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Post by Mark on Apr 15, 2024 9:31:39 GMT
The Booth would be perfect for it.
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Post by Mark on Apr 15, 2024 0:58:28 GMT
I did not think this came over well at the Oliviers. The use of the actors own accents (to me) does not work and create any kind of cohesive world (particularly for me Grace and Mel) - and Hades needs to sing about another octave down... I haven’t seen it in the West End yet but the accents are certainly jarring if you’re used to the Broadway album.
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Post by Mark on Apr 13, 2024 16:53:15 GMT
I wish this was the OTHER wild party.
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Post by Mark on Apr 12, 2024 11:05:30 GMT
£39.50 as the lowest price point. Madness.
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Post by Mark on Apr 11, 2024 22:22:19 GMT
Curious as to what will transfer from the current Broadway season. Of the musicals, I would say The Notebook and Tommy the most likely two to make it to the West End. The others I think it unlikely we see in their current productions, although The Outsiders would be nice to see transfer (and Lempicka, but with its current numbers I'd say very doubtful) For plays I imagine we could see Stereophonic at Hampstead theatre or somewhere similar. Isn't Stereophonic produced by Sonia Friedman? She'd probably take it straight into the West End. Aah yes I'd forgotten she was involved. It's a strange one because it's such an intimate show.
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Post by Mark on Apr 11, 2024 22:21:18 GMT
I´m going towards the end of the run. This London trip will be pretty expensive, so I´d ideally not pay too much for a ticket. Should I get the cheapest seats now (central gallery), or wait for offers? One doesn´t know these days... There will definitely be discounts and offers closer to the date. Wait it out.
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Post by Mark on Apr 11, 2024 17:23:44 GMT
Curious as to what will transfer from the current Broadway season. Of the musicals, I would say The Notebook and Tommy the most likely two to make it to the West End. The others I think it unlikely we see in their current productions, although The Outsiders would be nice to see transfer (and Lempicka, but with its current numbers I'd say very doubtful)
For plays I imagine we could see Stereophonic at Hampstead theatre or somewhere similar.
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Post by Mark on Apr 11, 2024 15:37:00 GMT
Miss Congeniality forever and always
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Post by Mark on Apr 9, 2024 14:26:40 GMT
I had a lot of fun here last night. The story is very basic (girl falls in love, falls out with her mum, learns to play piano), but the music is mostly great. I absolutely adored the arrangement for Girl on Fire. And the Finale of New York State of Mind was super energetic. The weak book (especially for the dad character) can kind of be overlooked because of it. I must mention a standout performance by Kecia Lewis - the heart of the show in every way and some breathtaking vocals.
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Post by Mark on Apr 8, 2024 14:10:07 GMT
I thought it was wonderful. The music is obviously great, but the staging and storytelling is truly great, it all comes together so well. Very impressed too of course by the choreo and lighting. All you could want in a big revival production - I’m curious whether this one will make the move to the West End, would do very well I’m sure.
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Post by Mark on Apr 8, 2024 13:39:33 GMT
This was nominated for best play at the Lucille Lortel awards (off-Broadway) last week.
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Post by Mark on Apr 7, 2024 16:47:58 GMT
Seeing this one today! Know very little about it except my dad was involved in a production at school and still goes on about it now.
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Post by Mark on Apr 4, 2024 3:36:47 GMT
I saw this tonight and thought it was great. A good old fashioned big Broadway musical. A really strong score overall. Jeremy and Eva are brilliant and get some real show off moments.
Having read some very mixed reviews online, it was a very pleasant surprise. This one will be done by every amateur group in the country once it’s released.
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Post by Mark on Apr 3, 2024 13:43:22 GMT
They definitely have Broadway ambitions. I’m wondering if a West End return may be on the cards first.
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Post by Mark on Apr 3, 2024 3:01:28 GMT
I thought this one was great! Really good music throughout, and some very impressive visuals - the scene mentioned above with the rain - hugely impressive. I'd not read the book or seen the film so the story was also a nice surprise. Brody Grant was absolutely wonderful as Ponyboy Curtis, and a very strong supporting cast. I think this show could do very well and settle in for a decent run.
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Post by Mark on Mar 31, 2024 15:28:34 GMT
This is the show I feel like I’ve been waiting for. I was captivated from the get go - the score is really great, and has some absolutely banging numbers - “Don’t Bet Your Heart”, “I Will Paint Her”, “Woman Is”, “Women” - I can’t wait for a cast album.
The whole cast are great but the night belongs to the Women. Eden Espinosa is triumphant and sounds great, Amber Iman has stage presence for days, Natalie Joy Johnson is hilarious in a part that seems written just for her, and Beth Leavel is great if unfortunately underused.
