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Post by marob on Oct 10, 2020 7:23:44 GMT
I see that the Palladium pantomime is being subsidised through the National Lottery, "buying" seats that cannot be sold for the obvious reason, and other pantomimes are expected to follow. Wouldn't be happening otherwise. Excellent initiative, there will no doubt be some who say there are more important good causes to support, but I certainly hope it will be extended to other theatre in 2021 I think it's being touted as an exclusive commercial partnership with Qdos though. |
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Post by zahidf on Oct 15, 2020 21:33:14 GMT
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Post by ThereWillBeSun on Oct 16, 2020 9:15:07 GMT
I saw Dick Whittington which was brilliant - and no word of a lie; EP was the worst thing about it. TO BE FAIR; it may have well been the writing but absolutely cringed every time she came onstage. Great name though for this panto and good to entice audiences.
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Post by musicalmarge on Oct 17, 2020 13:47:37 GMT
Anyone else have issues with diversity now?
WHERE ARE THE ASIANS AND SCOUSERS?
Zzzzzz
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Post by alece10 on Oct 17, 2020 14:57:22 GMT
Anyone else have issues with diversity now? WHERE ARE THE ASIANS AND SCOUSERS? Zzzzzz I think they should bring back the Tiller Girls and the revolve. |
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Post by talkingheads on Oct 17, 2020 15:52:02 GMT
Anyone else have issues with diversity now? WHERE ARE THE ASIANS AND SCOUSERS? Zzzzzz I think the main question is why some people have so much of a problem with people who care about diversity? Why is that something to throw scorn at? |
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Post by Deleted on Oct 17, 2020 16:17:33 GMT
Anyone else have issues with diversity now? WHERE ARE THE ASIANS AND SCOUSERS? Zzzzzz I think the main question is why some people have so much of a problem with people who care about diversity? Why is that something to throw scorn at? Because you appear not to understand that diversity doesn't mean that a person of every single colour and creed has to appear in every single production that exists. That isn't what diversity means. A cast can be diverse without representing all ethnic groups, and of course in some cases a non-diverse cast (in whichever way) is necessary to tell the specific story that is being told, for example a story about a particular ethnic group's experience or heritage. |
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Post by talkingheads on Oct 17, 2020 17:31:56 GMT
I think the main question is why some people have so much of a problem with people who care about diversity? Why is that something to throw scorn at? Because you appear not to understand that diversity doesn't mean that a person of every single colour and creed has to appear in every single production that exists. That isn't what diversity means. A cast can be diverse without representing all ethnic groups, and of course in some cases a non-diverse cast (in whichever way) is necessary to tell the specific story that is being told, for example a story about a particular ethnic group's experience or heritage. I have never commented on ethnic diversity. The only concerns I raised was the legitimate criticism that there is an overwhelming amount of men compared to women in the cast. That still stands. I love that it's happening, I'm looking forward to it but I also think there's a conversation to be had. That's all. Apparently mentioning that there is inequality is triggering to some, I can't imagine why. |
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Post by musicalmarge on Oct 18, 2020 8:18:30 GMT
Because you appear not to understand that diversity doesn't mean that a person of every single colour and creed has to appear in every single production that exists. That isn't what diversity means. A cast can be diverse without representing all ethnic groups, and of course in some cases a non-diverse cast (in whichever way) is necessary to tell the specific story that is being told, for example a story about a particular ethnic group's experience or heritage. I have never commented on ethnic diversity. The only concerns I raised was the legitimate criticism that there is an overwhelming amount of men compared to women in the cast. That still stands. I love that it's happening, I'm looking forward to it but I also think there's a conversation to be had. That's all. Apparently mentioning that there is inequality is triggering to some, I can't imagine why. But what if half of the men are working class or gay? (Though some of the men here are also mixed race or black heritage). Are gender and race more important than regional UK or class diversity then? Are you saying we need diversity within diversity - while watching DIVERSITY? Haha...... |
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Post by talkingheads on Oct 18, 2020 9:34:08 GMT
I have never commented on ethnic diversity. The only concerns I raised was the legitimate criticism that there is an overwhelming amount of men compared to women in the cast. That still stands. I love that it's happening, I'm looking forward to it but I also think there's a conversation to be had. That's all. Apparently mentioning that there is inequality is triggering to some, I can't imagine why. But what if half of the men are working class or gay? (Though some of the men here are also mixed race or black heritage). Are gender and race more important than regional UK or class diversity then? Are you saying we need diversity within diversity - while watching DIVERSITY? Haha...... Bloody hell, why are people kicking off so much about the notion of fairer representation onstage? Do people really not want to see more women and minorities share the stage that badly? |
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Post by danb on Oct 18, 2020 9:38:57 GMT
Let’s just not feed the trolls. They might go away if their oxygen is cut off.
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Post by sph on Oct 19, 2020 1:04:56 GMT
I mean, I know they've added Elaine Paige to the cast now but I was a bit surprised by how many men there were with only one woman announced initially. It's a valid observation. They have both Yarrow and Stemp, so maybe they're going to bring back some other leading ladies from previous years but they aren't big enough "names" to be in the initial press release?
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Post by carmella1 on Oct 19, 2020 3:08:05 GMT
Actually neither Stemp or Yarrow are conventional leading men. Stemp is basically a dancer and Yarrow very young. In fact I would think neither one would work with Beverly age wise. But its Julian's panto so no matter.
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Post by Deleted on Oct 19, 2020 10:36:45 GMT
Amazed the blatantly racist post is still here.
