Tony Predictions 2019- New recent suggestions

I agree with you on the other three, especially Daniels who some are predicting to actually win the Tony.

it's doing fine at the moment in the box office, the issue is tho, literally every week last year other than the first where they did two performances, they took over a million every week so there is no where to go but down. I'm impressed it's done as well as it had, I thoroughly thought this would be a movie musical adaptation flop. 😂

its very much Tootsie, Hadestown and The Prom battling it out, and I ultimately think it will be between Hadestown and The Prom. There are alot of potential noms for thst fourth slot!

The final precursor award nominations are out, the Drama Desk Awards:

This year, when determining the eligibility of the Broadway productions of “Hadestown,” “Torch Song” and “Choir Boy,” all of which had recent off-Broadway runs in previous seasons, the Drama Desk nominating committee chose to only consider “those elements that constituted new work.”

The productions of “Be More Chill,” “What the Constitution Means to Me,” “Oklahoma!” and “The New One” all had off-Broadway and Broadway runs in the same season. In those cases, both productions were considered together for the Drama Desk nominations.

Special awards will be given out to the ensemble of “Dance Nation, to costume designer Montana Levi Blanco, actor Mia Katigba and to theater company Repertorio Español.

As with the Drama League and Outer Critics Circle Awards, the “Boys in the Band” did not provide tickets to Drama Desk nominators, due to limited ticket supply, and thus was not eligible for consideration.

The Drama Desk Awards are voted on by theater critics, journalists, editors, publishers and broadcasters.

Full List:

Outstanding Play

“Fairview,” by Jackie Sibblies Drury, Soho Rep
“The Ferryman,” by Jez Butterworth
“Lewiston/Clarkston,” by Samuel D. Hunter, Rattlestick Playwrights Theater
“Usual Girls,” by Ming Peiffer, Roundabout Theatre Company
“What the Constitution Means to Me,” by Heidi Schreck, New York Theatre Workshop and Broadway

Outstanding Musical

“Be More Chill”
“The Hello Girls,” Prospect Theater Company
“The Prom”
“Rags Parkland Sings the Songs of the Future,” Ars Nova
“Tootsie”

Outstanding Revival of a Play

“Fabulation, or the Re-Education of Undine,” Signature Theatre
“Henry VI: Shakespeare’s Trilogy in Two Parts,” National Asian American Theatre Company
“Our Lady of 121st Street,” Signature Theatre
“Summer and Smoke,” Classic Stage Company/Transport Group
“The Waverly Gallery”
“Uncle Vanya,” Hunter Theater Project

Outstanding Revival of a Musical

“Carmen Jones,” Classic Stage Company
“Fiddler on the Roof,” National Yiddish Theatre Folksbiene and Off-Broadway
“Kiss Me, Kate, Roundabout Theatre Company
“Merrily We Roll Along,” Fiasco Theater/Roundabout Theatre Company
“Oklahoma!,” Bard Summerscape/St. Ann’s Warehouse and Broadway

Outstanding Actor in a Play

Jeff Biehl, “Life Sucks”
Edmund Donovan, “Lewiston/Clarkston”
Raúl Esparza, “The Resistible Rise of Arturo Ui”
Russell Harvard, “I Was Most Alive With You”
Jay O. Sanders, “Uncle Vanya”

Outstanding Actress in a Play

Midori Francis, “Usual Girls”
Zainab Jah, “Boesman and Lena”
Elaine May, “The Waverly Gallery”
Laurie Metcalf, “Hillary and Clinton
Heidi Schreck, “What the Constitution Means to Me”

Outstanding Actor in a Musical

Brooks Ashmanskas, “The Prom”
Andrew R. Butler, “Rags Parkland Sings the Songs of the Future
Damon Daunno, “Oklahoma!”
Santino Fontana, “Tootsie”
Steven Skybell, “Fiddler on the Roof”

