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Post by Deleted on May 30, 2017 22:35:47 GMT
Bear in mind I read this inital website as it was coming. So at time of making this thread I didn't know it was just a rumour. Mods feel free to move this chat there if its an issue.
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Post by Jon on May 30, 2017 22:59:26 GMT
ATG are one of the producers/investors on Broadway so maybe one for the Phoenix?
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Post by Deleted on May 30, 2017 23:34:05 GMT
No thanks, easily the most overrated musical in recent years.
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Post by Deleted on May 30, 2017 23:56:08 GMT
Wake me up when Tuck Everlasting transfers.
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Post by ali973 on May 31, 2017 3:22:27 GMT
I don't buy it.
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Post by Deleted on May 31, 2017 6:04:52 GMT
Hopefully this will happen!
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Post by mrbarnaby on May 31, 2017 6:37:30 GMT
It will win the Tony and will definately come here.
Natasha Pierre and the great Comet has already booked its theatre.
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Post by danb on May 31, 2017 6:45:15 GMT
It will win the Tony and will definately come here. Natasha Pierre and the great Comet has already booked its theatre. ...but has it secured it's star? |
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Post by Deleted on May 31, 2017 8:30:36 GMT
I must say, Liam Doyle was great singing You Will Be Found at Musical Marathon, so wouldn't be angry about him getting it! He was literally BEGGING for that part. He even brought his own arm sling too! And another plus point, you'll be able to see his big old moon face from the very back of the balcony as well. Note: He did also sing it rather well to be fair. |
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Post by Deleted on May 31, 2017 8:41:06 GMT
It will win the Tony and will definately come here. Natasha Pierre and the great Comet has already booked its theatre. Hold on, wait, what? Has Great Comet really booked its WE theatre? |
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Post by Deleted on May 31, 2017 8:47:14 GMT
*cue Liam Doyle phoning agent* Happy to champion Mr Doyle for anything appropriate but I don't think he's awkward enough for this. I'd rather some fantastic graduate made a name for themself here. Oh I have no problem with Liam Doyle as an actor I think he is great, its just he has made no secret about the fact he wants to be in this. That was my only point. |
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Post by HereForTheatre on May 31, 2017 9:10:14 GMT
*cue Liam Doyle phoning agent* Happy to champion Mr Doyle for anything appropriate but I don't think he's awkward enough for this. I'd rather some fantastic graduate made a name for themself here. Isn't that what acting is? |
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Post by Deleted on May 31, 2017 10:09:51 GMT
I must say, Liam Doyle was great singing You Will Be Found at Musical Marathon, so wouldn't be angry about him getting it! He was literally BEGGING for that part. He even brought his own arm sling too! And another plus point, you'll be able to see his big old moon face from the very back of the balcony as well. Note: He did also sing it rather well to be fair. Nooo I was chatting to him after and he said that he'd actually dislocated his shoulder. I think that Paul (Taylor-Mills) got him to sing Dear Evan Hansen as a kind of amusing irony. He would be a great Evan though. |
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Post by Sari on May 31, 2017 11:03:56 GMT
It will win the Tony and will definately come here. Natasha Pierre and the great Comet has already booked its theatre. WAIT. WAIT. WHAT? IS IT 100% CONFIRMED? BECAUSE I'M CRYING. |
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Post by ali973 on May 31, 2017 11:52:51 GMT
It will win the Tony and will definately come here. Natasha Pierre and the great Comet has already booked its theatre. Yea, that's what Hedwig also said. Will it win? Probably and unfortunately. Groundhog Day is by far more complex and intellectual than DEH, a mesh of Next to Normal meets the film World's Best Dad. |
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Post by Deleted on May 31, 2017 12:05:10 GMT
It will win the Tony and will definately come here. Natasha Pierre and the great Comet has already booked its theatre. Hold on, wait, what? Has Great Comet really booked its WE theatre? I woudln't take his comments too seriously. No source, its just rumours. Plus the only theatre it could really go into with its design is somewhere like the New London as it change design of the auditorium for different productions all the time. |
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Post by viserys on May 31, 2017 12:19:20 GMT
Hold on, wait, what? Has Great Comet really booked its WE theatre? I woudln't take his comments too seriously. No source, its just rumours. Plus the only theatre it could really go into with its design is somewhere like the New London as it change design of the auditorium for different productions all the time. While it would probably be easier to convert the New London for Comet, I don't why it shouldn't go into a regular theatre. It's in a regular theatre on Broadway too, which has been turned inside out (and upside down) for this production. |
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Post by Deleted on May 31, 2017 12:23:31 GMT
I woudln't take his comments too seriously. No source, its just rumours. Plus the only theatre it could really go into with its design is somewhere like the New London as it change design of the auditorium for different productions all the time. While it would probably be easier to convert the New London for Comet, I don't why it shouldn't go into a regular theatre. It's in a regular theatre on Broadway too, which has been turned inside out (and upside down) for this production. Yes, but on Broadway it has the benefit of only having one mezzanine level. There are only a handful of theatres that only have one circle in London. Sightlines, unless dramatically altered would be awful in a 'regular' theatre. Also the New London is 'regular'. |
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Post by Mark on May 31, 2017 12:35:06 GMT
Of all the new Best Musical nominees, Comet it the one I see least likely to transfer. Cast is huge and I just don't see it having the appeal over here.
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Post by ali973 on May 31, 2017 12:51:55 GMT
How huge is huge? I saw it in December and can't recall the cast being unusually big. I think it could have more appeal than DEH. The one with most appeal is Groundhog Day, and that has its publicity work made for it in London already.
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Post by Jon on May 31, 2017 13:02:53 GMT
I imagine if The Great Comet is planning to tour in the US, they'll likely redesign the show to work in the huge barns and that would be the blueprint for potential international productions
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Post by Deleted on May 31, 2017 13:12:40 GMT
Comet's creative team have been involved with creating work over here for a while, so not surprised that they are looking at a London productiion. Given that the superor (to my mind) Next to Normal hasn't got here I would be surprised if DEH prospers, to me the score is generic and a big come down from Hamilton's. Given a show like Spring Awakening's lack of success here it would be a brave producer believing that they could tap into a similar market.
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Post by Mark on May 31, 2017 13:17:19 GMT
How huge is huge? I saw it in December and can't recall the cast being unusually big. I think it could have more appeal than DEH. The one with most appeal is Groundhog Day, and that has its publicity work made for it in London already. 37 according to the website. Remember there are people up in the mezzanine at many times too. vs 18 for Come from Away (includes 6 standbys), 13 for Evan Hansen (includes 5 standbys) and 24 for Groundhog Day. |
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Post by ali973 on May 31, 2017 13:22:24 GMT
Well, everything about Come From Away was simple and pedestrian, so I don't think it sets the benchmark.
Yes, Comet might be expensive to mount. The theatre will have to be repurposed, probably requires special licensing for safety codes, and the costumes also look like they're worth a high price tag. But it's a fabulous show and a great night out.
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Post by Deleted on May 31, 2017 13:24:16 GMT
How huge is huge? I saw it in December and can't recall the cast being unusually big. I think it could have more appeal than DEH. The one with most appeal is Groundhog Day, and that has its publicity work made for it in London already. 37 according to the website. Remember there are people up in the mezzanine at many times too. vs 18 for Come from Away (includes 6 standbys), 13 for Evan Hansen (includes 5 standbys) and 24 for Groundhog Day. 37? Goodness, why do they need so many? I mean, it's hardly 'War & Peace'. I thank you. |
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