471 posts
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Post by mistressjojo on Dec 4, 2018 1:43:24 GMT
You know, the frog made sense to me. If you were a sentient universe with no-one else for company, why wouldn't you take a form that gives you pleasure? It could have as easily been a talking potato. It had no need to appeal to the Doctor's sentiment by becoming say Rose or Donna, because the Doctor was already there. And I think that would have just made her angry anyway.
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999 posts
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Post by Backdrifter on Dec 4, 2018 11:20:39 GMT
This episode owes a significant debt to JK Rowling. The mirror thing - very much a play on the Mirror of Esired - connecting you to what you want (albeit using a different mechanism and for different reasons) The sequence where the Doctor is trapped with the Talking Frog was very similar to the sequence where Harry meets up with Dumbledore on the all white Platform 9 3/4. The aesthetics and conversation felt very familiar. On the whole it was a fairly decent episode (one of the better this season) but the frog was a bit much (though suspect we might see it again...) Yes! Especially the HP/Dumbledore KX thing, which immediately occurred to me too. Didn't think about the possible frog re-appearance, but can definitely see it now you've mentioned it. On the whole, a good episode. I said further back in the thread, in the responses to ep1, that SDC would probably re-appear.
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999 posts
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Post by Backdrifter on Dec 4, 2018 13:01:03 GMT
Caught up with this week's one too. I'm afraid I mostly hated it. Ripping off Potter and Lord of the Rings is one thing, but it was something else that had me absolutely steaming angry: A person is blind. So the caring Doctor takes advantage by writing a message about her on the wall - knowing she can't read it. Wowza, and double wowza, how f**king crass can you get? Did nobody think? One of the most tasteless things I've ever seen on television. Doubt anyone else on here will feel the same, but it has me raging. You're right it was crass. The character in question was shown as not fooled by the Doctor's actions but her anger was then directed at someone else.
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3,320 posts
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Post by david on Dec 5, 2018 13:28:36 GMT
From an article on Digital Spy today, it looks like we will be getting an animated version of the 1960s lost story The Macra Terror to be released next March with a special screening at the BFI before it gets released (March 16 for the screening and 18th for the dvd and digital download). I’ve got high hopes for this as the previous animated stories release I thought were very well done.
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Post by Deleted on Dec 10, 2018 10:30:51 GMT
The next series won't be until 2020 - spring I'm guessing. Hopefully they restore Xmas day special for 2019. Then the series after autumn 2021and Jodie departs 2021 Xmas special. The last couple of Drs have followed roughly the same 4 year cycle.
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Post by oxfordsimon on Dec 10, 2018 10:35:53 GMT
As series finales go, that was a complete mess. It was so confused as to the narrative, the motivation of the characters. The plastic boxes containing planets made zero sense and looked so cheap.
Poor writing and poor directing.
3/10
And as for the next series, I can see them starting it with the 2020 NYD special and going on from there
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Post by Deleted on Dec 10, 2018 10:52:34 GMT
I didn't like the split series they did with Matt Smith so if you cannot get 12 episodes done each year or without the quality and effects suffering then maybe do say 7 or 8 a year including Xmas/NYD specials and schedule series either before or after Xmas or spring each year.
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3,320 posts
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Post by david on Dec 10, 2018 21:00:36 GMT
Having had 24hrs to have a think about my thoughts on yesterday’s season finale, I’ve got to say that I was definitely disappointed with what was offered. While I thought the cinematography and location work was good, I’m definitely in the camp with the storyline being messy. There where lots of ideas thrown around in the episode, but none really fully developed.
I certainly felt this was more of a “normal” episode rather than being a season finale one. I think that this ultimately as a direct result of having a season of singular episodes rather than having a story arc season. For me this meant that you couldn’t have a build up of tension over the season to see it culminate in a big final episode. I appreciate that the new production staff wanted to get away from the story arc idea of previous years which to some sextent I agree with as certainly I found the SM era arcs a bit too much. Though the going back to basics approach of having a series of stand alone episodes as in the classic era certainly had mixed results. For me personally, looking back over the entire season, there wasnt an episode where I thought there’s story I’d like to watch again in the future. Nice to watch as a one-off but not enough to make me want to order the box set.
Did the idea of having a series of episodes exploring social issues intertwined with sci-fi payoff? Well, if the idea was to get back to the core idea of what DW was intended for when It was first conceived, then yes it probably did. I thought the Rosa Parks episode was a thoughtful and written piece, though the sci fi element certainly wasn’t. Though maybe having the “social issue” of the week approach was a bit too much. The main issue for me is that there hasn’t been a villain in the episodes where I thought, I’d love to see them back in future episodes for a rematch. Certainly there wasn’t exactly a baddie this year that for me would be memorable in years to come.