Outstanding Actress in a Musical

Stephanie J. Block, “The Cher Show”
Beth Leavel, “The Prom”
Rebecca Naomi Jones, “Oklahoma!”
Anika Noni Rose, “Carmen Jones”
Stacey Sargeant, “Rags Parkland Sings the Songs of the Future”

Outstanding Featured Actor in a Play

Charles Browning, “Fairview”
Arnie Burton, “Lewiston/Clarkston”
Hampton Fluker, “All My Sons”
Tom Glynn-Carney, “The Ferryman”
Brandon Uranowitz, “Burn This”

Outstanding Featured Actress in a Play

Harriett D. Foy, “The House That Will Not Stand”
Megan Hill, “Eddie and Dave”
Celia Keenan-Bolger, “To Kill A Mockingbird”
Ruth Wilson, “King Lear”
Alison Wright, “Othello”

Outstanding Featured Actor in a Musical

Corbin Bleu, “Kiss Me, Kate”
André De Shields, “Hadestown”
Sydney James Harcourt, “Girl from the North Country”
George Salazar, “Be More Chill”
Patrick Vaill, “Oklahoma!”

Outstanding Featured Actress in a Musical

Stephanie Hsu, “Be More Chill”
Leslie Kritzer, “Beetlejuice”
Soara-Joye Ross, “Carmen Jones”
Sarah Stiles, “Tootsie”
Ali Stroker, “Oklahoma!”
Mary Testa, “Oklahoma!”

Outstanding Director of a Play

Sarah Benson, “Fairview”
Stephen Daldry and Justin Martin, “The Jungle”
Sam Mendes, “The Ferryman”
Tyne Rafaeli, “Usual Girls”
Taylor Reynolds, “Plano”
Jeff Wise, “Life Sucks”

Outstanding Director of a Musical

Noah Brody, “Merrily We Roll Along”
Rachel Chavkin, “Hadestown”
Scott Ellis, “Tootsie”
Daniel Fish, “Oklahoma!”
Joel Grey, “Fiddler on the Roof”

Outstanding Choreography

Camille A. Brown, “Choir Boy”
Warren Carlyle, “Kiss Me, Kate”
Denis Jones, “Tootsie”
Lorin Latarro, “Twelfth Night”
Rick and Jeff Kuperman, “Alice by Heart”
David Neumann, “Hadestown”

Outstanding Music

Andrew R. Butler, “Rags Parkland Sings the Songs of the Future”
Joe Iconis, “Be More Chill”
Peter Mills, “The Hello Girls”
Mark Sonnenblick, “Midnight at the Never Get”
Shaina Taub, “Twelfth Night”
David Yazbek, “Tootsie”

Outstanding Lyrics

Chad Beguelin, “The Prom”
Andrew R. Butler, “Rags Parkland Sings the Songs of the Future”
Joe Iconis, “Be More Chill”
Peter Mills, “The Hello Girls”
David Yazbek, “Tootsie”

Outstanding Book of a Musical

Scott Brown and Anthony King, “Beetlejuice”
Andrew R. Butler, “Rags Parkland Sings the Songs of the Future”
Robert Horn, “Tootsie”
Bob Martin and Chad Beguelin, “The Prom”
Dominique Morisseau, “Ain’t Too Proud”

Outstanding Orchestrations

Larry Blank, “Fiddler on the Roof”
Simon Hale, “Girl from the North Country”
Daniel Kluger, “Oklahoma!”
Charlie Rosen, “Be More Chill”
Daryl Waters, “The Cher Show”

Outstanding Music in a Play

Paul Castles and Jongbin Jung, “Wild Goose Dreams”
Justin Ellington, “Mrs. Murray’s Menagerie”
Justin Ellington, “The House That Will Not Stand”
Nick Powell, “The Lehman Trilogy”
Jason Michael Webb and Fitz Patton, “Choir Boy”

