|
Post by Deleted on Oct 29, 2020 16:50:07 GMT
It's definitely a sorry state of affairs that there isn't a decent list of leading screen ladies who can also carry a tune. It is, but I think the argument is that Norma needs to be performed by someone who can do more than carry a tune! None of the names mentioned could do Norma anymore justice in the vocal department in comparison to Glenn.
|
|
19,650 posts
|
Post by BurlyBeaR on Oct 29, 2020 18:10:40 GMT
Judi Dench was originally cast as Grizabella wasn't she? And was in Cabaret, so presumably approaching a triple threat. She can’t sing. Many (that’s just me actually 🙂) suspect that she dropped out of Cats when they presented the song Memory to her. Oh yes I know she was supposed to have a leg injury but my friend Sven Farquelhaarsen swears he saw her running for a bus on Tottenham Court Road so... Anyway back to the film, it can only be and MUST only be Glenn. Just let the woman do it. She’ll be great. We don’t want another POTO situ with another good on paper but totally unsuitable lead do we?
|
|
2,416 posts
|
Post by robertb213 on Oct 29, 2020 18:58:15 GMT
It's definitely a sorry state of affairs that there isn't a decent list of leading screen ladies who can also carry a tune. It is, but I think the argument is that Norma needs to be performed by someone who can do more than carry a tune! None of the names mentioned could do Norma anymore justice in the vocal department in comparison to Glenn. Exactly. This role needs to be played by an actress first and foremost, not a singer. Someone who will act through the songs. If the acting fails, this whole film fails. So Glenn is the smartest choice, regardless of people's personal feelings on her voice (we all have them, personally I think Adele sounds like a lawnmower and would prefer to listen to Glenn any day, although of course there are armies of stronger singers out there).
|
|
2,370 posts
|
Post by theatreian on Oct 29, 2020 22:41:24 GMT
If it happens it will be Glenn. Her performance at the Coliseum was outstanding and she is an accomplished film actress which is essential. I agree the acting is most important rather than the vocal. That can be touched up in the editing room!! Or they could use her vocals from her American soundtrack from Sunset from when she did it originally!
|
|
607 posts
|
Post by chernjam on Oct 30, 2020 5:01:12 GMT
In my limited film knowledge, CZJ was the one person that sprang to mind! But there must be so many people.... Agree! They must have filmed the ENO version. Am convinced a pro shot stage version is the best thing for a sung through musical (the Miss Saigon one was brilliant). The feature film just has so many problems. I think I recall when they had the Q & A at the ENO (I read the reports, wasn't there) they had mentioned that was the plan to record and air Sunset. It was early in the run and I think the reason they gave for not doing it was when Glenn fell ill and Ria went on for her. Not sure what that had to do with it at the time, but in hindsight I'm guessing they already heard rumblings about bringing the entire production to NY - which was never the plan. Suffice it to say, I have mixed feelings about this... as anyone on here who's seen my posts, know this is one of if not the favorite musical of mine. My hesitation would be - does a movie musical about something that's even more distant/removed from people's recollections (Silent film stars) make it too unrelatable? I get the general themes the movie conveyed that are still very relevant, but that opening hook "a silent-screen movie star" when now movie theatres might become a dinosaur themselves, does that lose the audience right there? On the flip side, I appreciate Glenn saying that the songs are really interior reflections - which is something I've always argued was a difficulty with Nunns staging - He has all the action completely stop while she gives this impassioned defiant "With One Look" or the gradual triumph of "As If We Never Said Goodbye" and the stage and audience are sitting at attention listening to a lot of emotions that betray her character's belief that she's not forgotten, that she is still a star, that she is waiting for a return. Having that as a semi-dream sequence in the midst of the story line makes it work better to me. And with film they can do all kinds of interesting things. But at the end of the day, just getting a professionally shot film and a new soundtrack of this favorite of mine, would most definitely be welcomed. At this point, just re-build the Napier sets, get your all-star cast, the revised score see if you can throw that together in a few weeks (like they did Love Never Dies)
|
|
|
Post by Deleted on Oct 30, 2020 9:33:58 GMT
Suffice it to say, I have mixed feelings about this... as anyone on here who's seen my posts, know this is one of if not the favorite musical of mine. My hesitation would be - does a movie musical about something that's even more distant/removed from people's recollections (Silent film stars) make it too unrelatable? I get the general themes the movie conveyed that are still very relevant, but that opening hook "a silent-screen movie star" when now movie theatres might become a dinosaur themselves, does that lose the audience right there? But at the end of the day, just getting a professionally shot film and a new soundtrack of this favorite of mine, would most definitely be welcomed. At this point, just re-build the Napier sets, get your all-star cast, the revised score see if you can throw that together in a few weeks (like they did Love Never Dies) I do agree with you Chernjam. Also one of my favourite musicals of all time and that's why I can never resist joining in the discussion. But I similarly worry that this is not commercial as a film. I also think they shouldn't try and turn it into something commercial - but can films be made in any other way these days? Something that is done with lovers of the stage show in mind and very true to it would be what I'd love to see (people often said the (IMHO really quite underrated) Rent movie was done as a nod to the fans rather than to achieve wider box office). Sadly I just don't think such a thing is a concept in Hollywood; it's all about money. Gosh, bringing back the Napier sets and doing it as a staged film (like LND and the 1998 Cats) is a sensational idea. Wonder what happened to the actual sets....
