1,351 posts
|
Post by CG on the loose on Nov 16, 2020 13:19:17 GMT
Anyone know whether that's just MK, or a general thing for these National Lottery supported pantos? In Bristol, the opening date on the 'poster' is Friday 18 December, but the first performance that can be booked is Sunday. (SCD final on Saturday?) Then in Birmingham it's Friday again, and Saturday. I thought it was ATG being ATG, but that could well be the reason. Thanks TallPaul - just saw on twitter that they're doing the same for the Brum Alex show, with credit given to ATG Tickets, so I guess it's down to them. Fair play.
|
|
1,351 posts
|
Post by CG on the loose on Nov 16, 2020 13:24:17 GMT
And just to confirm...
|
|
5,158 posts
|
Post by TallPaul on Nov 24, 2020 12:16:56 GMT
Michael Harrison has just been talking to Jeremy Vine on Radio 2. He's worried that as many as five of the 10 Qdos pantos could be forbidden under the new Tier 3 rules.
|
|
|
Post by talkingheads on Nov 24, 2020 12:46:47 GMT
Michael Harrison has just been talking to Jeremy Vine on Radio 2. He's worried that as many as five of the 10 Qdos pantos could be forbidden under the new Tier 3 rules. I cannot fathom why the Government didn't liaise with Qdos whilst making the new rules in order to prevent pantomimes being prepared unnecessarily. It would have saved so much time and money
|
|
|
Post by talkingheads on Nov 26, 2020 10:31:49 GMT
Audiences are banned from shouting out or heckling. Only stamping your feet and jumping up and down will be allowed.
|
|
|
Post by talkingheads on Nov 26, 2020 12:42:09 GMT
Palladium Panto is going ahead, although I have no idea how the new capacity rules have affected them, nor how they can stop people from Tier 3 attending:
|
|
1,351 posts
|
Post by CG on the loose on Dec 2, 2020 16:10:41 GMT
I see that Bristol's Tier-3 hit panto is being rescheduled to February and QDOS moved the December run to Woking...
|
|
1,743 posts
|
Post by fiyero on Dec 4, 2020 11:56:14 GMT
I think it is great they can still (hopefully) go to Bristol and Woking get a surprise! Have pantos ever toured like this before?
I am due to see Pantoland at The Palladium (rescheduled), Sleeping Beauty at The Mayflower and Dick Whittington at The National. My first season seeing 3 different pantos I think and still tempted to add Dick Whittington at Kings Southsea!
|
|
1,351 posts
|
Post by CG on the loose on Dec 4, 2020 16:20:51 GMT
Newcastle Theatre Royal now confirm their Robin Hood will be rescheduled to April 2021. All ticketholders will be automatically refunded - new dates/schedule to be announced Fri 11 December and on sale the following week.
|
|
|
Post by talkingheads on Dec 4, 2020 16:28:48 GMT
I think it is great they can still (hopefully) go to Bristol and Woking get a surprise! Have pantos ever toured like this before? I am due to see Pantoland at The Palladium (rescheduled), Sleeping Beauty at The Mayflower and Dick Whittington at The National. My first season seeing 3 different pantos I think and still tempted to add Dick Whittington at Kings Southsea! The Chuckle Brothers did a few touring pantos over the years. One of them is on YouTube:
|
|
490 posts
|
Post by bimse on Dec 4, 2020 22:07:46 GMT
I think it is great they can still (hopefully) go to Bristol and Woking get a surprise! Have pantos ever toured like this before? I am due to see Pantoland at The Palladium (rescheduled), Sleeping Beauty at The Mayflower and Dick Whittington at The National. My first season seeing 3 different pantos I think and still tempted to add Dick Whittington at Kings Southsea! In the late 70s, early 80s Leeds Grand Theatre frequently had pantomimes which played over Christmas/New Year elsewhere , then played Leeds for the February half term holiday .
|
|
|
Post by talkingheads on Dec 8, 2020 12:38:14 GMT
The National Theatre is streaming Dick Whittington for free from 23rd to the 27th December then on National Theatre At Home from the 11th January to the 22nd February:
|
|
8,154 posts
Member is Online
|
Post by alece10 on Dec 8, 2020 16:34:23 GMT
Saturday is only my 2nd panto since childhood, which was a very long time ago. Going to The Palladium. The time before was at The Old Vic with Ian McKellen and the time before that was with Tommy Trinder (ask your grand parents!) when I won a goldfish. So shows that I don't really like Panto but looking forward to Saturday for a bit of a laugh.
|
|
|
Post by edi on Dec 11, 2020 18:16:08 GMT
I am going to see Dick Whittington at The National next Monday. I booked the tickets for Monday because I am expecting London to become tier 3 anytime soon.
I am silly excited as this will be my very first ever panto. I don't even know what to expect, I am panto virgin.
|
|
3,349 posts
|
Post by Dr Tom on Dec 14, 2020 22:43:49 GMT
Enjoyed a good long dose of Dick tonight. That's all 2 hours and 40 minutes of it at the National Theatre.
I was somehow taken in through the wrong entrance, which led to my trying to avoid private areas to get to my seat. Very thorough Covid-19 measures, including declarations and scanning in with the app. The pantomime was socially distanced too, with even the pantomime horse appearing in two halves.
A little disappointment before the show, with the director coming on stage to announce the show is closing before it has even opened (but tomorrow's performance is being filmed), plus Leah St Luce would be on for Tom Cat (a shame, as I was looking forward to seeing Cleve September, but Leah was still very good).
This isn't a golden pantomime by any means. A very modern take, grating at times and light on laughs, but with things how they are, I was determined to enjoy it. Second half, where they just throw the plot away, is more fun than the first half. It is generally suitable for children, although there were very few in, but there are a lot of political jokes and understandably lots at the expense of the main character's name. The best laugh of the night came from a great one-liner relating to Rishi Sunak and eating out.
