|
Post by Deleted on Feb 1, 2016 16:13:53 GMT
Usual shambles when full members booking opened today. Think I might have started a fight
|
|
|
Post by Deleted on Feb 1, 2016 16:48:55 GMT
Astonishing how expensive the RSC has got now - and bumping up the prices so much on a Saturday is criminal. AND I got stung with the automatically added donation schtick because I was sneakily booking at work and only had one eye on it...
Joined as a member to get the SRB Tempest tickets but that's the last bit of cash they get from me (unless he goes back to do something else).
|
|
|
Post by Deleted on Feb 1, 2016 16:53:36 GMT
Yes me too Removed the donation, session crashed, didn't notice it had reappeared. I've mailed them to ask for it back. Also asked why the only stalls seats on sale for The Tempest were band A
|
|
1,060 posts
|
Post by David J on Feb 1, 2016 16:59:51 GMT
My mum made the decision to pay for the Shakespeare Circle membership for £100 for this year only.
Seriously I didn't put her up to this, she just did it
She fancied the private screening of the birthday celebration broadcast at the new Other Place, and we can try the supporter's lottery which would give us a higher chance of getting seats in the theatre.
After 10 years of going to the RSC year after year, if this shows how mad we are about Shakespeare I don't know what is
At least we got tickets for The Tempest. I wan't to be up close for that show.
Still even the supporter's booking was troublesome. Took ages to get through to choosing seats
|
|
5,016 posts
Member is Online
|
Post by Jan on Feb 1, 2016 17:06:49 GMT
Yes me too Also asked why the only stalls seats on sale for The Tempest were band A [Always good to ask a question that you already know the answer to. What did they say ?
|
|
|
Post by Deleted on Feb 1, 2016 18:46:05 GMT
Got a call back! The answer is that they have held some stalls seats off sale as they don't know what the views are going to be like due to the technology being used - but they've been told the band c circle seats will be fine. Also got my inadvertent donation refunded so worth dropping them an email or calling if that happened to you Still stand by my rant on the ticket prices though
|
|
5,016 posts
Member is Online
|
Post by Jan on Feb 2, 2016 7:32:23 GMT
Astonishing how expensive the RSC has got now - and bumping up the prices so much on a Saturday is criminal. AND I got stung with the automatically added donation schtick because I was sneakily booking at work and only had one eye on it... I agree on this. Their prices are up near Branagh's purely commercial Shakespeare productions, one questions what the point of their massive ACE subsidy is, especially for a provincial theatre.
|
|
4,982 posts
|
Post by Someone in a tree on Feb 2, 2016 7:40:15 GMT
Anthony Sher's beard grooming products
|
|
5,016 posts
Member is Online
|
Post by Jan on Feb 2, 2016 7:49:44 GMT
Anthony Sher's beard grooming products Well yes, you do wonder if their talent is getting paid more these days. The way they have boosted prices for Saturday matinees is really cynical, just trying to milk their long-suffering London-based audiences without even staging productions in London.
|
|
|
Post by Deleted on Feb 2, 2016 9:26:33 GMT
The board may have moved but the comments have survived unchanged.
|
|
|
Post by Deleted on Feb 2, 2016 9:28:54 GMT
Yes, funny how people's opinions are based in the minds of the people themselves, and don't merrily flipflop depending on where they're typing them.
|
|
|
Post by Deleted on Feb 2, 2016 9:52:31 GMT
Supply and demand - the higher Saturday ticket prices encourage local audiences to attend on weekdays when there is usually spare capacity. This pricing policy directly increases the availability of tickets for visitors from afar who can only easily attend on Saturdays. Obviously the Saturday visitors come from all directions, not just from London. The higher prices affect non-London visitors more because the Londoners have the option of easily attending many other Shakespeare productions in their home locality.
|
|
526 posts
|
Post by danielwhit on Feb 2, 2016 12:10:36 GMT
Astonishing how expensive the RSC has got now - and bumping up the prices so much on a Saturday is criminal. AND I got stung with the automatically added donation schtick because I was sneakily booking at work and only had one eye on it... I agree on this. Their prices are up near Branagh's purely commercial Shakespeare productions, one questions what the point of their massive ACE subsidy is, especially for a provincial theatre. And Matilda is probably cash-cowing them left, right and centre too. Apart from The Tempest, I'm considering giving the Winter season a total skip and just seeing the cinema broadcasts.
