1,827 posts
|
Post by stevej678 on Feb 13, 2020 13:31:36 GMT
And, if you can't see it at The Other Palace, I suspect, even at this early stage, it's due a transfer. I'm glad I booked up my tickets for return visits early. Maybe it will extend at The Other Palace rather than transfer, particularly as Heathers didn't seem to pull up any trees in the West End and the Eugenius transfer was pulled. There's been nothing announced for the main space at The Other Palace after Be More Chill so far.
|
|
|
Post by danb on Feb 13, 2020 13:50:38 GMT
It hasn’t done the Arts any harm having a long runner has it?
|
|
3,349 posts
|
Post by Dr Tom on Feb 13, 2020 14:09:56 GMT
Ahh thank you, are there any moving Collums I don't remember any moving columns.
|
|
|
Post by Deleted on Feb 13, 2020 16:19:44 GMT
TOP doesn't have a fly tower so nothing is ever flown in. It also has very limited wing space and I have never seen any automated sets there. Sets are generally static with some bits moved by the company. That said, have seen some elaborate and excellent static sets there. And some nice lighting designs.
Anyway, pleased to hear some initial great reports for this! Out of the American teenage angst influx, this is the only one I really liked based on cast recording - going in a few weeks :-)
|
|
1,499 posts
|
Post by Steve on Feb 15, 2020 0:38:22 GMT
I enjoyed this. For me, a five star production of a three star musical, that hits it's teen core audience's buttons hard, but lacks crossover appeal. Some spoilers follow. . . For me, the best teen shows have cross-over appeal, whereby even if you have aged into the realisation that there's nothing wrong with being a "loser," there's some other narrative thread thrown in to interest you. So, "Dear Evan Hansen" may be about the pain of loserdom, but it's also a thriller. Ditto "Heather's," which is similarly about trying to avoid loserdom, but is also a hilarious social satire. This show has no crossover. It's pure undiluted teen angst. The sci-fi elements are not developed to engage the brain, as they easily could have been, had, say, the AI acquired an element of humanity, like Hal in 2001, for example. But no, it's just a plot device. Indeed, this show is so plotted and deviced, that it lacks the lackadaisical charm of another recent pure teen show at the same theatre, "Eugenius." And that brings me to another problem I have with this show. Where Eugenius humanised multiple characters of both sexes (think how loveable and relateable BOTH Rob Houchen AND Laura Baldwin were, with the points of view of both characters respected, and the tender cores of both characters revealed), this show only humanises the men, rendering the females principally as comic characters. I mean, I don't wholly object to this, as in this production, all the best laughs lie with these female caricatures, and some superb comic actors milk these caricatures for big laughs. Comic caricatures cue laughs by speaking and moving at a different pace from fully rounded humans, so Eloise Davies' Brooke milks big laughs from slow spaced out drug-addled line deliveries; Miracle Chance's Christine slows down even further into bug-eyed sloth-like zombiedom, and Millie O'Connell speaks in a state of constant staccato attack, pouncing aggressively on words to milk laughs from her inner crazy. Indeed, she got the single biggest laugh of the night in one monstrously unpredictable outburst. So yeah, these caricatures made me laugh loudly, and I loved it! But where are the quiet moments for these female characters, where is their roundedness, their human moment? Why don't any of the women get a "Michael in the Bathroom" song? This song is the one SOLID GOLD song in the show, and it's got nothing to do with the calculated "Weird Science" sci-fi shenanigans: it's just one lonely confused boy abandoned by his friend in the bathroom at a party. It's this kind of real rounded human vulnerability that allows Blake Patrick Anderson, as Michael, to own the show. And he does own it. The teens behind me in Row C ended the show by saying how Michael was their favourite character, how much they loved him. And it's plainly because his character is allowed to live a real relateable human life in a way no female character does. Scott Folan, as the principal lead, doesn't get a song as good as this song, but his set-up is a wonderful expression of a very real teen fear about being an outcast, and Folan is terrific, his nervous energy channeled into his unique and believable line deliveries, such that you care about his character. Anyway, the ensemble deliver everything that is asked of them and more. But ultimately, the show is hit and miss, because too often (Michael's big song excepted), the characters are mere pawns in a mechanistic teen plot and there is no crossover appeal. One redeeming factor to the mechanical nature of the plot is that the terrific Stewart Clarke is at the centre of it. While he doesn't get to emote and break hearts the way he did in the "The Rink" and "Return of the Soldier," he does bring some comic lift and charisma to his role as "The Squip in the Not-so-technicolor Silvercoat" lol. Overall, the actresses milked the laughs and the actors milked the feels, but I would have liked more of both. 3 and a half stars for a wonderfully cast and directed production of a show mostly made for teens.
