4,156 posts
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Post by kathryn on Jan 6, 2017 14:28:37 GMT
Blimey, if everyone signed up for priority booking buys 2 tickets, that's 18 weeks' tickets sold before public booking opens.
How long is the initial booking period?
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Post by Deleted on Jan 6, 2017 14:37:54 GMT
I assume that only a certain amount of the house will be available for each show for priority booking. I don't think the initial booking period has been announced yet.
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Post by Deleted on Jan 6, 2017 14:38:03 GMT
Blimey, if everyone signed up for priority booking buys 2 tickets, that's 18 weeks' tickets sold before public booking opens. How long is the initial booking period? I'm assuming it will do an initial 6 month booking period, and then foloow suit with other redent West End shows and extend by three months at a time?
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146 posts
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Post by lou on Jan 6, 2017 14:41:53 GMT
Blimey, if everyone signed up for priority booking buys 2 tickets, that's 18 weeks' tickets sold before public booking opens. How long is the initial booking period? I think the official Twitter account tweeted someone saying that Summer 2018 would be included in the initial booking period.
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Post by Deleted on Jan 6, 2017 14:50:11 GMT
Some do book for 9 months to a year if they're pretty certain of a hit, (and to be fair, I think Hammy's producers are PRETTY certain of selling enough to limp by for a year ) I'm sure I read something to the effect of September 2018 but can't for the life of me think where.
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2,778 posts
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Post by daniel on Jan 6, 2017 15:42:26 GMT
I think it'll be like Cursed Child, where the pre-sale will have the initial 6 months or so of booking, and then when it comes to General Sale they'll extend booking and release another 6 months or so.
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364 posts
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Post by dazzerlump on Jan 6, 2017 15:50:12 GMT
I'm pretty sure I registered for the mailing list for this but I've not had any sort of priority booking email as yet? has anyone else?
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7,198 posts
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Post by Jon on Jan 6, 2017 15:52:31 GMT
I'm surprised e tickets aren't more common, Nimax do it for everything apart from Potter and the Plays at the Garrick season last year as do Nederlander, i would think ATG, Delfont Mackintosh etc should try and implement it
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330 posts
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Post by charliec on Jan 6, 2017 15:58:34 GMT
I'm pretty sure I registered for the mailing list for this but I've not had any sort of priority booking email as yet? has anyone else? There was an emailing confirming you were on the list back in October around when they closed the list but nothing since. Emails with booking details will be out next week some time apparently.
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364 posts
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Post by dazzerlump on Jan 6, 2017 16:02:34 GMT
I'm pretty sure I registered for the mailing list for this but I've not had any sort of priority booking email as yet? has anyone else? There was an emailing confirming you were on the list back in October around when they closed the list but nothing since. Emails with booking details will be out next week some time apparently. I best start searching through my emails as Im now doubting I ever registered!! will it be from Hamilton?
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330 posts
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Post by charliec on Jan 6, 2017 16:05:37 GMT
There was an emailing confirming you were on the list back in October around when they closed the list but nothing since. Emails with booking details will be out next week some time apparently. I best start searching through my emails as Im now doubting I ever registered!! will it be from Hamilton? . I got it on the 21st Oct at 2ish from Hamilton@delfontmackintosh.co.uk I think registering for the list was open for a few days after that though so they might not have sent it out to those people.
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364 posts
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Post by dazzerlump on Jan 6, 2017 16:07:49 GMT
I best start searching through my emails as Im now doubting I ever registered!! will it be from Hamilton? . I got it on the 21st Oct at 2ish from Hamilton@delfontmackintosh.co.uk I think registering for the list was open for a few days after that though so they might not have sent it out to those people. Thanks, I've found it, I was sure I'd registered after seeing In The Heights last August but was starting to doubt myself!
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171 posts
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Post by musicalfloozie on Jan 6, 2017 19:32:14 GMT
I'm quite hoping I did sign up but not 100% sure and most of my emails deleted! I can search and there is a hamilton delfont mac result so must have maybe received one that's been deleted. Fingers and toes crossed!!