The small cast give it their all within the limited budget they obviously have had to work within. There are dances for the audience to learn (shouting and cheering isn't encouraged for obvious reasons). Lots of versions of modern pop songs, some of which I vaguely recognised. And even some gunge (beware if you're in the front row as two people in front of me got lightly splashed).
A free programme as well, which is always a bonus, plus it doubles up as a sign to hold up in place of booing or cheering.
Quite a lot of empty seats (other than the socially distanced ones) which surprised me a little. So you may well be able to get a seat tomorrow if you want one. But otherwise the £20 I paid seemed about right. Will be interesting to see if the dirtier jokes make it into the streamed version.
|
|
|
Post by edi on Dec 15, 2020 20:20:10 GMT
I enjoyed Dick T last night in the National but more for the rare chance of being in the theatre than for the performance itself.
This was my very first panto ever, not being British, it's not part of my culture, we don't have this kind of theatre in my country. Well, we may do but strictly for children and nothing to do with the Christmas period. Saying that I was extremely interested to see what the deal is about Pantos being such a cult over here.
It was fun to be part of it and by the end I was fully immersed but I did spend the first half wondering whether I was missing something. My British partner reassured me that this wasn't a very traditional one and usually there is more slapstick involved. The fact the National now has the audience on all sides meant that no set was used only props coming through the floor.
I felt really sorry for all the actors who rehearsed it and put all the effort into it and yet again after a very few performances they have to put the shutters down.
|
|
1,743 posts
|
Post by fiyero on Dec 20, 2020 20:42:57 GMT
I was lucky enough to see Sleeping Beauty at The Mayflower, Southampton this afternoon. A really well managed entry to the theatre with a cast list available in lieu of a full programme and lots of clocked off seats.
I think it worked really well as a one act show. I’m more used to Palladium pantos recently so it was unusual for me to have to follow a plot! The cast were all great and worked hard. The show’s final number was Finding Pantoland which a week earlier had made me emotional when sung by Beverley Knight at the Palladium. Here all the singing members of the cast joined in making it even more powerful I think.
After the news of new tiers came in yesterday, while I wasn’t directly affected, I decided to head to Winchester for Four Dames in Search of a Panto. This was a different show to usual and I wasn’t sure what to expect but it was great fun and a very hard working cast of 4. A bit of a mix of the history of panto and mimi panto and an amazing 12 days of Christmas and song sheet with no audience singing! Great safe setup with every other row removed in the stalls so amazing legroom too!!
As I mentioned I was one of the lucky ones to see the palladium panto. Tier 2 rules meant I lost my booking for 19/12 but was able to buy a ticket for 13/12. I think someone must have been looking down on me to align the stars! No pretence of plot this year but a very emotional show.
I was hoping to end panto season with Dick Whittington at the national but that is looking shakier and shakier.
Thank you to all the actors, musicians and front & back of house staff that make it all happen.
|
|
131 posts
|
Post by critchyboy on Dec 20, 2020 21:14:55 GMT
From Blackpool Grands pantomime website:
“Martin Dodd for UK Productions in association with Blackpool Grand Theatre proudly present PANTOMONIUM! written by Jon Monie. Starring Britain’s Got Talent Finalist Steve Royle, West End and Emmerdale star Tom Lister, TVs Milkshake! host Olivia Birchenough and EastEnders Nick Wilton.
Join us for a riotous romp through pantomime and purchase your Digital Pass for just £25.50 per household. Watch as many times as you like until the 31 January 2021.”
Planning to get the pass to watch this - lived on the Fylde coast for 13 years and the pantos at the Grand with Steve Royal were a definite highlight!!!
|
|
1,743 posts
|
Post by fiyero on Dec 22, 2020 11:11:20 GMT
The Mayflower panto has been cancelled after its first weekend. Tragic for all involved and I know a decision they wouldn’t have taken lightly.
|
|
|
Post by talkingheads on Dec 23, 2020 14:30:45 GMT
The always brilliant Chris Jarvis of Cbeebies fame put on an hour long pantomime at the Lighthouse in Poole. It was absolutely glorious, I haven't been inside a theatre since February and to see professional singers and dancers, lots of puns and other panto pleasures put a huge grin on my face.
|
|
|
Post by talkingheads on Dec 31, 2020 15:13:14 GMT
The Marlowe in Canterbury has put up a free stream of this year's panto. Ben Roddy is in fine form, but it is extremely odd seeing genuinely good jokes delivered to complete silence. He really tries and I'm glad they put it up, but the performers have to work so much harder without that audience energy and noise.
|
|
|
Post by talkingheads on Apr 30, 2021 11:14:27 GMT
A lot of casting announcements are being made, including this one in Milton Keynes. Honestly I haven't booked tickets for anything so fast in my life. Mr Blobby in panto? It is going to be exactly the kind of ridiculous mayhem we will all need by then!
|
|
|
Post by talkingheads on May 25, 2021 11:21:03 GMT
|
|
1,351 posts
|
Post by CG on the loose on May 25, 2021 12:57:56 GMT
For those who can’t see behind the paywall - Nick Thomas has bowed out, Michael Harrison remains as Chief Executive and will produce/direct the pantos. Crossroads now hold all the equity with David Ian (whose production company they bought out in 2019) taking care of the business side. 29 pantos going ahead this year, including the Palladium (down from 31 last year).
|
|
5,158 posts
|
Post by TallPaul on May 25, 2021 13:13:29 GMT
Non of us are getting any younger, and having recently sold HQ Theatres to Trafalgar, Nick and Sandra Thomas seem to have decided to devote more time to their small chain of gastropubs.
|
|