For the new TARDIS crew, certainly JW has a brought a new energy to the series and the companions were certainly more enjoyable to watch this series than some of the previous TARDIS crew, though for me Bradley Walsh has been an absolute revelation and a real joy to watch. His scenes, particularly with Sharon D Clarke have been some of the best in the season, though I just feel having 3 companions just doesn’t work. You get the situation where one of the characters as a result suffers in terms of character development. For me sadly this has been Mandip Gill as Yasmin. A lovely actor but her character really hasn’t had much impact for me.
Overall, not a bad season, though certainly I would like to see the return of some of the classic villians in 2020 if we don’t get the Daleks in the new year episode, as well as having at least a 2 parter to bring back the cliffhanger element that has been missing this season.
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214 posts
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Post by BoOverall on Dec 12, 2018 11:17:42 GMT
I am such a Dr Who fan (the classic series and the re-boot) and I enjoyed this series, but it never once fully gripped me or made me that excited for the next episode, something I often felt in the past (even when there were dodgy stories and dubious writing in previous series). But I love Jodie Whittaker's Doctor massively.
Most of the "villains" were pretty lacklustre and an "oh is that it?" about them, and while I don't want rehashes of the classic villains ad nauseam, I would love to see the occasional return. Or new monsters and villains that really deliver on the menace and evil stakes!
There were some terrific stories - for me, "Rosa" and "Demons of the Punjab" stood out. And "It Takes You Away" had the potential to be stunning - but I still find that frog ending beyond daft - had frog then performed a duet of "Don't Stop Me now" with Sharon D Clarke, I might have forgiven things!
While the companions were good enough, and well acted (love Bradley Walsh and his character - he, for me, is the standout companion), having 3 of them stopped me from really caring that much about them.
I like stand-alone episodes generally, but at times I felt I was watching partly out of duty. I want to have something of a full story arc (or even several sub-arcs!) running through a series to add depth to proceedings - without it getting all too bogged down. How I miss the reveals from earlier series since the re-boot that then make me go back to earlier episodes to look at the clues that were there all along! And I, too, miss having the occasional cliffhanger.
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999 posts
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Post by Backdrifter on Dec 12, 2018 12:25:36 GMT
I had a sort of slow puncture of enthusiasm about this series. I loved the opening episode, it started things on a high but the graph then had a shallow downward slope from there, with a slight pick-up at the end and a high blip for the one with the pregnant bloke. It was a bit like one of those albums where the opening track is by far the best one and makes you hope the rest of it is as good, when it isn't.
I hope they stick with the no story arc but make more of an effort to build some tension and a genuine sense of danger, both of which were missing from this series and which I don't think can be ascribed to the lack of a story arc. I was pleased they went with the standalone stories approach of the classic era and I want them to make it work better than it has here, and show that you can achieve that sense of tension and jeopardy without the arc, which should be possible.
Having three companions has, I agree, to some extent diluted the Doctor-companion relationship and also created a sense of Graham being the strongest and most stand-out one. That in turn has skewed the dynamic despite the stories' attempts to show the four of them working as a team. But overall I think they made a fair stab at changing things around in light of the bold move to a female Doctor. She was good and very watchable but just a bit too manic. She was at her best when she slowed down a bit and became a little darker, but it didn't happen enough. But it'd be too jarring to change that now.
So we have the new year's day one then nothing until some time in 2020.
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Post by jaqs on Dec 12, 2018 21:42:23 GMT
We've barely got to know any of them or the new Tardis. The format of land somewhere and fix something is grating on me. With a whole new cast we need to see them between adventures or just having a travel episode or something. Agree the stakes have been too low each week.
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214 posts
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Post by BoOverall on Jan 1, 2019 20:34:16 GMT
Wow, Dr Who has finally delivered! This New Year’s Day episode was a triumph and a wonderfully fresh Dalek slant.. A real treat and thrill after the up and down nature of the recent series. Cracking story, delivered very well indeed.
Some genuinely funny moments, too, worked in fabulously: loved the random family coping with the implications of internet down. And the suspension of UNIT.
Loved it!
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3,320 posts
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Post by david on Jan 1, 2019 21:07:27 GMT
For the 1st time this series, this was a episode that actually ticked all the boxes for me about what Dr Who should be. A good story, a great enemy, and that sense of danger for the TARDIS crew all combed for a good 60mins of television. For me, these are what have been lacking in the Season 11 episodes. The Xmas episodes haven’t exactly been great viewing over recent years, but this one more than made up for them. This is the type of episode that should be the standard when the show returns.
Personally, the scene of the entire episode was when the UK internet went down and one of the kids turns to their mother and asks “What are we going to do now?”. The mother replies with a look of sheer horror “ I suppose we will have to have a conversation”.
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999 posts
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Post by Backdrifter on Jan 2, 2019 0:08:26 GMT
I agree with the above posts on the NYD episode. It's the sort of level they need to sustain for future series, especially now there'll be such a long interlude.