Outstanding Set Design of a Play

Miriam Buether, “The Jungle”
Es Devlin, “Girls & Boys”
Maruti Evans, “The Peculiar Patriot”
Mimi Lien, “Fairview”
Matt Saunders, “Daddy”

Outstanding Set Design for a Musical

Rachel Hauck, “Hadestown”
Laura Jellinek, “Oklahoma!”
Laura Jellinek, “Rags Parkland Sings the Songs of the Future”
David Korins, “Beetlejuice”
Rae Smith, “Girl from the North Country”

Outstanding Costume Design for a Play

Dede M. Ayite, “By the Way, Meet Vera Stark”
Dede M. Ayite, “If Pretty Hurts Ugly Must Be a Muhf***a”
Ásta Bennie Hostetter, “Mrs. Murray’s Menagerie”
Toni-Leslie James, “Bernhardt/Hamlet”
Nicole Slaven, “Henry VI: Shakespeare’s Trilogy in Two Parts”

Outstanding Costume Design for a Musical

William Ivey Long, “Beetlejuice”
William Ivey Long, “Tootsie”
Bobby Frederick Tilly II, “Be More Chill”
Michael Krass, “Hadestown”
Bob Mackie, “The Cher Show”
Paloma Young, “Alice by Heart”

Outstanding Lighting Design for a Play

Amith Chandrashaker, “Boesman and Lena”
Amith Chandrashaker, “Fairview”
Jiyoun Chang, “Slave Play”
Jon Clark, “The Jungle”
Simon Cleveland, “Spaceman”
Yi Zhao, “The House That Will Not Stand”

Outstanding Lighting Design for a Musical

Adam Honoré, “Carmen Jones”
Bradley King, “Hadestown”
Jamie Roderick, “Midnight at the Never Get”
Barbara Samuels, “Rags Parkland Sings the Songs of the Future”
Scott Zielinski, “Oklahoma!”

Outstanding Projection Design

Peter England, “King Kong”
Katherine Freer, “By the Way, Meet Vera Stark”
Luke Halls, “The Lehman Trilogy”
Alex Basco Koch, “Be More Chill”
Peter Nigrini, “Beetlejuice”
Joshua Thorson, “Oklahoma!”

Outstanding Sound Design in a Play

Tyler Kieffer, “Plano”
Fitz Patton, “Choir Boy”
Nick Powell, “The Ferryman”
Jane Shaw, “I Was Most Alive With You”
Mikaal Sulaiman, “Fairview”

Outstanding Sound Design in a Musical

Simon Baker, “Girl from the North Country”
Drew Levy, “Oklahoma!”
Brian Ronan, “Tootsie”
Nevin Steinberg and Jessica Paz, “Hadestown”
Mikaal Sulaiman, “Rags Parkland Sings the Songs of the Future”

Outstanding Wig and Hair Design

Campbell Young Associates, “Gary: A Sequel to Titus Andronicus”
Cookie Jordan, “Eddie and Dave”
Paul Huntley, “Tootsie”
Charles G. LaPointe, “Beetlejuice”
Charles G. LaPointe, “The Cher Show”

Outstanding Solo Performance

Mike Birbiglia, “The New One”
Carey Mulligan, “Girls & Boys”
Liza Jessie Peterson, “The Peculiar Patriot,” National Black Theatre/Hi-Arts
Erin Treadway, “Spaceman,” Loading Dock Theatre
Phoebe Waller-Bridge, “Fleabag”

Unique Theatrical Experience

“All is Calm: The Christmas Truce of 1914,” Theater Latté Da/Laura Little Theatrical Productions / Sheen Center
“Love’s Labor’s Lost,” Shake & Bake
The B-Side: “Negro Folklore from Texas State Prisons,” The Wooster Group
“What to Send Up When it Goes Down,” The Movement Theatre Company

Outstanding Fight Choreography
U. Jonathan Toppo, “The Tragedy of Julius Caesar”
Claire Warden, “Daddy”
Claire Warden, “Slave Play”

Outstanding Puppet Design

Michael Curry, “Beetlejuice”
Sonny Tilders, “King Kong”
Tschabalala Self, “Daddy”

Ensemble Award: To the uncanny ensemble of Dance Nation for their pointed portrait of a dance troupe riven by competition but fused by the experiences of youth: Purva Bedi, Eboni Booth, Camila Canó-Flaviá, Dina Shihabi, Ellen Maddow, Christina Rouner, Thomas Jay Ryan, Lucy Taylor, and Ikechukwu Ufomadu.