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330 posts
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Post by charliec on Jan 8, 2017 22:57:54 GMT
Anyone here run the @hamiltonldnfan account that recently popped up on twitter?
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857 posts
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Post by stuartmcd on Jan 9, 2017 23:03:45 GMT
Interesting article on the stage website today about how they intend to stop ticket touts for Hamilton in London. You will only be able to get your physical ticket once you arrive at the theatre
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2,041 posts
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Post by 49thand8th on Jan 10, 2017 3:27:37 GMT
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3,057 posts
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Post by ali973 on Jan 10, 2017 7:08:16 GMT
Didn't they do that for Miss Saigon day seats?
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4,369 posts
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Post by Michael on Jan 10, 2017 7:31:20 GMT
Didn't they do that for Miss Saigon day seats? They did. I only got a voucher in the morning which I had to exchange for the actual ticket 30min before curtain up (IIRC) - and I had to present my ID card.
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3,057 posts
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Post by ali973 on Jan 10, 2017 11:15:18 GMT
Right, I remember that. I think 30 minutes is ample time to sell the ticket three times the price provided your buyer is waiting for you outside the theatre.
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Post by Deleted on Jan 10, 2017 11:23:16 GMT
Show the voucher to your buyer once you've received it, meet back at the theatre at five past 7, job's a good un.
I do hope there'd be ID-based checks or similar in place for Hamilton, because it does sound incredibly naive to say “you can’t put anything online to sell, if you haven’t got a physical piece of paper to sell" (if you think about it, that's EXACTLY what Delfont Mackintosh are doing, selling tickets online without immediately giving us a physical piece of paper to show for it!). Sadly it can be quite easy to sucker a person into buying less-than-reputable tickets, and I don't think "give me the money now and I'll forward you the confirmation email and you can pick the physical ticket up when you arrive" is a particularly impossible thing to sell. Difficult, sure, you'd hope a lot of people would think it far too risky, but not impossible.
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4,369 posts
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Post by Michael on Jan 10, 2017 11:27:00 GMT
Right, I remember that. I think 30 minutes is ample time to sell the ticket three times the price provided your buyer is waiting for you outside the theatre. And they can't do the 30min cutoff for Hamilton anyway because it's not just 25ish dayseaters but the entire theatre that has to exchange their vouchers.
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2,778 posts
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Post by daniel on Jan 10, 2017 11:37:09 GMT
I wouldn't be surprised if they installed machines similar to when you collect train tickets, insert payment card & confirmation number, tickets print out.
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Post by Deleted on Jan 10, 2017 13:07:17 GMT
I presume the thinking is that it stops the "professional touts" buying up tickets in bulk and reselling them, rather than necessarily making it impossible to resell tickets on an individual basis. However if you were buying a ticket on the secondary market and were told you wouldn't get the actual ticket until the night, would you part with the cash?
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2,705 posts
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Post by viserys on Jan 10, 2017 13:20:52 GMT
I wouldn't be surprised if they installed machines similar to when you collect train tickets, insert payment card & confirmation number, tickets print out. I have been giving this some thought. When the news broke I had a similar reaction to Baemax and others here. However, I think the problem with Hamilton on Broadway (and other events much in demand) aren't really the old-style touts who lurk around the theatres and try to shift 2-4 tickets per performance and who could still go about this as described above. But I assume that box office staff would soon start smelling a rat if they see the same person(s) turn up again and again for ticket collection. The new touts that blight Hamilton on Broadway are organized criminals, possibly not even living in the US, who use advanced bots to trick the American Ticketmaster system and scoop up 200-300 tickets per performance for Hamilton on Broadway and immediately offer them for resale. They rely on people buying through Ticketmaster's own resale system or other second market places like Viagogo, where the money flows entirely online (probably to some untraceable bank account). These people just want to rake in money big time from whatever basement flat they are operating out of, they won't bother with meeting buyers at the theatre daily, possibly can't even, depending on where they sit. British shows generally don't have the same kind of resale system as Ticketmaster US has, where people open the official ticket website seating plan and only see 300 seats available at $800 each and two at $150 in the broom closet. So I'm not really worried.
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Post by Deleted on Jan 10, 2017 13:23:38 GMT
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