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Post by Deleted on Jan 2, 2019 0:49:47 GMT
Afraid I hated the New Year's Day episode - if that is what they are going to be like from now on then I am definitely done with this show.
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Post by oxfordsimon on Jan 2, 2019 1:25:55 GMT
There were two credible characters in this episode - the two archaeologists in the opening scene. They had a genuine dynamic and were worth watching.
After that we really had nothing. Far too much build up and not enough pay off.
Too much time on father/son stuff that added nothing to our understanding of anything and just filled air time. And then there was Chekhov's microwave which was shoehorned in with no respect for proper dramatic construction. We also got a shoehorned reference to dyspraxia - something that has hardly been a factor other than the bike-riding sequence in the first episode.
Does Jaz have any real personality or contribution to the team/show as a whole?
It is poorly written, poorly plotted, poorly paced. It was a 45 minute story arc with padding to make it fit the timeslot. I hated the random family scene - that was weak, lazy writing.
Chibnall has made some very bad calls since taking over. The fact that he is having to defend the direction he has taken the show is not encouraging for the long-term health of the programme.
I have no issues with Jodie Whitaker - she is finding her feet in the role. But I have major issues with the writing (character development is very poor), the plotting and the pacing of episodes.
It is seriously misfiring. If the start of the next season shows no improvement, I will be another who gives up until a new showrunner is appointed.
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543 posts
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Post by freckles on Jan 2, 2019 11:50:07 GMT
I enjoyed this episode more than the rest of the series, which I've found really disappointing. It still had its faults; the father/son scene could have been cut, the sonic screwdriver seems to have become an all-purpose scanner that gives the Doctor info too easily, the microwave oven business was just silly, and the assistants still do far too much standing around for my liking. But the plot and the pacing were better, and the dalek-squid a credible alien baddie at last.
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Post by jaqs on Jan 2, 2019 12:05:26 GMT
I loved the death by microwave. Charlotte Richie’s character would be a terrific companion, the archeology background could bring something interesting to the story that we don’t get with the current trio, who are feeling increasingly irrelevant.
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Post by Deleted on Jan 2, 2019 18:02:08 GMT
I got bored and found myself doing other things. It was better than some of the recent series, but and much better than the Capaldi ones which I hated, but overall I feel very underwhelmed.
I liked: the archeologists, especially the woman. The sewer setting, which also looked like a Roman cistern. The squidgy squid dalek. I hated: the far too lengthy scenes with Ryan's dad, which broke up the pace just as it was getting exciting. The microwave cop out. The awful scene with the family having to have a conversation (cheap lazy joke).
I don't think the 3 assistants thing is working. There's no time to get to know any of them properly, they all just feel a bit token. I think it would work better with just one of them (I vote for Brian!)
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Post by Deleted on Jan 2, 2019 18:11:10 GMT
Or in fact Graham! Or whatever his name is.
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Post by oxfordsimon on Jan 2, 2019 18:55:16 GMT
The sewer setting gave it atmosphere - but it didn't quite make sense of the geography we were shown of where the body was left 900 years before. Given that that was on a fairly exposed roadway, it seems highly unlikely that the ground level would have risen so much in 900 years that the roadway would now be well below the city street level (where you would find a sewer)
Yes, I know that it nit-picking. But if you put something out into the world, you should at least make it consistent with itself.
Similarly, how did someone from 12th century Britain find their way to the South Pacific? And how did these protectors manage to reproduce - if they were never allowed to leave their posts?
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Post by Backdrifter on Jan 3, 2019 1:26:46 GMT
Was going to give it 5 stars... right up until the bit where they had a pop at Brexit with the military helpline thing. Knocked off 4 for that. Cheap and wrecked something that was finally firing like the show should. I'm so dimwitted with these things sometimes. I had no idea the helpline scene was a dig at brexit.
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2,761 posts
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Post by n1david on Jan 3, 2019 8:30:05 GMT
Was going to give it 5 stars... right up until the bit where they had a pop at Brexit with the military helpline thing. Knocked off 4 for that. Cheap and wrecked something that was finally firing like the show should. I'm so dimwitted with these things sometimes. I had no idea the helpline scene was a dig at brexit. Me neither. I’d interpreted it as a jibe against austerity.
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Post by Deleted on Jan 3, 2019 9:31:27 GMT
Brexit deserves to have pops made at it, and Doctor Who has *always* been a socially and politically conscious show.
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2,761 posts
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Post by n1david on Jan 3, 2019 12:26:01 GMT
"All UNIT Operations were put on hold following financial dispute and subsequent funding withdrawal by the UK's major international partners"
If you really want to read Brexit into that I guess you can, but I think you're stretching a point. Definitely sounds like austerity to me. Also, the episode was set on Jan 1 2019, when Brexit hadn't yet happened.
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