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Post by sph on Oct 19, 2020 15:48:53 GMT
Actually neither Stemp or Yarrow are conventional leading men. Stemp is basically a dancer and Yarrow very young. In fact I would think neither one would work with Beverly age wise. But its Julian's panto so no matter. I don't mean that they'd be playing opposite Beverly Knight per se, as it seems she is taking on a sort of "fairy godmother" role, I just meant that they are fairly big names now in terms of London musical theatre, perhaps bigger names than the young "princess" types who may also be on board for this production. The "princess" girls may not be well known enough to have been announced initially but will still be very much present in the cast. Although for a panto I'd call both Stemp and Yarrow perfectly conventional leading men incidentally. Certainly just as, if not more conventional than the boyband/soapstar types playing leads in Panto up and down the country. Not to mention the fact that they are/were both the leading men of their respective West End shows. |
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Post by carmella1 on Oct 20, 2020 22:10:49 GMT
Actually neither Stemp or Yarrow are conventional leading men. Stemp is basically a dancer and Yarrow very young. In fact I would think neither one would work with Beverly age wise. But its Julian's panto so no matter. I don't mean that they'd be playing opposite Beverly Knight per se, as it seems she is taking on a sort of "fairy godmother" role, I just meant that they are fairly big names now in terms of London musical theatre, perhaps bigger names than the young "princess" types who may also be on board for this production. The "princess" girls may not be well known enough to have been announced initially but will still be very much present in the cast. Although for a panto I'd call both Stemp and Yarrow perfectly conventional leading men incidentally. Certainly just as, if not more conventional than the boyband/soapstar types playing leads in Panto up and down the country. Not to mention the fact that they are/were both the leading men of their respective West End shows. I mean she could play a fairy godmother to them as they already have a wicked witch. But I do not think she could be a love interest to Jaq or Charlie and she will sing both of them off the stage. My opinion, |
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Post by alece10 on Nov 28, 2020 15:41:58 GMT
Interview in the Times with Julian Clary and the producer of Palladium panto.
It says that they will have to tell 200 People a night that they can't go due to reduced capacity.
I'm keeping everything crossed as I have Les Mis on the Friday and panto the next night.
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Post by Dr Tom on Nov 28, 2020 16:14:40 GMT
Interview in the Times with Julian Clary and the producer of Palladium panto. It says that they will have to tell 200 People a night that they can't go due to reduced capacity. I'm keeping everything crossed as I have Les Mis on the Friday and panto the next night. That's concerning. I hope they find a fair way to sort this, other than the easy solution (cancelling the single tickets). |
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Post by Mark on Nov 28, 2020 16:38:32 GMT
Interview in the Times with Julian Clary and the producer of Palladium panto. It says that they will have to tell 200 People a night that they can't go due to reduced capacity. I'm keeping everything crossed as I have Les Mis on the Friday and panto the next night. That's concerning. I hope they find a fair way to sort this, other than the easy solution (cancelling the single tickets). There's no fair way really is there? I'm meant to be doing this and Les Mis same day and will just be devestated if they get cancelled. Have the cheapest (slip) seats for Les Mis so an easy target i'm sure, and cheaper upper circle seats for this. First booked first served? Ask for volunteers who no longer want the tickets? There's no way to make it right. |
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Post by talkingheads on Nov 28, 2020 20:30:15 GMT
The email I got asked if we were tier 3 and wanted a refund or tier two but wanted to put our tickets up for resale.
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Post by alece10 on Nov 28, 2020 20:31:27 GMT
The email I got asked if we were tier 3 and wanted a refund or tier two but wanted to put our tickets up for resale. When did you it? |
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Post by talkingheads on Nov 28, 2020 21:30:39 GMT
The email I got asked if we were tier 3 and wanted a refund or tier two but wanted to put our tickets up for resale. When did you it? A few days ago. |
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Post by alece10 on Nov 28, 2020 21:40:41 GMT
I've not had anything which hopefully is a good thing. |
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Post by theatreian on Nov 28, 2020 23:06:44 GMT
I guess from that they are looking where people live and if in tier 3 will take those people out first. This may apply to other shows such as Les Mis too as they seem to be saying you should not be going to theatre in tier 2 if you are in tier 3. This is what the regulations do say though.
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Post by fiyero on Nov 30, 2020 12:32:19 GMT
Just had my cancellation email.
A message from Qdos Entertainment, the producers of Pantoland at The Palladium
Dear Michael,
As I am sure you are aware, the Government’s new Covid-19 Winter Plan has placed a maximum capacity of 1,000 guests on indoor entertainment venues. This update to the previous guidance around social distancing within theatres will, unfortunately, impact performances of Pantoland at The Palladium, starting Saturday 12 December.
To meet the new Government requirements, we are left with no choice but to reduce the size of the audience for each performance. I am very sorry to say that this means your seats will no longer be available and, unfortunately, we have had to cancel and refund your booking. We understand how disappointing this will be and are very sorry for all the inconvenience it may cause. Please allow 7-10 days for your refund to be processed.
The wider impact of the new restrictions mean we anticipate that some extra tickets for Pantoland at The Palladium may become available, if other customers can no longer attend. As soon as any returns are processed, we will ensure they are available through the LW Theatres website so please check back regularly for any return tickets.
Once again, we are extremely sorry that you will not, at this point, be able to join us for Pantoland at The Palladium. We very much hope to welcome you back to pantomime at The London Palladium another time and wish you and your families a safe and happy Christmas.
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