Staging all feels very fresh and exciting, really that’s the word for it - exciting. I think the word of mouth on this one will be really strong and I’m hopeful it will turn into a huge hit.
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Post by Mark on Mar 31, 2024 3:49:36 GMT
This was enjoyable. Act two is much stronger than act one, but overall it's a fun show with a fair bit going for it. The score is nothing special, but workable. The highlight is the circus performance elements. Felt very "American", not sure we'll see this one transfer over.
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Post by Mark on Mar 31, 2024 3:47:42 GMT
I found this much more like an opera than a musical. Found it difficult to engage, I wouldn't say it was a pleasant score to listen to and it really was Kelli O'Hara and Brian d'Arcy James which made this watchable. The plot is certainly unusual for a musical.
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Post by Mark on Mar 28, 2024 14:00:15 GMT
Criteria has changed for the £25 tix it seems. Both ticket holders need to fit the criteria (previously your +1 could be anyone if you weren't going based on age), and Key Workers now defined as those eligible for a Blue Light Card (no mention of teachers/shop workers anymore).
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Post by Mark on Mar 28, 2024 10:37:11 GMT
I liked this a fair bit. The main bit about the writing I didn't like was all the asides to the audience and some of the more surreal parts. I thought when it was focused on the main content it was very good, and the actors were excellent. Lots of interesting elements contained within the script
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Post by Mark on Mar 27, 2024 13:39:56 GMT
We have Mean Girls announcing a cast of established names and familiar faces and complaints they’re too old or predictable, and we get a cast of fresh faces for Starlight and it’s a “graduate showcase”.
Producers can’t win it seems!
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Post by Mark on Mar 26, 2024 0:13:26 GMT
It can't be worse than Viva Forever Yes, yes it can.
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Post by Mark on Mar 24, 2024 12:30:20 GMT
So was this planned to be open ended or planned to be limited run? Semi rhetorical question as I guess nobody other than the producers know. Wonder how long cast were initially contracted for. Anyway, I don't think this is selling nearly as badly as some online prophets of doom are decreeing. Advance seating plans for next few weeks look much healthier than Crazy For You ever did at same theatre! There are also no decent advance offers yet.... It was announced as an “initial 6 month run”. Vague, yes, but it’s not a doomsday early closure. deadline.com/2023/04/olivier-award-standing-at-the-sky-edge-west-end-transfer-1235316107/
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Post by Mark on Mar 22, 2024 10:33:00 GMT
I found it rather slow and agree that it's only 3 stars because of how strong the leads are. A very average afternoon.
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Post by Mark on Mar 21, 2024 22:35:37 GMT
This was awful. Bad music, bad script, bad acting - the lot. Possibly the worst “musical” I’ve seen in the West End.
There was a lot of mic cracks in act two, resulting in a show stop 10 mins from the end. The funniest moment of the night was the scripted scene (in the show) comes and apologises for the delays, just moments after the actual stagehand did the same.
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Post by Mark on Mar 21, 2024 0:05:18 GMT
I just got a reduced ticket for today's matinee near the end of Row D in the Dress Circle for £50. Hope I can see some of it! How did you manage it? Also does anyone have opinions of stalls row V or W? Trying to contemplate a way of seeing this that I can afford. They were reduced to £50 online. I'd definitely avoid the back of stalls for this one and opt for side dress at the same price instead. If the screens cut off you'll lose a lot.
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Post by Mark on Mar 20, 2024 19:41:04 GMT
Was there today matinee the opposite end of row D dress (seat 27) very little restriction for this one. Thought it was great, a tour de force performance and wonderful staging with some very clever camera work. Must-see
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Post by Mark on Mar 19, 2024 9:39:05 GMT
Hercules has also been rumoured and mentioned for TRDL Will the show be ready? Wasn't it undergoing a full rework? Considering it's already in previews in Hamburg and has it's big opening in 5 days time, I hope it's ready!
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Post by Mark on Mar 18, 2024 15:46:26 GMT
I caught this on Saturday night. It was fun, although looked to be a fairly cheap production. Cast were uniformly excellent though, loved Ethan Slater, Alex Brightman, James Iglehart and Chris Fitzgerald in particular. It certainly feels dated though, although fortunately still plenty of laughs.
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Post by Mark on Mar 18, 2024 15:44:48 GMT
"Dawn O’Keefe is an evangelical Christian teen with a powerful secret not even she understands – when men violate her, her body bites back."
Is this the next cult musical? I managed to catch this yesterday and it is such a treat. A fantastic score and book, the hour and fifty minute runtime wizzed along, with some truly hilarious and gory moments throughout. It's Heathers meets Little Shop in the best possible way. The run is pretty much sold out but I'm certain there'll be a future life for this one.
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