|
|
131 posts
|
Post by eliza on Feb 15, 2020 22:27:08 GMT
Oh I really enjoyed this. It was funny, the songs were catchy and I loved the warmth between Jeremy and Michael.
After finding Dear Evan Hansen to be really underwhelming, I went into this expecting it to be the same and to not like it so it was a pleasant surprise. I think it helped that I knew actually nothing about the plot going in!
Audience were a pain. People singing along or talking at full volume or laughing especially loud to show what super fans they were. I wish I'd booked for later in the run to give them all a chance to see it before I went!
|
|
5,903 posts
|
Post by mrbarnaby on Feb 16, 2020 19:51:57 GMT
Does Stewart Clarke remove any clothes? That’s all I wanna know about.
|
|
|
Post by Deleted on Feb 16, 2020 20:03:46 GMT
Does Stewart Clarke remove any clothes? That’s all I wanna know about. Alas, unfortunately not.
|
|
5,903 posts
|
Post by mrbarnaby on Feb 16, 2020 20:48:24 GMT
I’m not going to go then. Silent protest.
|
|
2,422 posts
|
Post by robertb213 on Feb 16, 2020 22:34:24 GMT
Sadly Stewart is heavily layered-up but he gives such a brilliant performance he can be forgiven!
I liked it rather than loved it, I'm glad I did a £35 preview seat rather than the higher prices later on.
'Michael In The Bathroom' was brilliant though.
|
|
|
Post by stagebyte on Feb 17, 2020 0:15:17 GMT
Really wanted to love this as I love the soundtrack however there was just something missing from this production for me. Can’t fault the cast, brilliant vocals - think it was just a weak book? First act seemed to take ages to get to the point with a much stronger second. Jeremy seemed quite an underwritten character imo with Michael much more rounded characterisation with of course the 11 o’clock number. Female cast woefully underused. Set cheap with a digital screen depicting the scenes. Not exactly crystal clear display with blurring at the edges. This could’ve been a deliberate design choice but I noticed the same at Falsettos there recently. Really cheapened the overall effect to that of a high school production. And the evil Squip’s costume was very distracting - If the designer was going for sci fi Matrix I’m afraid all I could see was a monochrome Joseph’s coat.
When you’re distracted by the set and costumes this is not a good sign. This type of ‘teen geek angsty’ musical has been done much better - 13, Loserville to name a couple of examples. This seemed derivative. The mostly younger audience were well behaved (no singing or phones) when we saw it and very appreciative so I’m sure it will be a popular word of mouth hit. Can’t see it being worthy of a transfer though I just don’t think that the book or the majority of the characters are strong enough in the way Heathers was Creatives were in on our row, not much scribbling done so I’m guessing the show is where it needs to be. One comment for the director if he reads here. A giant smurf like bobble hat worn inside the theatre really isn’t that great theatre etiquette. You may have seen the show multiple times but the poor people sitting behind you hadn’t 😂
|
|
72 posts
|
Post by Dannyboi on Feb 17, 2020 16:35:03 GMT
Can someone who’s been in the Squip zone (front row) tell me what the exclusive collectible is for London? I know on Broadway it was a different pin badge every month, only it doesn’t go into details on the website when booking. Thanks in advance xx
|
|
3,349 posts
|
Post by Dr Tom on Feb 17, 2020 16:42:29 GMT
Can someone who’s been in the Squip zone (front row) tell me what the exclusive collectible is for London? I know on Broadway it was a different pin badge every month, only it doesn’t go into details on the website when booking. Thanks in advance xx From the second row, it looked like people at the front had a pin, but I couldn’t tell you what was on it.
|
|
72 posts
|
Post by Dannyboi on Feb 17, 2020 18:00:25 GMT
Thankyou for the fast reply Dr Tom, same as Broadway then. xx
|
|
4,214 posts
|
Post by anthony40 on Feb 17, 2020 18:05:13 GMT
Could anyone tell me if they are selling any merchandise? Specifically posters? I have emailed The Other Palace but to date have has no response.
