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Post by lynette on Mar 1, 2024 15:00:20 GMT
Leaves a nasty taste in the mouth doesn’t it …
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Post by lynette on Feb 26, 2024 23:55:52 GMT
Make your minds up guys. I’ve just booked cos everyone was saying it is good. Definitive opinion will follow.
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Post by lynette on Feb 26, 2024 23:52:07 GMT
Hello, oldie here from the olden days of the never to be mentioned website on theatre. I was asked to be a moderator cos it was a good way to control my enthusiasm; I’m a play person, just the odd musical and I usually rant about the awful loo provision in theatres and the terrible architecture and facilities of our beloved National theatre. Otherwise I am very calm and considerate and charming. I love to hear all the gossip and insights you all have and I am in awe of the people who see so many productions. I’m looking at you, Neil. Once upon a time I was on the Olivier panel and I would encourage anyone who sees a lot of stuff to apply cos it is free theatre for a year, best seats in the house and you meet a few interesting people.
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Post by lynette on Feb 25, 2024 17:45:13 GMT
Could we bring back the good old tradition of chucking vegetables onto the stage? Or maybe a polite boo ( like opera audiences )
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Post by lynette on Feb 25, 2024 15:15:47 GMT
Why isn’t this showing a performance on 7th March? I want to go to this on the 7th matinee. Shame.
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Post by lynette on Feb 24, 2024 17:09:00 GMT
O dear
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Post by lynette on Feb 24, 2024 17:07:59 GMT
Hi welcome Ash and nice to meet you. It would be interesting to hear about theatre in Europe so do post about what you see.
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Post by lynette on Feb 19, 2024 13:39:09 GMT
Answering my own question here, Dear Octopus (yet to see it) appears from the publicity quite traditional as a play and in staging. Emily Burns as a director yet to “make her name”. Whilst arguably aimed at the traditional core audience, I’m not sure if that is an advantage or disadvantage for box office now. Sold ok and maybe it will build. I’d say the big successes in the Olivier and Lyttelton in the last year were: 1/ older plays but updated with “star” directors/names: Medea and House of Bernada Alba. 2/ newer ones also with “star” directors/names: The Effect and Dear England or a specific draw (Roald Dahl): The Witches. And the Motive and the Cue mix of traditional but starry approach. Anyway, I digress, and am looking forward to this. At one time this would have appealed to the NT’s traditional core audience but under Norris’ programming that audience is no longer “core”, so maybe they’re trying to attract back their traditional audience. I’m prob a ‘no longer core’ and Dear Octopus is the only one this season I have booked for in advance. Will see how it goes for the rest.
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Post by lynette on Feb 19, 2024 13:35:47 GMT
Noises Off All I need to know 😁
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Post by lynette on Feb 15, 2024 15:58:57 GMT
Snappy little trailer innit? Good programme.
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Post by lynette on Feb 14, 2024 18:10:30 GMT
Loved the little hearty bits across the screen. At first i thought I had to go to Moorfields asap. But nice.
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Post by lynette on Feb 14, 2024 18:08:33 GMT
Thank you for this, Steve. I’m glad I’ve booked.
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Post by lynette on Feb 14, 2024 18:05:54 GMT
Damn, two glowing reviews, was not on my radar as a must see, may have to bite the bullet and give the credit card a hammering or more likely finally going through the rigmarole of cashing in my theatre tokens. Neil, the prices! Have you looked today? Ridiculous. And ridiculous even more so as it is a huge theatre and it is selling well. How much are they having to pay the star? Mind boggles. Where will this end? Ps let us know..
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Post by lynette on Feb 14, 2024 16:44:47 GMT
Yes, Stoppard is intellectual. His first hit demanded you know Hamlet inside out. For goodness sake. I found Rock n Roll weak as was the Hard whatever it was. But the intellectual so called shenanigans of his earlier work is glorious. And i think two of the most moving , yes based on ideas, but actually dramatically emotional plays of recent times are Arcadia and The Invention of Love. I liked Leopoldstadt. He laid out his whole life on the stage, not literally but intellectually and emotionally. It was brave and it was a beautiful production.
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Post by lynette on Feb 14, 2024 16:37:48 GMT
Roots and Look Back in Anger certainly good plays. Will they both be ‘dated’? Or will they get a new life? Answers on a postcard..
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Post by lynette on Feb 12, 2024 21:05:50 GMT
Rachael Stirling cast as Sarah Siddons for the coming "The divine Mrs S". I am even happier that I have a ticket :-) Yep, looks very pleasant
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Post by lynette on Feb 12, 2024 0:17:23 GMT
Anyone know anymore about a scene at the Soho theatre, an Irish comedian screaming at an Israeli to get out of his show?
