385 posts
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Post by Ade on Oct 4, 2017 23:28:33 GMT
Please PLEASE tell me this isn’t anything like my show nemesis BOM. I’m going later this month 😭 I didn’t like BoM at all (actually because I felt it wasn’t smart with its humour at all) but loved this (not that this is smart either, but it doesn’t rest on two jokes played over and over like BoM).
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4,179 posts
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Post by HereForTheatre on Oct 5, 2017 7:27:47 GMT
I loved this last night. Although I felt it veered too much into play that goes wrong territory in the second act when in the first there were only a few nods to breaking the fourth wall and things going wrong here and there. In the second we had stage hands on stage, missed ques, missed lighting, trips ect, set fails and all and I just thought it seemed a bit of a change.
But still thought it was a riot.
I couldnt help thinking that the guy who plays Toxie sounds a lot like Ben Platt and also has the baby-face geeky look going on...so just saying.
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1,064 posts
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Post by bellboard27 on Oct 5, 2017 16:05:02 GMT
I enjoyed this very much.
For anyone who wants a serious exploration of the issues concerning the appropriate ways to manage hazardous waste sustainably, I cannot recommend it enough!
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Post by partytentdown on Oct 6, 2017 16:45:04 GMT
I saw this in NY years ago and had a great night. I was really excited to hear it was coming to Southwark, saw it and had a great time, so went back a second time with friends and enjoyed it just as much. So I was excited to take a big group of friends to the latest version at the Arts - and I was really disappointed. There are still some great moments, but the comedy in this has become so broad and crude that it's almost become something different. Some jokes which used to be clever and subtle have now been totally blown over the top. Don't get me wrong, I love a good cock joke, but the old 'wink to the audience' style was much more entertaining in my eyes than just a long line of wanking and blow job jokes.
The character of Sarah has lost any kind of realism and is now basically a fairly offensive caricature, the Mayor is so overblown that she's barely recognisable as a real person rather than a monster. Both are hugely talented singers and dancers but I have to say that by stripping any realism or smartness from them, there's no sense of loyalty or affection to the characters.
I actually felt a little embarrassed that I'd raved so much to the people I brought, but they were first timers and were generally swept up by the chaos of the second act (which now closely resembles the backstage farce of 'The Play that Goes Wrong') and so had a generally enjoyable night.
Which I guess is the point of moving it to the west end.
Sorry to sound like a grump...
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Post by partytentdown on Oct 6, 2017 16:45:59 GMT
Also fascinated to know how they cut this down to 75mins for Edinburgh, did anyone see it there?
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341 posts
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Post by adrianics on Oct 8, 2017 10:12:53 GMT
Saw this on Friday and thought it was really damn great. It's a very funny show with a kick-ass score (although Sarah's songs ran together a little), and that cast... I was just blown away, really. A huge amount of energy and talent on stage, I was exhausted just watching White Guy and Black Guy. Particular props to Natalie Hope, her Bitch/Slut/Whore song was incredible and real standout.
I do agree with the above that the fourth wall humour goes a bit overboard in Act 2, otherwise I laughed beginning to end.
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Post by Deleted on Oct 9, 2017 9:10:50 GMT
Afraid this wasn't for me last night. Saw it at Southwark and felt like I was the only one not getting it. Saw it again last night and the majority of the audience seemed to love it, but it all just felt a bit too try-hard.
A couple of bloopers, maybe intentional? At one point when the doors opened a stage manager ran past carrying costumes, a stool fell over and then were a few missed lighting cues.
I can't fault the enthusiasm of the cast. Mark Anderson was off but his understudy was great.
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134 posts
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Post by Kenneth_C on Oct 10, 2017 5:29:15 GMT
I saw this at Southwark and then again at the Hollywood Fringe Festival and I can't recall any Play That Goes Wrong type humor.
Have they rewritten the show?
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513 posts
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Post by Deal J on Oct 10, 2017 11:37:40 GMT
I've been confused by those comments too, I went to the preview on 30 September and don't recall anything like that. There was the bit towards the end when (spoiler-ish) the stage hands are visible when they think that the show is over, but I don't remember anything else. Perhaps some last minute additions?