Thanks in advance.
|
|
|
Post by stagebyte on Feb 17, 2020 19:16:02 GMT
No poster T-shirts 3 style £25 Long sleeve Creeps T £30 Hoodie £50 Beanie £20 Mug £10 Plastic cup £10 Stickers £10 Cd broadway £10 Original cast recording £10
|
|
1,210 posts
|
Post by musicalmarge on Feb 20, 2020 9:06:55 GMT
Oh I really enjoyed this. It was funny, the songs were catchy and I loved the warmth between Jeremy and Michael. After finding Dear Evan Hansen to be really underwhelming, I went into this expecting it to be the same and to not like it so it was a pleasant surprise. I think it helped that I knew actually nothing about the plot going in! Audience were a pain. People singing along or talking at full volume or laughing especially loud to show what super fans they were. I wish I'd booked for later in the run to give them all a chance to see it before I went! Saw this last night and agree about both!! Super fun show that will do really well. 8/10 go see it !!! If only for the guy who plays Michael!
|
|
2,422 posts
|
Post by robertb213 on Feb 20, 2020 11:11:49 GMT
£25 Rush Seats now available daily on TodayTix
|
|
|
Post by danb on Feb 20, 2020 12:55:56 GMT
We’re in the back row for this. Any high up business that we’re likely to miss or is it a clear view?
|
|
2,422 posts
|
Post by robertb213 on Feb 20, 2020 14:06:41 GMT
We’re in the back row for this. Any high up business that we’re likely to miss or is it a clear view? Nothing I can remember, a couple of visual bits on the back screen maybe but nothing important.
|
|
4,179 posts
|
Post by HereForTheatre on Feb 20, 2020 18:04:13 GMT
I found this a strange one. I really e joyed it but it's a bit bonkers isn't it. Some good performances.
|
|
|
Post by intoanewlife on Feb 20, 2020 18:10:15 GMT
The reviews of this thing are just bizarre, great reviews here and yet in the States they were pretty negative about it.
I may try for a day seat and check it out.
|
|
|
Post by xanady on Feb 21, 2020 9:17:11 GMT
At the matinee yesterday in a sold-out performance. Have known the cast recording for ages and to see the songs staged was simply wonderful. How to describe this? It’s a zany,crazy mash-up of Little Shop,the Faustian legend,DEH and Weird Science with a dollop of Shakespeare,Halloween and God knows what else thrown in for good measure...and it works! Great atmosphere in the audience and we loved every second of it. It’s a very,very entertaining and hilarious show,delivered with gusto by a terrific cast.
|
|
4,179 posts
|
Post by HereForTheatre on Feb 21, 2020 9:22:20 GMT
At the matinee yesterday in a sold-out performance. Have known the cast recording for ages and to see the songs staged was simply wonderful. How to describe this? It’s a zany,crazy mash-up of Little Shop,the Faustian legend,DEH and Weird Science with a dollop of Shakespeare,Halloween and God knows what else thrown in for good measure...and it works! Great atmosphere in the audience and we loved every second of it. It’s a very,very entertaining and hilarious show,delivered with gusto by a terrific cast. Yeh it reminded me of DEH too but just like a version they wrote when they were drunk 😜 It turns out there have been TB members at all the shows I've been too this week and didn't know at the time!
|
|
630 posts
|
Post by jamb0r on Feb 21, 2020 10:04:52 GMT
Managed to get row J in TodayTix rush this morning. This wasn't really on my radar but comments on here sound encouraging!
|
|