524 posts
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Post by callum on Sept 22, 2018 20:51:50 GMT
Am trying to shift a ticket to the sold out screening of The Bill Murray Stories doc on Weds 10th if anyone wants to do me a favour and take it off my hands.
FYI Mahershala Ali is going to be in town next month, so Green Book (the TIFF Audience Award winner) might be good shout for Surprise Film.
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18 posts
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Post by londonland on Sept 26, 2018 9:46:40 GMT
Found the website worse this year actually, likely wasn't helped by having Cineworld rather than Odeon with considerably less seats. First time in three years I've missed out on something I wanted (The Favourite premiere). Got the Embankment screening instead which BFI seem to be saying will be a similar setup, just an hour or so later. Friday 12 October 2018 20:40 - Widows Saturday 13 October 2018 14:00 - Surprise Film 18:00 - Beautiful Boy Sunday 14 October 2018 13:45 - Roma Thursday 18 October 2018 20:15 - The Favourite Saturday 20 October 2018 11:30 - Can You Ever Forgive Me? 17:30 - If Beale Street Could Talk Have everything crossed that the surprise film will be Vox Lux. Vox Lux has been added to the official programme! Screenings on 15 and 16 October.
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Post by Deleted on Sept 26, 2018 12:10:42 GMT
Found the website worse this year actually, likely wasn't helped by having Cineworld rather than Odeon with considerably less seats. First time in three years I've missed out on something I wanted (The Favourite premiere). Got the Embankment screening instead which BFI seem to be saying will be a similar setup, just an hour or so later. Friday 12 October 2018 20:40 - Widows Saturday 13 October 2018 14:00 - Surprise Film 18:00 - Beautiful Boy Sunday 14 October 2018 13:45 - Roma Thursday 18 October 2018 20:15 - The Favourite Saturday 20 October 2018 11:30 - Can You Ever Forgive Me? 17:30 - If Beale Street Could Talk Have everything crossed that the surprise film will be Vox Lux. Vox Lux has been added to the official programme! Screenings on 15 and 16 October. Thanks for thinking of me! Just got my ticket.
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1,503 posts
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Post by foxa on Oct 12, 2018 19:39:35 GMT
Amex presale booking is now open. I've booked for the free screening "Surprise Treasure" on Friday 12th October (which is more than enough info to work out what they are actually showing) Thanks for the tip about this - went today and enjoyed it - would never have noticed it if you hadn't flagged it up. We have been sworn to secrecy so can say no more about the 43 minute biopic. But rather loved 'Dottie Gets Spanked' - the performance from the little boy was amazing. Had to return my tickets for 'Destroyer' (with Nicole Kidman) - they changed the time from early evening to 9 p.m. and we couldn't make that.
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2,761 posts
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Post by n1david on Oct 12, 2018 23:05:37 GMT
Been So Long. Not bloody long enough. (Subsequent Internet searching says it was being hawked around Cannes last May and was sold to Netflix last September, where it will appear in a couple of weeks. Should’ve done my homework. )
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4,156 posts
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Post by kathryn on Oct 12, 2018 23:09:54 GMT
Kicked off my LFF with Sometimes Always Never, a lovely film about a family slowly coming to terms with their missing son/brother, starting Bill Nighy as the scrabble-obsessed father.
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Post by smallperson on Oct 12, 2018 23:34:08 GMT
Surprise film was Peter Farrelly's Green Book. We all had an excellent time trying to believe it really was Vigo Mortensen as one of the leads! Fortunately he came on after restored to his usual svelte self! Family voted the whole evening a hit having seen The Ballad of Buster Scruggs immediately before.
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3,040 posts
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Post by crowblack on Oct 14, 2018 11:11:45 GMT
On a side note, looking at the red carpet pics, I know we're supposed to be going through this 'me too' stuff but many lead actresses are still very thin. So often you see that thing when a British actress you're familiar with gets Hollywood film or TV work and suddenly she's all bones.
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4,156 posts
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Post by kathryn on Oct 14, 2018 22:55:04 GMT
‘Me too’ is specifically about sexual harassment - it has nothing to say about body size. There have been no pledges made for actresses to put on weight or casting directors to hire women who are larger. I wouldn’t expect that to be an outcome of it.
