in. Obviously as Simon is Liverpudlian, is has many emotional connotations, not least the connection to the Hillsborough tragedy that, as it turns out, he was present at on the day the tragedy took place. www.liverpoolecho.co.uk/news/tv/simon-rimmer-strictly-dancing-hillsborough-13696444Anyhoo, loved the show tonight, real stand-outs were Aston & Alexandra, wouldn't be upset to see Charlotte and Brendan go. She's bad but not funny-bad and I find him thoroughly unlikable. But loved the rest and can't wait for next week. I agree that the standard seems to be a little lower overall than what we may be used to, but it's only Week 2 and anyhow, it's a positive for me as it means there's lots of scope for improvement and watching them all grow....hopefully!
|
|
|
Post by Deleted on Sept 30, 2017 23:40:20 GMT
If anything, this year is just proving to me how ridiculous it was that Danny Mac didn't win last year.
I mean he came out week one and delivered this:
No one last week did anything even 25% as good.
I guess I've never been one to care about the 'journey' or how much experience someone has had meaning that they should/shouldn't win.
|
|
19,803 posts
|
Post by BurlyBeaR on Oct 1, 2017 7:29:18 GMT
Can whoever is responsible for Claudia’s Comedy interludes please, PLEASE stop.
|
|
2,302 posts
|
Post by Tibidabo on Oct 1, 2017 7:42:37 GMT
Can whoever is responsible for Claudia’s Comedy interludes please, PLEASE stop. Nooooooo! Wash your mouth out! Dame Claudia is currently one of the only reasons I'm still watching. She's hilarious.
|
|
2,302 posts
|
Post by Tibidabo on Oct 1, 2017 8:53:16 GMT
I guess I've never been one to care about the 'journey' or how much experience someone has had meaning that they should/shouldn't win. I completely agree with this. I like watching them dance, regardless of how technically perfect they are/n't or, in particular, what experience they have/n't. I love seeing the partnerships nurture and grow and I definitely don't want to feel uncomfortable watching someone try something they really shouldn't attempt outside a locked bathroom - ie. John Sargent, Anne W., Biker cook man, Susan. I too loved Danny Mac, but also loved Ore and can see why the public went with him last year. The winners I have a problem with are people like Chris Hollins who snitched the glitterball out of Ricky Whittle's hands. ETA: That's not to say they shouldn't do each dance, technically, to the best of their ability - they should and, for example, last night Chizzy didn't do a true foxtrot and got penalised for that. But the judges are there to clamp down on that. I vote if I enjoy their performance.
|
|
1,089 posts
|
Post by tonyloco on Oct 1, 2017 9:27:33 GMT
Can whoever is responsible for Claudia’s Comedy interludes please, PLEASE stop. Nooooooo! Wash your mouth out! Dame Claudia is currently one of the only reasons I'm still watching. She's hilarious. My view is that La Winkleman can be funny, but not when her little acts with Tess Daley are laboriously performed and poorly produced. She is fine upstairs with the dancers after they have performed but if she has to do something of her own when she is with Tess then please can it something amusing. Reminds me of Elaine Stritch's farewell to Noel Coward after she had finished playing 'Sail Away' in London. As she went through the departure barrier she turned and called out to Coward: 'Don't forget to write' then she lowered her voice and added: 'Something funny next time!'
|
|
2,302 posts
|
Post by Tibidabo on Oct 1, 2017 9:32:54 GMT
She is fine upstairs with the dancers after they have performed Fine? FINE? I, respectfully beg to differ Señor del Loco. She is genius! her little acts with Tess Daley are laboriously performed and poorly produced. But, despite Miss Daly's best attempts to sabotage an already cruddy script, Claudia is still funny.
|
|
|
Post by Deleted on Oct 1, 2017 9:44:42 GMT
Thanks for the replies to my You'll Never Walk Alone question... I was already aware of the Liverpool pop group Gerry and the Pacemakers and how their song was adopted by Liverpool FC as their anthem back in the sixties. I should have explained my ignorance more clearly. Why? Why this particular song? How is it related to football? (Someone I know through a friend is a great Liverpool FC supporter, and has been for many years. When I asked him, he had no idea. He also had no idea it was taken from Carousel. He also had no idea what Carousel was. In fact he gave me a funny look. )
|
|
|
Post by Deleted on Oct 1, 2017 10:26:08 GMT
Caiphas I've always wondered the same thing- just why it got adopted by football has always puzzled me!
I loved Debbie again last night, and it's starting to bug me the backlash (not here specifically just in general) that she has dance training. Well her and about 4 others (that I can count/take an educated guess at). Like I said last week, and like Tibidabo says above, it's never stopped me enjoying it, personally I just don't like it when they hide it.
Anyway rant over. Loved Debbie. Still love Calman (and thought it was a great fun fit for her last night). Alexandra's dance was of course technically stunning but I just don't warm to her as person/performer but she may still win me over.