|
|
|
Post by Deleted on Oct 30, 2020 15:47:39 GMT
Also one of my favourite musicals of all time and that's why I can never resist joining in the discussion. But I similarly worry that this is not commercial as a film. I also think they shouldn't try and turn it into something commercial - but can films be made in any other way these days? Why shouldn’t it be commercial? There are a lot of movies made that have limited commercial appeal, but a big west end musical shouldn’t be one of them. The original Sunset movie is considered one of Hollywood’s greatest, so I’d argue there’s a lot of commercial appeal in terms of story. Granted, the musical might not be of much interest to the young adult audience (with it not being a newer musical), but I assume the budget will reflect that anyway. The fact Glenn is co-producing gives me a lot of confidence actually. She’s lived and breathed Norma, carrying her around for decades. Not only does she know the part inside out, she knows what the movie needs to be. I honestly wouldn’t be against her directing it as I think I’d trust her more than someone new to the piece - and I actually think that a large problem with movie musicals is that the director doesn’t understand the original work well enough to know what it needs to be onscreen. But I have faith. If they get the right Joe it could be electrifying.
|
|
|
Post by Deleted on Oct 30, 2020 15:58:22 GMT
Also one of my favourite musicals of all time and that's why I can never resist joining in the discussion. But I similarly worry that this is not commercial as a film. I also think they shouldn't try and turn it into something commercial - but can films be made in any other way these days? Why shouldn’t it be commercial? There are a lot of movies made that have limited commercial appeal, but a big west end musical shouldn’t be one of them. The original Sunset movie is considered one of Hollywood’s greatest, so I’d argue there’s a lot of commercial appeal in terms of story. Granted, the musical might not be of much interest to the young adult audience (with it not being a newer musical), but I assume the budget will reflect that anyway. The fact Glenn is co-producing gives me a lot of confidence actually. She’s lived and breathed Norma, carrying her around for decades. Not only does she know the part inside out, she knows what the movie needs to be. I honestly wouldn’t be against her directing it as I think I’d trust her more than someone new to the piece - and I actually think that a large problem with movie musicals is that the director doesn’t understand the original work well enough to know what it needs to be onscreen. But I have faith. If they get the right Joe it could be electrifying. I admire your optimism but I just don't think a sung through musical (much as I personally adore them) that is not really known out of MT circles screams Hollywood box office. Nothing would delight me more than to be proved wrong.
|
|
|
Post by Deleted on Oct 30, 2020 21:25:50 GMT
Why shouldn’t it be commercial? There are a lot of movies made that have limited commercial appeal, but a big west end musical shouldn’t be one of them. The original Sunset movie is considered one of Hollywood’s greatest, so I’d argue there’s a lot of commercial appeal in terms of story. Granted, the musical might not be of much interest to the young adult audience (with it not being a newer musical), but I assume the budget will reflect that anyway. The fact Glenn is co-producing gives me a lot of confidence actually. She’s lived and breathed Norma, carrying her around for decades. Not only does she know the part inside out, she knows what the movie needs to be. I honestly wouldn’t be against her directing it as I think I’d trust her more than someone new to the piece - and I actually think that a large problem with movie musicals is that the director doesn’t understand the original work well enough to know what it needs to be onscreen. But I have faith. If they get the right Joe it could be electrifying. I admire your optimism but I just don't think a sung through musical (much as I personally adore them) that is not really known out of MT circles screams Hollywood box office. Nothing would delight me more than to be proved wrong. Not sure why you seem to be assuming the film will be sung through? I wouldn't expect it to be, regardless of the fact the stage show is.