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Post by lynette on Feb 9, 2024 18:25:31 GMT
Please feel free to hide a spoiler but what was the extent of the audience participation? Do you have to join in? Spoiler for the town hall scene {Spoiler - click to view} After Dr Stockman's speech, the audiece are asked for a show of hands if you had agreed with him. Then you asked if you did put up your hand would you like to explain why you agree with him. There are FOH on every level with microphones waiting. I think about 6 people spoke on the night I was there. I could see more with hands up who never got a chance to speak, so looks like no shortage of participants I’m shuddering; it sounds like BBC Question Time.
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Post by lynette on Feb 9, 2024 18:15:31 GMT
Thanks for the warning
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Post by lynette on Feb 5, 2024 13:19:07 GMT
Tennant batting for the NHS now. Lots of little tweety messages etc.
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Post by lynette on Feb 5, 2024 13:15:48 GMT
Audience participation in an Ibsen play?
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Post by lynette on Feb 3, 2024 17:55:57 GMT
Wouldn't go anywhere near any project Cleese is involved im with a bargepole. Does he have anything to do with the play? I thought part of his financial prob was that he lost the rights to FT years a go. I know he is developing an updated series with his daughter but this would be new material?
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Post by lynette on Feb 2, 2024 17:17:55 GMT
Two things going on Historical accuracy: we all know this never happens. From Shakespeare’s history plays to tv dramas, events are rescheduled, added to, omitted, converged etc etc. We accept this and though many people will always think drama is the truth, you can usually look up the actual events somewhere. Richard III is interesting cos Shakespeare did such a good job on him that nobody would question his villainy for centuries. So how far we believe theatre as history is true is one point which merges with t’other point as to how far the dramatist presents the ‘truth’ pertaining to character and emotion. I would say that the dramatist usually gets it right. We have no idea how Lenin, James Joyce and Tristan Zara would have behaved if they had met in Geneva ( think it was ) but Stoppard gets it absolutely right and makes a good, funny, revealing play about of it. The writer’s imagination is what counts. Another example is the meeting of Mary Queen of Scots and Elizabeth I in the Schiller play. Brilliant psychology which I think is perfect but of course they never met. So two examples of plays where it didn’t happen but the writer gets it right about the people. When there are people who ‘were there’ it becomes even more interesting because we get raw history which is all about our late Queen’s ‘recollections may differ’. We are suffering all the time from this in our time because we now have so much ability to record events but no historical perspective on them as yet. It is like we have concertinered ourselves and it is painful. I welcome a dramatist’s take on contemporary events. Look how sharp James Graham is on current politics. The most striking example of how a dramatist can do better than a documentary or media piece is the Post Office scandal, the Mr Bates play on tv. Seeing how much this has driven public debate makes you wonder again about how plays worked in the past when they were sometimes the only way of expressing dissent.
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Post by lynette on Feb 2, 2024 16:58:37 GMT
Different start times are a pain. Should be a law; evening 7.30, afternoon 2.30. That would mean evening performances of several Wagner operas wouldn't end until after midnight! Serves ‘em right. Anything that goes on after 10.30 is self indulgent ( Tom Stoppard from The Real Inspector Hound, a theatre Bible )
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Post by lynette on Feb 2, 2024 16:55:24 GMT
I’ve been to her house, a very moving experience. I love her work. I would be interested in seeing a play about her or a one woman thing. Interesting.
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Post by lynette on Feb 1, 2024 22:16:38 GMT
Different start times are a pain. Should be a law; evening 7.30, afternoon 2.30.
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Post by lynette on Jan 28, 2024 14:40:48 GMT
Thanks for posting. Interesting interview and i liked the comment about how education works in the notes from other directors below. I too feel that altered or in some way reduced shows for kids never work. The real thing does.
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Post by lynette on Jan 27, 2024 23:34:42 GMT
Like buses…
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Post by lynette on Jan 26, 2024 20:41:39 GMT
I saw the original production and thought then it was a rare dud from Stoppard. The joy of his work is that it hits amazing heights but you do get lows. I wish someone would bring back the Invention of Love, only to judge it now, if nothing else. But I remember being very moved by this play.
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Post by lynette on Jan 26, 2024 0:02:58 GMT
Wasn’t David Tennant in this a while back? Way before fame and glory. Yes, at the Donmar in 2002. He played Jeff. Saw it. Brilliant. Had our boy Tennant down for great things after seeing this and the RSC stuff before it.
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