I loved this more than I expected to. The cast are fantastic and the humour really appealed to me. I do enjoy the tawdry Troma film and couldn't imagine how they would make the story palatable to a stage audience, but they've cracked it in my opinion! Although I did miss Toxie's pink tutu 😜
I loved the little nods to other shows too, especially the coffee shop MT-themed menu.
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4,179 posts
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Post by HereForTheatre on Oct 10, 2017 11:56:25 GMT
There's a whole segment that goes on for 10 minutes nearly that's about the blind girl dripping her stick then everyone breaking character telling her where to go to get it and directing her. The stage hands, the band, all of them. There's a bit where a spotlight shines on a spot different to where Toxie us standing so him moving to it. There were some other things I can't really recall but we're defo play goes wrong style. You could argue that the whole bit of the mayor coming out to tell the guy to hurry up and stop singing and get on with it is that sort of thing too.
I mean it was all very funny so I didn't have an issue with it.
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341 posts
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Post by adrianics on Oct 10, 2017 18:30:29 GMT
{Spoiler - click to view} I wasn't a huge fan of that moment (very weird that everyone else broke character but Sarah), or the visible hand that knocked the lamp off the table. I loved the band and stage hands all coming on stage during the 'death scene' then starting to leave only to come back when the scientist yelled "UNLESS".
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134 posts
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Post by Kenneth_C on Oct 10, 2017 20:29:40 GMT
There's a whole segment that goes on for 10 minutes nearly that's about the blind girl dripping her stick then everyone breaking character telling her where to go to get it and directing her. The stage hands, the band, all of them. There's a bit where a spotlight shines on a spot different to where Toxie us standing so him moving to it. There were some other things I can't really recall but we're defo play goes wrong style. You could argue that the whole bit of the mayor coming out to tell the guy to hurry up and stop singing and get on with it is that sort of thing too. I honestly cannot remember anything like that happening in the two previous productions I saw. At the Hollywood Fringe, since it was in a tiny black box theatre, the director added a stagehand that moved or carried panels that looked like comic book pages to indicate scene changes. But that was the director's addition to compensate for the lack of any type of set. Towards the end of the play, the stagehand (who was the director's daughter) started showing some attitude, but it was very cleverly-done and not nearly as "meta" as TPTGW.
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108 posts
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Post by bob2010 on Oct 11, 2017 15:02:24 GMT
Went to see this last night after getting hold of some heavily discounted tickets.
There were lots of empty seats. Would say only half full, however everyone seemed to enjoy it and the cast got a standing ovation at the end.
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362 posts
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Post by JJShaw on Oct 12, 2017 16:05:33 GMT
What a shame that such a tight and witty show at SP has been redirected to being so broad and crude that, for me, it really did tarnish my enjoyment. I also didn't think the new cast were quite as good (but that might also be down to the new direction). Did we need that many crotch grabbings or butt-gyrating? It just made the jokes that were sexual that were good loose their impact.
I did like the newly expended set, and the pipe doors were far more slick than the rotating silo drums at SP that were so rickety. The merchandise they had on offer looked pretty cool as well.
Despite the poor new direction, it was a real shame to see the theatre so empty, fortunately everyones reactions didn't make it feel empty at all (and clearly they didn't mind incessant butt gyrating!) but why are they keeping the circle open?
I would love to recommend the show to people as I do think its a great one but really would hesitate because of the new direction.
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5,059 posts
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Post by Phantom of London on Oct 14, 2017 23:50:47 GMT
There Michael was you there this afternoon, like I was? This musicals ticked several boxes for me, unfortunately there was a lot more crosses in other boxes. Saw this again after seeing this 18 months ago and must say I forgot what the plot is actually about, but as it got started it begun to come back. Where to start? Let's start by being a bit humane and say it was very mildly amusing and would describe the humour as puerile end of the pier. However is the musical any good? Well is rain forecast for tomorrow.
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2,778 posts
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Post by daniel on Oct 15, 2017 1:14:30 GMT
Saw this last weekend...LOVED it. Knew nothing about it in advance, but it was just brilliant. The main bloke was out but his understudy gave a stronge performance. The show is just absolutely bonkers. Yes it gets a bit silly at times, but I feel like that's kinda what they're going for with it.
We did have a show Stop about 10 seconds into act 2 - the sliding doors decided they weren't going to open, cue much bashing of hammers backstage.