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3,040 posts
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Post by crowblack on Oct 15, 2018 8:48:35 GMT
‘Me too’ is specifically about sexual harassment - it has nothing to say about body size. It's part and parcel of the powerlessness in Hollywood and for women in other industries (and a reason the fashion industry is so keen now on models from abroad whose work permits mean it's harder to say no to weight loss and other demands - I have relatives in that industry and know it's an issue). Actresses when they go to Hollywood are told to lose weight - I remember one a few years ago when a leading British actress was told to lose weight to be a more plausible love interest for a Hollywood actor old enough to be her dad and then some. She was in a strong enough position to speak out. It's about women and women's bodies and the power they have over them and the power mostly male bosses have over them and keys into the same issues. Onscreen nudity is another issue being linked in with Me Too.
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4,156 posts
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Post by kathryn on Oct 15, 2018 9:17:42 GMT
It's a related issue in the grand scheme of women's place in Hollywood and other industries, certainly - but it's far too soon to be expecting to see change in that area. Especially as that's not a specific goal at the moment.
It's a long, long, road ahead - you can't expect every problem facing women in the film industry to be addressed in a year.
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3,040 posts
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Post by crowblack on Oct 15, 2018 9:47:24 GMT
you can't expect every problem facing women in the film industry to be addressed in a year. Well, it's been a long time building and when a dam bursts... and body image has been part of the metoo hashtag for a while now.
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4,156 posts
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Post by kathryn on Oct 15, 2018 10:01:06 GMT
It takes a lot longer than a year to get most films made! Even if studios, casting directors and directors decided tomorrow that they want to have a more diverse range of body-types among actresses in their films, you'd likely not see the results on red carpets until next year's round of festivals.
We're at least a few years off getting gender parity in writers and directors - assuming studios follow through on their stated aspirations - because of the timescales involved in putting film projects together. I'd not expect to start to see a shift in the area of body types until after that's been achieved, in all honestly.
There's a critical path, just like in any other change project - you need to get the right people in place first. You go for the easy wins to start with - the things everyone agrees need to change. You show everyone that change brings benefits as well as challenges, because you need to get buy-in from the key stakeholders for the larger project to work.
God, I sound like a management consultant now. But it's true - this kind of transformation doesn't happen quickly. You can't change things all at once overnight. It's a process.
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3,040 posts
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Post by crowblack on Oct 15, 2018 13:05:41 GMT
decided tomorrow that they want to have a more diverse range of body-types I think it has already been decided and it's being loudly demanded - we're certainly seeing it on stage and in British TV and to some extent in US. I was saying it because I sort of expected several prominent actresses to now look a bit more relaxed but instead you can still chart the upward-to-US career progress of an actress by a succession of pics of her losing her curves and getting bonier.
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2,761 posts
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Post by n1david on Oct 15, 2018 13:53:08 GMT
Was the foyer at Embankment Garden Cinema as horrible last year? Been there twice this year, and in both cases impossible to move in the foyer as it's been so packed (let alone get a drink or something to eat). Might have been a good idea to build a foyer large enough to take a full audience - would speed people getting into the auditorium too.
Anyway, to films, and loved Papa Chulo, thought Sauvage was very good and not as predictable as some films of its type. The Front Runner today competent but unexciting.
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1,503 posts
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Post by foxa on Oct 15, 2018 18:59:27 GMT
Liked 'Wildlife' entered into the first film category, directed by Paul Dano and starring Carey Mulligan and Jake Gyllenhaal, based on a Richard Ford novel. Sensitive performances, beautiful use of the setting.
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Post by Deleted on Oct 15, 2018 19:22:26 GMT
I thought Wild Rose was wonderful, and Jessie Buckley is a star. Really raw, honest and powerful performance and so much said in her eyes alone. Julie Walters and Sophie Okonedo are great as well.
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4,156 posts
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Post by kathryn on Oct 15, 2018 20:53:40 GMT
Great to see the restored Tunes of Glory tonight. We may have lowed the average age of the audience a bit. I hadn’t heard of it before seeing it in the festival brochure and being intrigued by the prospect of Alec Guinness and John Mills playing against type. Can certainly see why it hasn’t become a staple of mid-week afternoon TV - it’s very much about the impact of World War II on the men who fought it.