Sam Norkin Award: To Montana Levi Blanco, who enriched this season with his vibrant and detailed costumes for Fairview, The House That Will Not Stand, Fabulation, Or the Re-Education of Undine, Eddie and Dave, “Daddy,” and Ain’t No Mo’. If a picture is worth a thousand words, a Blanco costume is worth considerably more, telling us a complete story about its wearer while giving us something fabulous to look at.

To Mia Katigbak, the backbone of the off-Broadway scene, we acclaim her for her performances this season in Henry VI: Shakespeare’s Trilogy in Two Parts, The Trial of the Catonsville Nine, Peace for Mary Francis and Recent Alien Abductions. This award also recognizes her vital presence as the artistic director of NAATCO and her sustained excellence as a performer and mentor.

To Repertorio Español for presenting a year-round rotating repertory of new and classic Spanish-language plays in its intimate Gramercy venue. For the past 51 years, Repertorio has been an indispensable theater for Spanish-speaking audiences, while inviting non-Spanish-speaking theatergoers to discover the delights of the Spanish-language canon and introducing New York audiences to the work of actors like Zulema Clares and Germán Jaramillo.

No Ink either.

Bryan Cranston is missing as well.

Rachel Chavkin’s nomination is confusing.  She has been with Hadestown since the Off-Broadway run so shouldn’t she be eligible?  Did she change so many elements from the Off-Broadway run that it’s considered a new piece of work? Wouldn’t that make Hadestown a rivival in the Drama Desk eyes?

Sorry guys, I’m really overthinking it. 

I agree, these awards tend to go a bit out there.

I'm excited for Leslie Kritzer! I like her alot and she's got nominations in all the places she needs to so it looks like she's a lock for Beetlejuice and likely the only nomination in the acting catagories for that show.

Based on prior nominations, it looks like Beetlejuice can look at nominations for Leslie, Set Design and Costume Design.

Hadestown, Tootsie, and The Prom will definitely get the best musical nomination, the other one or two slots are up for grabs.

I think Ink will be the shut out this year. It hasn’t gotten a lot love at any of the other award ceremonies.

Here's a chart indicating what the Drama Desk nominations might mean for the Tony nominations. The connections seem to be inching up. Off-Broadway shows are discounted from this compilation, which was prepared by Broadway World.


Year/Eligible DD Nominees That
Earned Tony Nominations/Percentage

2018 60 of 72 83%
2017 52 of 75 69%
2016 50 of 71 70%
2015 48 of 69 70%
2014 60 of 83 72%
2013 50 of 75 67%
2012 46 of 74 62%
2011 52 of 75 69%
2010 51 of 85 60%
2009 52 of 89 58%
2008 49 of 83 59%

Everyone in THE PROM!

Words do not say how much I HATED that Oklahoma with the house lights on. Good performances yes but even the free Chili couldn’t save this strange, odd, drunken version of a classic show! NO!

Well... Beetlejuice has certainly slayed in terms of nominations, wow!

Glenda Jackson not getting nominated is stunning!

To Kill A Mockingbird not getting a Best Play nomination is utterly ridiculous!

At least Celia will probably win. Best Actress in a play is exceptionally hard to call (fingers crossed for Laura Donnelly, though I'm not expecting her to win), but Celia seems to be the clear front-runner for Featured Actress.

I'm not surprised Glenda Jackson hasn't been nominated, it sounds like plenty of people have hated that production!