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Post by xanady on Jul 20, 2019 14:08:45 GMT
As I said in my post 15 hours ago...wooden fence...two dock doors...retractable scenery....projections....Bit vanilla for me,sadly but I DO appreciate that this was an in-house co-production between the Curve and the Hippo and that as the Hippo’s AD/CE,Fiona Allan says in her programme notes, the show has eaten up considerable investment from profits from everything from the annual panto,public donations and even from the dining experiences and the cafe bar...so it must have been costly to stage.She wants investment in shows/workshops/exhibitions/festivals etc that relate to the local communities so that is to be applauded.
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Post by Joseph Buquet on Jul 20, 2019 17:01:26 GMT
Just saw the matinee, and loved it. Cast uniformly superb - the three leads were faultless. Sets relatively simple, but effective (what more can you expect for two short runs?). Audience generally respectful, though there was a call out during one of the pauses of the climax of I’m Here - not helpful.
I wouldn’t say every song is a winner in this, but those which are good are up there with the best.
Would gladly see again!
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Post by learfan on Jul 20, 2019 17:02:40 GMT
Im just on train after seeing today's matinee with my daughter. I dont recognise xanady's description. We both thought it excellent and quite emotional. Im a cold fish and i had a tear in my eye at curtain. An talented ensemble including the always marvellous Ako Mitchell. T'shan Williams was extraordinary especially given the troubled history of the role. The set was more than fine, it omly has a three week run in total. I paid £41 for row F stalls and that was good value imo.
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Post by FrontrowverPaul on Jul 20, 2019 17:25:10 GMT
My twopen'orth on this. Saw Wednesday's matinee and rated it a personal 9/10. The two young female leads were wonderful, I enjoyed all the music and I was unaware of any bad behaviour in the audience from my front row stalls seat. The two ladies either side of me were both wiping away tears at several points and it just about got me right at the end.
I was expecting the show to be darker than it was, overall I would describe more as uplifting than tragic. There's enough misery in the real world and I nearly didn't book based on what I knew about the book and the film. Very happy that I did. Lovely theatre too, my first visit there and won't be the last.
Hoping it either tours or gets a West End run, I'll be booking to see it again at the earliest opportunity.
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Post by xanady on Jul 20, 2019 17:42:11 GMT
Saw the Friday performance so audience behaviour on any other performance is not relevant at all to me to be honest.A poster(learfan)saying they don’t recognise my description of the show is fine with me although some would take offence at that kind of comment.We all have different opinions on things.Have said what I personally think and if that doesn’t sit well with others,well so be it.Not posting again on this thread as I will be re-hashing the same comments again and again.Really pleased that others love the show.
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Post by anthem on Sept 30, 2019 20:24:27 GMT
Not really surprised by this but disappointing all the same. Seyi Omooba will take the Curve Theatre in Leicester and Global Artists to court for breach of contract and religious discrimination. www.bbc.com/news/entertainment-arts-49881027
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Post by xanady on Sept 30, 2019 21:01:40 GMT
Being covered already on another thread in General Chat.
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Post by musicalmarge on Sept 30, 2019 21:51:03 GMT
Not really surprised by this but disappointing all the same. Seyi Omooba will take the Curve Theatre in Leicester and Global Artists to court for breach of contract and religious discrimination. www.bbc.com/news/entertainment-arts-49881027I’ve heard horror stories about Global Artists over the years, treating people horribly.
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Post by couldileaveyou on Oct 11, 2019 12:54:10 GMT
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Post by ncbears on Jan 3, 2020 19:25:03 GMT
Posting here as well as General: Legal Update per The Stage: she's settled with Birmingham Hippodrome and still pursuing Curve. Legal Update per The Stage
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Post by Theatre Fan on Jan 3, 2020 19:29:29 GMT
Posting here as well as General: Legal Update per The Stage: she's settled with Birmingham Hippodrome and still pursuing Curve. Legal Update per The StageThey say they've settled with Birmingham Hippodrome, I bet all that happened was they dropped their case against the Hippodrome. To make them sound like they got a concession of sorts. Christian Concern is a sham organisation, if you look in to it. Her father and some dodgy lawyer are basically it.