Still liking Joe and Davood, and think they'll be good contenders. As will Chizzy I think. Brian was fun but a bit ...much (and that's just the trousers!!) Ruth was a bit meh and I can't see her lasting long, or the Vicar (as much fun as he is as a person)
|
|
2,452 posts
|
Post by theatremadness on Oct 1, 2017 10:41:52 GMT
Why? Why this particular song? How is it related to football? From what I've read, it's the words and themes of the song. One article I've just read calls it 'a communal anthem of triumph and diversity', and that resonates pretty clearly with football fans. But to me, that's why the song is so popular. Just because we know it in the context of Carousel, it doesn't mean that those who hear it for the first time thanks to Gerry & the Pacemakers (or whoever) can't take away their own feelings from the song, based on the lyrics alone. That's what makes it great; yes it's an emotional climax to quite a dark story of a musical, but when isolated, it's also a generic (and I use the term very loosely, nothing about YNWA is generic!!) anthem of hope, which is why it's been covered in pop music so many times. For what it's worth, here's a (very slightly) more in depth article which explains How You'll Never Walk Alone became a Liverpool F.C. anthem and why it resonates so much. Again, after the Hillsborough tragedy in 1989, that song and the lyrics became more poignant for them than ever.
|
|
|
Post by Deleted on Oct 1, 2017 10:55:17 GMT
Funnily enough I'd just Googled and found that too... still doesn't really answer the question!
|
|
2,452 posts
|
Post by theatremadness on Oct 1, 2017 11:07:49 GMT
Funnily enough I'd just Googled and found that too... still doesn't really answer the question! Then I'm still not 100% sure what your question is exactly, because I really don't think it's any more complicated than what you've read! Maybe there is no particular rhyme or reason, just one of those things that 'happened'. Liverpudlian band releases song that gets to No.1, No.1 song gets played to Liverpudlian football crowd before match/manager of Liverpudlian football team really likes the song, Liverpudlian crowd take to the song and continue to sing it long after it was continuously played as it was at No.1, song becomes adopted anthem of Liverpool football club! For something with more of a Strictly slant, apparently Tim Lovejoy, (TV husband of Simon Rimmer on Sunday Brunch) sounded like he was about to drop the spoiler of all spoilers about who may have left last night live on TV this morning in an unscripted section, but saved himself before anything too important came out, which sounds like exactly the type of thing Tim Lovejoy would do.
|
|
|
Post by Deleted on Oct 1, 2017 11:28:08 GMT
I feel like those two are going to be responsible for dropping a massive spoiler at some point...can't imagine them keeping quiet when he gets kicked out!
On the subject of his dance, while it's not setting the world of ballroom on fire, I did think it was lovely he got to dance to a song that meant a lot to him.
|
|
60 posts
|
Post by skullion on Oct 1, 2017 11:42:54 GMT
Funnily enough I'd just Googled and found that too... still doesn't really answer the question! The reality is you'll probably never get an answer to that question, football fans are a funny breed, sometimes something just catches on for no good reason and stays. During the 2004/5 season, the chorus of the tune to Ring of Fire started becoming a thing at Liverpool games, especially during the European Cup run. No real reason for it, Johnny Cash has no discernible links to the team or the city. The story goes that a gang of lads started singing it on a coach trip to an away game, it caught on and became a thing from then on. There was thing reported in the media that there was a bit of an anti Beatles feeling in Liverpool in the 60s after they moved to London and were perceived to leaving Liverpool behind. Ive heard the band refute this and plenty of people from the city say the same but there could have been a feeling amongst some of championing a song by another merseybeat band as a bit of a snub to the Beatles. As others have said, the lyrics are very suited to being a football fan, the idea of going through the bad times with the hope that better times are coming and that sticking together will help things get better is pretty central to the idea of supporting a team.
|
|
|
Post by Deleted on Oct 1, 2017 11:48:34 GMT
Funnily enough I'd just Googled and found that too... still doesn't really answer the question! The reality is you'll probably never get an answer to that question, football fans are a funny breed, sometimes something just catches on for no good reason and stays. During the 2004/5 season, the chorus of the tune to Ring of Fire started becoming a thing at Liverpool games, especially during the European Cup run. No real reason for it, Johnny Cash has no discernible links to the team or the city. The story goes that a gang of lads started singing it on a coach trip to an away game, it caught on and became a thing from then on. There was thing reported in the media that there was a bit of an anti Beatles feeling in Liverpool in the 60s after they moved to London and were perceived to leaving Liverpool behind. Ive heard the band refute this and plenty of people from the city say the same but there could have been a feeling amongst some of championing a song by another merseybeat band as a bit of a snub to the Beatles. As others have said, the lyrics are very suited to being a football fan, the idea of going through the bad times with the hope that better times are coming and that sticking together will help things get better is pretty central to the idea of supporting a team. Mmm, I'm not buying that one. The Gerry and the Pacemakers' song was adopted in 1963; the Beatles' songs from the same era are upbeat numbers, hardly worth adopting as an anthem anyway...
|
|
60 posts
|
Post by skullion on Oct 1, 2017 13:08:37 GMT
Agreed, that was more of a possible aside rather than a definite reason. The more general point is that there is probably no absolute reason, just a set of circumstances that came together at the same time that made it catch on.
|
|
|
Post by Deleted on Oct 1, 2017 15:07:58 GMT
Seriously, Alexandra Burke needs to go. And quickly or I'm going to end up destroying my TV.
|
|
2,302 posts
|
Post by Tibidabo on Oct 1, 2017 15:10:59 GMT
Seriously, Alexandra Burke needs to go. Nooo! Gorgeous Gorka.....
|
|
|
Post by Deleted on Oct 1, 2017 15:16:25 GMT
Seriously, Alexandra Burke needs to go. Nooo! Gorgeous Gorka..... I feel so sorry for Gorka. First he left way too early last season, then he lost his teeth and now he's been saddled with a real Burke. He's clearly upset someone on the production team.
|
|
2,412 posts
|
Post by theatreian on Oct 1, 2017 16:06:23 GMT
I thought Alexandra was amazing. It seemed to me like a final performance last night.
|
|