My only criticism is producer greed. It's 100% an Off-West End show. There's no doubt about it. It's an Off-West End venue. Yet the prices are nearer to West End prices. Whilst I don't want this or any show to fail, I'm really pleased that sales are slow for this because that's a lesson to the producers that you can't charge top whack for a low budget (albeit brilliant) show that you are paying peanuts to the performers for, and get away with it. Hopefully she'll drop the prices to where they should be for an off-West End show, and it'll pack out the Arts, which is what those super hard working actors and musicians deserve.
Do go see it if you can find a seat at the right price for you, it's bloody good.
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2,422 posts
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Post by robertb213 on Oct 15, 2017 17:28:35 GMT
Saw the matinee of this today and I have to say, I thought it was great. Yes it's stupid but it knows it. Nice to see something a bit crazy and bonkers sometimes. The cast of 5 all did a great job. I agree on the steep pricing but if you can get a deal (I paid £29.99 through Discounttheatre.com for the middle of row D of the stalls), I'd highly recommend it!
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1,046 posts
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Post by jgblunners on Oct 15, 2017 20:55:43 GMT
I was also at the matinee and loved it! The cast (who are all bloody brilliant) works so hard and the material is hilarious with some fantastic music too. Hopefully I'll get to see it again before it closes because it's such a fun show.
I really wish it was doing a bit better at the box office, but as others have said that's what happens when you try to charge West End prices for a small show in a small theatre with a small cast. I payed £28 for central Row C through TodayTix and wouldn't have payed much more.
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4,179 posts
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Post by HereForTheatre on Oct 16, 2017 7:38:16 GMT
£15 tickets today on TodayTix if anyone fancies it.
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4,361 posts
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Post by shady23 on Oct 16, 2017 8:39:29 GMT
The today tix ones have to be bought today but can be used for any performance this month.
Fifteen quid or a tiny five pound if you use the code UHJOI at checkout ☺
Bargain!
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Post by Deleted on Oct 16, 2017 9:27:20 GMT
The today tix ones have to be bought today but can be used for any performance this month. Fifteen quid or a tiny five pound if you use the code UHJOI at checkout ☺ Bargain! And if that code doesn't work, why not try FQLNX ;-)
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1,046 posts
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Post by jgblunners on Oct 16, 2017 9:32:59 GMT
The today tix ones have to be bought today but can be used for any performance this month. Fifteen quid or a tiny five pound if you use the code UHJOI at checkout ☺ Bargain! And if that code doesn't work, why not try FQLNX ;-) I hear YMZXT is a good code to use ;P
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1,936 posts
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Post by wickedgrin on Oct 16, 2017 9:47:54 GMT
I would recommend this show for £15! I saw it yesterday evening (Sunday at 6.30pm). I paid £28 through Today Tix (Stalls Centre Row C) and was happy with that!
The show was delayed for 20 minutes due to "technical reasons" but the front of house staff handles the delay and packed bar area very well.
I felt the show was a cross between Urinetown and Little Shop of Horrors! I liked the set and the staging and the cast of five worked their socks off and were all very good. The leading guy had a great voice! A pity some of the material was not better. A very busy house gave the cast a complete well deserved standing ovation at the end.
I enjoyed it - a fun show, but not the greatest musical in the world! Worth seeing though for the talented, hard working cast!
EDIT To say that there were quite a few children in the audience, the parents thinking presumably it was a comic book kids show - like Shrek!? I did not feel it suitable at all for kids with the language and some fairly graphic props and choreography! The kids near me were very well behaved though and seemed to love it!!
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513 posts
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Post by Deal J on Oct 16, 2017 11:15:58 GMT
EDIT To say that there were quite a few children in the audience, the parents thinking presumably it was a comic book kids show - like Shrek!? I did not feel it suitable at all for kids with the language and some fairly graphic props and choreography! The kids near me were very well behaved though and seemed to love it!! Let's hope those children don't ask their parents if they can see the original film afterwards! I watched it on the train down to London and had to cover my screen at some points to avoid offending any innocent passengers' eyes! Now who fancies taking on musical adaptation of The Greasy Strangler...
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Post by Deleted on Oct 22, 2017 15:19:41 GMT
Interval thoughts. It's so f*cking crazy and silly, I'm loooving it! Natalie Hope is giving me life, she's the star of the show for me.
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