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Post by HereForTheatre on Jan 3, 2020 19:43:12 GMT
Didn't they co-produce it? So how can she drop it against one theatre but still be pursuing it with another? That seems unfair on Curve. I mean neither actually have a case to answer, cleary, we all i'm sure feel that, but surely both theatres share equal ownership of the decision.
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Post by HereForTheatre on Mar 4, 2020 12:44:44 GMT
Following on from the win at the WOS Awards the CEO of Curve was on the radio and said that it's not the last we've seen of the production....so hopefully we'll see it again soon.
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Post by robertb213 on Oct 9, 2020 16:20:20 GMT
Lovely to revisit this music again 😀
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Post by HereForTheatre on Oct 9, 2020 18:00:49 GMT
That was absolutely wonderful.
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Post by HereForTheatre on Oct 14, 2020 13:51:22 GMT
Curve is reopening with a run of a concert version of The Color Purple 23rd Nov - 5th Dec.
T'shan and Danielle return with the remaining cast to be announced.
553 capacity in the round (basically both spaces open) and featuring a revolve.
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Post by BurlyBeaR on Jan 22, 2021 8:20:40 GMT
Bumping for the forthcoming Curve livestream, but no sign of it or how to buy ti on Curves website?
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Post by HereForTheatre on Jan 22, 2021 9:25:54 GMT
I'm sure they will announce this via their official channels a bit later.
I wonder if this will be a more traditional concert staging or they will try to spice it up again like Sunset? It's not Nikolai directing this one so my thoughts is it might be a more standard concert stream, but either way, it's very exciting to see the show again and great that Carly is joining as Shug.
A shame of course that it had to move online in the first place but better than not being able to see it at all.
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Post by HereForTheatre on Jan 22, 2021 10:22:25 GMT
Tickets now on sale via the website priced at £20. The streaming times for this follow a more traditional performance schedule than the 3 times a day for Sunset.
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Post by Deleted on Jan 22, 2021 11:47:47 GMT
I don't really understand the concept of streaming at the same time as an in-person show when something isn't being performed live.
I can't always guarantee I will be finished work by 7.30pm, especially these days, so my options for viewing this are much more limited than if you could pay for a stream you could access for 7 or 14 days, like Showstoppers did. At least Sunset offered multiple start times.
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Post by HereForTheatre on Jan 22, 2021 15:21:01 GMT
I don't really understand the concept of streaming at the same time as an in-person show when something isn't being performed live. I can't always guarantee I will be finished work by 7.30pm, especially these days, so my options for viewing this are much more limited than if you could pay for a stream you could access for 7 or 14 days, like Showstoppers did. At least Sunset offered multiple start times. There are some varied times across the run. Some start at 8.30pm, some at 1pm some on a Sunday afternoon for example. So there are some out of hours times for those who need a bit more flexibility. I agree thought it would be better to have an on demand system but I'm sure there are reasons why that isn't the case.
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Post by HereForTheatre on Feb 15, 2021 18:32:23 GMT
Behind the scenes video about the making of the show with many clips. I have to say this looks really quite stunning.
Starts streaming tomorrow for anyone still interested in watching.
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Post by stagebyte on Feb 16, 2021 0:25:02 GMT
Saw this live at the Curve. Bloody superb. Recommended!
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Post by BoOverall on Feb 17, 2021 22:45:40 GMT
I loved this this evening. I’d forgotten how gorgeous the score is and I loved the way this was staged in The Curve. Great performances all round. If I had a few tears at the end of Act One, I could probably be described as a blubbing mess in the last 20-odd minutes of Act Two!
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Post by scarpia on Feb 17, 2021 22:50:39 GMT
Bought my ticket to watch it over the weekend. Remember when it was on Broadway but was never intrigued then, but having only got round to watching the film not so long ago (!), I am definitely keen to try this one out.
Separately, glad the ET came to the right decision regarding the actor who was to play Celie.
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