|
|
|
Post by Deleted on Oct 30, 2020 22:00:04 GMT
I admire your optimism but I just don't think a sung through musical (much as I personally adore them) that is not really known out of MT circles screams Hollywood box office. Nothing would delight me more than to be proved wrong. It’s not so much my optimism but your dismissal of the fact Sunset Boulevard is a big name in cinema itself. A remake (even as a musical) is going to get itself noticed, even if it’s just to compare it to the original. As long as it breaks even at the box office, all will be well. The key I will be how much of a budget it can get its hands on.
|
|
19,650 posts
|
Post by BurlyBeaR on Jan 6, 2021 21:16:02 GMT
Madonna Madonna Madonna
I can’t believe we have never come up with this before. She’s perfect for it.
|
|
|
Post by Deleted on Jan 6, 2021 22:22:16 GMT
Madonna's new face will never be ready for a close up.
|
|
|
Post by danb on Jan 6, 2021 22:23:34 GMT
Madonna's new face will never be ready for a close up. It would have changed again by the time they finished zooming.
|
|
421 posts
|
Post by carmella1 on Jan 7, 2021 1:59:11 GMT
Glen brought Michael Xavier with her all over and he has done tv he could be Joe. Otherwise who would you have Harry Styles, Justin Beiber, Josh Groban. Actually they way the age differnce would be John Barrowman would be an excellent choice as Joe. His "Sunset Blvd". is awesome.
|
|
|
Post by Deleted on Jan 7, 2021 9:34:47 GMT
Worst case scenario Norma: Barbra Streisand Joe: Hugh Jackman Max: James Corden
If they try 'Greatest Showman' this movie, I will go looting.
|
|
1,210 posts
|
Post by musicalmarge on Jan 8, 2021 8:01:30 GMT
Worst case scenario Norma: Barbra Streisand Joe: Hugh Jackman Max: James Corden If they try 'Greatest Showman' this movie, I will go looting. Omg no!!!
|
|
1,995 posts
|
Post by distantcousin on Jan 10, 2021 16:46:08 GMT
Madonna Madonna Madonna I can’t believe we have never come up with this before. She’s perfect for it. Of course she is. ALW said 7 years ago he would love her to play it.
If she actually took singing lessons again, she could totally bring authenticity, gravitas and star megawattage to the project.
|
|
1,995 posts
|
Post by distantcousin on Jan 10, 2021 16:47:44 GMT
I agree. An older Norma totally works for me. Having someone washed-up and forgotten about and crazy in their 40s or 50s doesn't have the same weight. Actresses like Julia Roberts, Sandra Bullock, Nicole Kidman etc who are in that age bracket haven't been forgotten and are still considered relevant and popular, so why would the same not apply for Norma? I think 60s at the youngest, which Glenn can pass for. And I know her voice is very divisive but her performance completely blew me away. I'd rather have a layered performance from a skilled actress with rougher vocals, than a two-dimensional performance from someone who can belt brashly but has no vulnerability at all.
It SHOULD be someone in their 50's, but someone who was much loved 25 years ago but has been out of the limelight for a number of reasons (e.g. kids, bad luck with career, bad health etc)
|
|
1,995 posts
|
Post by distantcousin on Jan 10, 2021 16:48:39 GMT
Some of us were too young/not born when that happened - makes it harder to remember! [b. Youtube is great for that.