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494 posts
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Post by ellie1981 on Oct 15, 2018 21:14:10 GMT
I thought Wild Rose was wonderful, and Jessie Buckley is a star. Really raw, honest and powerful performance and so much said in her eyes alone. Julie Walters and Sophie Okonedo are great as well. Amazing. My favourite of the lot so far. It was just such a feel good film and I can’t wait to see it again. Jessie Buckley is amazing and I was so impressed with the young production team. The Director and Producer both looked like they were in their early 30s.
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Post by Deleted on Oct 16, 2018 12:39:39 GMT
Was the foyer at Embankment Garden Cinema as horrible last year? Been there twice this year, and in both cases impossible to move in the foyer as it's been so packed (let alone get a drink or something to eat). Might have been a good idea to build a foyer large enough to take a full audience - would speed people getting into the auditorium too. Yes, had my first visit there on Saturday - first film of the day (The Ballad of Buster Scruggs). Incredibly uncomfortable packed foyer, not helped by only one person checking tickets at each door. Screen itself is fine (although soundproofing not great) but it's not exactly a "premium" experience! Only seen two films this year - Buster Scruggs and the "Surprise Treasure" which was excellent! Used to see loads up to a few years ago when I got fed up with the price increases - although these now seem to have settled down and normal London cinema prices have caught up (eg £17 for the LFF versus £16 for a normal Picturehouse Central or Curzon Soho ticket). Also find the programme format ("Cult!" "Flinch!" "Emote!" etc rather than the logically themed sections we used to get) annoying and hard to navigate.
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494 posts
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Post by ellie1981 on Oct 16, 2018 12:55:34 GMT
Just seen Life Itself. Avoid it is my recommendation.
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4,156 posts
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Post by kathryn on Oct 16, 2018 12:58:45 GMT
Was the foyer at Embankment Garden Cinema as horrible last year? Been there twice this year, and in both cases impossible to move in the foyer as it's been so packed (let alone get a drink or something to eat). Might have been a good idea to build a foyer large enough to take a full audience - would speed people getting into the auditorium too. Yes, had my first visit there on Saturday - first film of the day (The Ballad of Buster Scruggs). Incredibly uncomfortable packed foyer, not helped by only one person checking tickets at each door. Screen itself is fine (although soundproofing not great) but it's not exactly a "premium" experience! It's the flies that land on to the projector lens that really annoy me about that venue. It obviously needs a bug-proof screen around the booth.
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816 posts
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Post by stefy69 on Oct 16, 2018 12:58:58 GMT
Great to see the restored Tunes of Glory tonight. We may have lowed the average age of the audience a bit. I hadn’t heard of it before seeing it in the festival brochure and being intrigued by the prospect of Alec Guinness and John Mills playing against type. Can certainly see why it hasn’t become a staple of mid-week afternoon TV - it’s very much about the impact of World War II on the men who fought it. It really is an excellent film, IMHO John Mills finest hour.
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Post by Deleted on Oct 16, 2018 14:49:21 GMT
Yes, had my first visit there on Saturday - first film of the day (The Ballad of Buster Scruggs). Incredibly uncomfortable packed foyer, not helped by only one person checking tickets at each door. Screen itself is fine (although soundproofing not great) but it's not exactly a "premium" experience! It's the flies that land on to the projector lens that really annoy me about that venue. It obviously needs a bug-proof screen around the booth. I didn't notice any last night. I did, however, hear several ambulances/police/fire brigade vehicles going along the Embankment, especially during the Q&A. Also the rake between rows really is poor. I'm seeing another couple of films there (The Favourite on Thurs and If Beale Street Could Talk at the weekend) and desperately hoping I'm on an aisle for both!
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2,060 posts
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Post by Marwood on Oct 16, 2018 17:20:27 GMT
Went there for The Party last year and thought the film was dreadful, so was in no rush to hang about for the Q&A after the screening - there were some particularly crappy people in my row who made no effort whatsoever to move to let me out despite several ‘excuse me’s on my part - thankfully not seeing any of the films on display there this year.
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