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Post by joem on Dec 17, 2018 15:13:30 GMT
Would this be the right forum in which to discuss these? Assuming anyone wishes to discuss them of course!
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Post by Dawnstar on Dec 17, 2018 15:34:39 GMT
I don't know if it's the right forum either but I can't think of anywhere else to put it. I'll kick things off by recommending the Burne-Jones exhibition currently on at the Tate, which I thought was very good when I went last month.
Tip: if anyone's pushed for time I found the first 3 rooms, with smaller works, less interesting than the later rooms which have larger works.
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Post by joem on Dec 17, 2018 15:51:31 GMT
I don't know if it's the right forum either but I can't think of anywhere else to put it. I'll kick things off by recommending the Burne-Jones exhibition currently on at the Tate, which I thought was very good when I went last month.
Tip: if anyone's pushed for time I found the first 3 rooms, with smaller works, less interesting than the later rooms which have larger works. This is actually the exhibition which sparked my original post! Agreed about the last room which has a pair of beautiful Arthurian-themed tapestries (I have a passion for the Arthurian legends) owned by Jimmy Page - of Led Zeppelin fame - but the whole exhibition has plenty to recommend it. The Perseus series is definitely worth checking out. Another highlight for me was the expression on the mermaid drowning the sailor. I wonder what Freudian coda lurked behind this....
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Post by Dawnstar on Dec 17, 2018 16:02:50 GMT
This is actually the exhibition which sparked my original post! Agreed about the last room which has a pair of beautiful Arthurian-themed tapestries (I have a passion for the Arthurian legends) owned by Jimmy Page - of Led Zeppelin fame - but the whole exhibition has plenty to recommend it. The Perseus series is definitely worth checking out. Another highlight for me was the expression on the mermaid drowning the sailor. I wonder what Freudian coda lurked behind this.... My favourite tapestry was the Pomona one that is pictured in my tweet but I agree that the Arthurian pair were also lovely. I preferred the Sleeping Beauty series to the Perseus one but the latter was very interesting, especially with it being a probably unique opportunity to see the whole series together & the use of the cartoon to fill in for the paintings that were never finished.
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Post by Mr Snow on Dec 19, 2018 9:03:57 GMT
Love a Pre-Rhaphaelite, but was a little surprised to find that LS Lowry did. There's a small but interesting exhibition currently at the Lowry featuring some that he owned.
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Post by joem on Dec 28, 2018 19:17:19 GMT
Gilbert and George at the Helsinki Art Museum. Always had mixed feelings about them. Their living sculpture was a funny idea but gets stale after a while (would they have become popular so quickly if they hadn't looked vaguely like Morecambe and Wise?). While I'm underwhelmed by their craft, their composition is often interesting and this exhibition features huge "public art" works with some rather gorgeous colour schemes.
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Post by Dawnstar on Jan 28, 2019 15:09:58 GMT
Has anyone seen the British Library's Anglo-Saxon exhibition? If so, roughly how long did you spend viewing it? I'm planning to go on Friday pre-theatre but not sure how much time I need to allow.
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Post by lynette on Jan 29, 2019 0:48:56 GMT
Has anyone seen the British Library's Anglo-Saxon exhibition? If so, roughly how long did you spend viewing it? I'm planning to go on Friday pre-theatre but not sure how much time I need to allow. It is a biggie and it was very crowded on a Sunday when I went. There are loads of manuscripts to look at, the explanations are a bit meagre and you have to shove a bit to get to see everything. I would perhaps start at the end, that is walk through to the manuscripts at the end and then go back to the beginning. But the artefacts are mainly at the beginning, or so. So if you like manuscripts then go backwards, if not bothered , then go ordained route. Don’t miss the huge book in a case on its own. Quite impressive. But imo, and as it happens I have studied the Anglo - Saxons over the years, there isn’t enough context or explanation. There isn’t a timeline or family tree for the kings or a map. And there isn’t a way you can 'read' the scripts with translations beside. And no audio guide. These days I really do think an audio guide is essential. But that's me. The three Utrecht Psalters are something special, all together but there they come almost at the end by which time you are tired and need a sit down. After all that, I would allow two hours for a proper look but you can go round in one.
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Post by Dawnstar on Jan 29, 2019 19:35:15 GMT
lynette Thank you. I was provisionally thinking of allowing 2 hours so glad that that sounds about right. My knowledge of the Anglo-Saxons is fairly limited so it sounds like some of it will probably go over my head. An audio guide wouldn't help however as I refuse to use them: I have OCD & the thought of wearing headphones that hundreds of other people have worn makes me feel sick, plus I hate being talked at & would rather just look at things.