|
|
5,016 posts
Member is Online
|
Post by Jan on Feb 2, 2016 14:19:01 GMT
Supply and demand - the higher Saturday ticket prices encourage local audiences to attend on weekdays when there is usually spare capacity. This pricing policy directly increases the availability of tickets for visitors from afar who can only easily attend on Saturdays. Obviously the Saturday visitors come from all directions, not just from London. The higher prices affect non-London visitors more because the Londoners have the option of easily attending many other Shakespeare productions in their home locality. Supply and demand certainly seems to be affecting the pricing of wonder.land, now on TKTS, despite you assuring us it would have broad appeal across all demographics and be packed out. That was on the old board though so I assume over here you hold the entirely opposite opinion. If RSC midweeks are not full then increasing Saturday prices is an idiotic policy to address that - reducing mid-week prices is the answer.
|
|
5,016 posts
Member is Online
|
Post by Jan on Feb 2, 2016 14:24:01 GMT
The board may have moved but the comments have survived unchanged. True enough. Likewise the tedious quips and smart-arse attempts at humour.
|
|
|
Post by Deleted on Feb 2, 2016 15:42:56 GMT
Yes, the ticket discounts are available on various midweek performances to various groups, all targeted to leave maximum availability for the geographically challenged.
|
|
|
Post by Deleted on Feb 2, 2016 16:36:09 GMT
In the year to 31 March 2015, the RSC achieved a net surplus of £4.3m, particularly due to Matilda and Wolf Hall. Because this is exceptional, and not a regular occurrence, the surplus was transferred to a reserve for investment in strategic priorities, including key artistic and educational projects and initiatives to develop financial sustainability.
|
|
526 posts
|
Post by danielwhit on Feb 2, 2016 18:17:53 GMT
Supply and demand - the higher Saturday ticket prices encourage local audiences to attend on weekdays when there is usually spare capacity. This pricing policy directly increases the availability of tickets for visitors from afar who can only easily attend on Saturdays. Obviously the Saturday visitors come from all directions, not just from London. The higher prices affect non-London visitors more because the Londoners have the option of easily attending many other Shakespeare productions in their home locality. Supply and demand certainly seems to be affecting the pricing of wonder.land, now on TKTS, despite you assuring us it would have broad appeal across all demographics and be packed out. That was on the old board though so I assume over here you hold the entirely opposite opinion. If RSC midweeks are not full then increasing Saturday prices is an idiotic policy to address that - reducing mid-week prices is the answer. Yes - however if they budget to cover a certain general percentage throughout the week, then by law of averages if you decrease ticket pricing for one show you have to raise it for another. The RSC seem to have less ticket offer opportunities than their cousins on the South Bank, so raising tickets now (and not decreasing mid-week mats) is a feasible route forward to ensuring they hit the budget cover they need. Of course, as we well know, a discount sounds better if it starts at a higher price point. Peculiarity of psychology, unfortunately.
|
|
923 posts
|
Post by Snciole on Feb 2, 2016 18:25:58 GMT
The lack of transparency over whether Doran is planning to transfer or even tour The Tempest and other plays to London is why the Saturday demand is so high, especially those new to not only the RSC but Stratford Upon Avon who don't live in the Midlands will inevitably go for daytime shows.
|
|
171 posts
|
Post by moelhywel on Feb 15, 2016 23:22:24 GMT
Associate Member booking opened today and I was amazed how much King Lear and The Tempest had already nearly sold out for the performance dates I was after. OK, I live fairly close to Stratford and go for the over 60 reduction performances but the seats I usually buy were completely sold out. King Lear I can understand to a certain extent as there aren't so many performances of that but there are masses of performances of The Tempest. I pity anyone who is waiting for the public booking date.
|
|
|
Post by Deleted on Feb 16, 2016 6:34:21 GMT
Bear in mind quite a lot of seats for The Tempest aren't on sale yet ... Got a call back! The answer is that they have held some stalls seats off sale as they don't know what the views are going to be like due to the technology being used - but they've been told the band c circle seats will be fine.
|
|
587 posts
|
Post by Polly1 on Feb 20, 2016 11:20:35 GMT
If anyone wants to book seats before public booking opens, just put '2016' into the promotional code box and hey presto! (From today's Telegraph).
|
|
|
Post by Deleted on Feb 20, 2016 11:31:21 GMT
Oh, my membership fee was money well spent then.
(Sends stroppy tweet)
|
|
|
Post by Deleted on Feb 20, 2016 12:47:26 GMT
|
|
587 posts
|
Post by Polly1 on Feb 20, 2016 15:00:32 GMT
I wouldn't post anything that wasn't above board, Monkey!
To make matters worse for xanderl, the RSC has just tweeted 'just over a week left of priority booking' !
|
|