But there is virtually no broadcast quality footage that does it justice.
|
|
1,995 posts
|
Post by distantcousin on Jan 10, 2021 16:53:41 GMT
I hesitate to wade in as everyone knows my views (not just older but ridiculously too old and her singing voice is not just weak it simply cannot cope with this score). But I adore Sunset so can't resist sorry! With Glenn of course people's opinions are a matter of taste. But why is there a lack of ambition and expectation for this? I hear a lot of "she may not be the best singer but her acting is incredible so she is the one." Well, how about someone that can do both! There is literally the entire world of actresses. I refuse to believe that there isn't someone who can act the hell out of it AND sing the hell out of it and completely blow us away. This is what the aspiration should be! Not accepting someone as she's an amazing actress and a few people had a quasi religious experience at the ENO. Sadly I am not a film buff so I have no idea who. Looking back at Nunn's Normas (and I am not in a million years suggesting any of these as they are ALL too old), EP kinda had the opposite problem, she nailed every note but the acting was a bit camp. Patti for me utterly sang and acted. I mean she is so bonkers anyway she just embodies this character. I do know she is another one that people have strong reactions to though. So take Betty Buckley - her voice was phenomenal and her acting of Norma was mind blowing. Someone like that would be so so good. And it bothers me that people just accept Glenn is good enough. Sunset is one of the most epic musicals of all time and we should be WOWED. The film should be epic. There should also be singles recordings of Norma's two main songs that you can listen to when not watching the film over and over again and be blown away; these are ALW's finest and the music is the star. That isn't Glenn. One more thought - Norma IS meant to be young, That's the point. It is the new technology that cut short the careers of the silent stars, not their age, and part of the tragedy was that so many were so young. They became bonkers in early middle age. Anyway, between the endless delays, coronavirus and how badly ALW was stung by Cats (I think he's realised he can never have the artistic control he wants with movies) I can't see this being made. If it does though, Glenn seems to have cemented herself to it so strongly (is she a co-producer) I am sure it will be her. Getting modern stage musicals to successful films is hard, especially for more or less sung through ones. Really for me it is only Evita so far that has worked. And there are so many complex issues with Sunset that it may be best if it remains just a stage musical.
Bravo to everything in this post.
Indeed the greater tragedy that the audience should see is when someone who is still not old has been through on the scrapheap.
That REALLY displays the callousness of Hollywood. Glenn Close down the ENO as the eccentric frail, vulnerable pensioner was a very different take on the role. I loved her performance (more the second time I saw it), but to me, that is not who Norma Desmond is.
|
|
1,995 posts
|
Post by distantcousin on Jan 10, 2021 16:56:40 GMT
Catherine Zeta Jones may well be the next best bet if it drags on much longer. I certainly agree that we should aim high. As with the Wicked discussion isn’t thrre just a good pro-shot version of Glenn on stage that would satisfy people so that the movie can fly? In my limited film knowledge, CZJ was the one person that sprang to mind! But there must be so many people.... Agree! They must have filmed the ENO version. Am convinced a pro shot stage version is the best thing for a sung through musical (the Miss Saigon one was brilliant). The feature film just has so many problems. CZJ has the fragility (having retreated from work somewhat due to her bipolar), it feels like she has a lot more to offer and is due a "return", she is the great beauty that Norma was, has the poise and glamour and I have no doubts she could act and sing it fantastically (she would have to dig deeper than she's ever gone on the acting side though)
|
|
2,416 posts
|
Post by robertb213 on Jan 10, 2021 16:59:31 GMT
I do love the take that she wasn't old and that the world moved on due to technology etc while she was still in her prime, that's really interesting.
The original film has her at 50. Not sure if this line is in the stage version though.
|
|
1,995 posts
|
Post by distantcousin on Jan 10, 2021 17:01:50 GMT
I do love the take that she wasn't old and that the world moved on due to technology etc while she was still in her prime, that's really interesting. The original film has her at 50. Not sure if this line is in the stage version though.
It is
|
|
|
Post by danb on Jan 10, 2021 19:09:08 GMT
Madonna Madonna Madonna I can’t believe we have never come up with this before. She’s perfect for it. I’m a huge Madonna fan, but no. She hasn’t acted in 20 years and wasn’t very good at it to begin with. She’s too busy working on her biopic anyway now, and has a botched bum lift to fix. She hasn’t acted since Evita! I’m not sure what the word is for what she did after that (and I saw ‘Up For Grabs’).
|
|
5,138 posts
|
Post by Being Alive on Jan 10, 2021 19:44:29 GMT
Catherine Zeta Jones is a GREAT shout
|
|