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Post by joem on Jan 31, 2019 14:43:53 GMT
lynette Thank you. I was provisionally thinking of allowing 2 hours so glad that that sounds about right. My knowledge of the Anglo-Saxons is fairly limited so it sounds like some of it will probably go over my head. An audio guide wouldn't help however as I refuse to use them: I have OCD & the thought of wearing headphones that hundreds of other people have worn makes me feel sick, plus I hate being talked at & would rather just look at things. Two hours is enough unless you are an expert on the Anglo-Saxons (in which case you probably wouldn't be at the exhibition!). My impression was that there were fewer artefacts here than in other exhibitions at the British Library and it was difficult to approach some of the smaller books and letters as the lighting used to illuminate them is quite useful for those who need to consult their phones and see what's up on Instagram, Facebook, Twitter and those other bastions of modern civilisation which, for many, are far more interesting than anything history can come up with.
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Post by catcat100 on Feb 5, 2019 23:34:08 GMT
I saw the Dior exhibition at the V&A today and boy its good.
Focus is really on the dresses and there is room upon room of them all with a different theme, really not certain how they fitted it all in, you keep on thinking that must be the end then they come up with another room.
Very good spread across all the different lead designers and by the end I found myself being able to name the lead designer for each dress. Which ain't bad seeing as I only knew a couple of them before the exhibition.
Think this will get a few more visits from me in the coming months.
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Post by joem on Feb 24, 2019 0:47:08 GMT
Caught the Ashurbanipal exhibition of Assyrian history and relics on its last day. I would recommend it as the kind of exhibition the British Museum does so well, using the artefacts to build a picture of history and society but I can't because it's now finished. Which is a shame because the detail of some of the carvings and friezes was truly outstanding.
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Post by Deleted on Feb 26, 2019 10:37:43 GMT
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Post by crowblack on Feb 26, 2019 10:54:48 GMT
this is worth a visit ... I haven't seen the exhibition but I'm not mad keen on the pics shown in the Graun - they look more like moody 90s fashion shoot photos with anonymous models. So saying, I didn't see these particular productions and maybe they were as cool and distant as the photos suggest! Theatre photography seems to be a very mixed bag - the promotional stills released for When We Have Sufficiently Tortured Each Other don't do the play justice at all and I'm amazed they've managed to use such lacklustre stills from a play that takes visual cues from Cindy Sherman, Gregory Crewdson and fetish culture - you'd think it would be catnip to a photographer. Btw, Marc Brenner is always good - he really has a feel for the plays he shoots, and it's well worth having a look through his website.
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Post by Phantom of London on Feb 26, 2019 11:38:53 GMT
My other great passion, been a member of the National Gallery for a while again, where they just had the Coultards’ Impressionism on display. Also a brilliant exhibition that was well curated on both Bellini and Mantegna. Coming up in the summer the Tate National is having a summer exhibition on Van Gogh, which will include Starry Night on the Rhône. I will be getting membership so I can attend several times, I love Van Gogh. www.tate.org.uk/whats-on/tate-britain/exhibition/ey-exhibition-van-gogh-and-britain
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Post by lynette on Feb 26, 2019 16:20:11 GMT
The Bonnard is ok. Hardly anyone there, not enough seats, dreary audio but one or two great paintings and the rest I think his bread and butter.
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Post by crowblack on Feb 27, 2019 8:50:50 GMT
Looking forward to seing the Dorothea Tanning when I get the chance.
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Post by Deleted on Feb 27, 2019 9:04:41 GMT
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Post by joem on Feb 27, 2019 17:37:11 GMT
My other great passion, been a member of the National Gallery for a while again, where they just had the Coultards’ Impressionism on display. Also a brilliant exhibition that was well curated on both Bellini and Mantegna. Coming up in the summer the Tate National is having a summer exhibition on Van Gogh, which will include Starry Night on the Rhône. I will be getting membership so I can attend several times, I love Van Gogh. www.tate.org.uk/whats-on/tate-britain/exhibition/ey-exhibition-van-gogh-and-britainHave you seen this? linkSorry just edited this, that link looks like it might be dodgy. It isn't, it goes to a Van Gogh film.
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Post by Phantom of London on Mar 1, 2019 18:41:04 GMT
No I haven’t seen it, you have just whetted my tastebuds.
Also like to see the play at some point Vincent in Brixton. A very sad individual who seems to be racked by Schizophrenia. He only sold one painting in his lifetime.
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Post by crowblack on Mar 3, 2019 13:09:32 GMT
There's a small, free, child-friendly exhibition of cats in literature at the British Library that's worth a look if you like cats and have half an hour to kill near Euston. It has some good stuff, including original pages from Mog, the original draft of How Pleasant to Know Mr Lear, a Peake illustration and a small 17thc book on a witch trial with feline familiars. A bit sad not to see Saki's wonderful Tobermory represented but it had plenty of other works. Be warned, it shuts at 5pm on Saturdays so I popped in at lunchtime before heading off to a matinee yesterday - it's only a short walk from the station.
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