294 posts
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Post by dani on Dec 6, 2018 10:27:02 GMT
If I'd typed a little faster, it wouldn't look as though I ignored stevejohnson678's post!
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86 posts
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Post by abitoftap on Dec 6, 2018 15:14:27 GMT
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86 posts
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Post by abitoftap on Dec 6, 2018 15:15:14 GMT
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1,346 posts
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Post by tmesis on Dec 6, 2018 16:19:23 GMT
I'm really pleased this has got such good reviews. I thought it was terrific.
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8,103 posts
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Post by alece10 on Dec 7, 2018 10:35:40 GMT
Although I knew the music and seen the film this was the first time I've seen a theatre production of Fiddler. Really enjoyed it and amazed what they had done with the small space with such a large cast. I counted 27 which must be the biggest ever cast at the Menier. Andy Nyman was excellent as we're the rest of the cast. No weak link at all. First act very long at 1 hour 40 so a much shorter second act but i can see it has to be that way. Great dancing too. Glad I saw it here rather then later if it was to transfer to the west end.
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3,057 posts
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Post by ali973 on Dec 8, 2018 10:14:24 GMT
Do they recreate Jerome Robbin's choreography or is it new? I was lucky to just grab a ticket last week for next week. Looking forward to seeing since I've never seen a production before, and especially after the great reviews.
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8,103 posts
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Post by alece10 on Dec 8, 2018 10:27:26 GMT
Do they recreate Jerome Robbin's choreography or is it new? I was lucky to just grab a ticket last week for next week. Looking forward to seeing since I've never seen a production before, and especially after the great reviews. I do believe it's pretty much the Jerome Robin's choreography.
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4,961 posts
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Post by Someone in a tree on Dec 8, 2018 12:04:16 GMT
What’s the deal with the Robbins choreography? Does it generally have to be used like with West Side Story ?
A recent broadway production used hofesh shechter as the dance man. Now that I would of loved to have seen
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3,057 posts
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Post by ali973 on Dec 8, 2018 16:06:23 GMT
I believe yes, the Robbins choreography needs to be recreated for first class productions. The recent revival was restaged with special permission (but also crediting the original and using a similar blueprint).
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1,046 posts
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Post by jgblunners on Dec 8, 2018 16:13:58 GMT
Daniel Evans' Chichester revival had permission from the estates of Robbins and the composer to allow them to implement new choreography and orchestrations. I don't know what the case is for the Menier production.
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Post by joeinnewyork on Dec 8, 2018 16:18:38 GMT
What’s the deal with the Robbins choreography? Does it generally have to be used like with West Side Story ? A recent broadway production used hofesh shechter as the dance man. Now that I would of loved to have seen A BroadwayWorld interview with Shechter said, "Choreographer Hofesh Shechter admits to not quite understanding his instructions when Fiddler on the Roof director Bartlett Sher told him, 'You have to base it on the Jerome Robbins choreography, but you're free to do whatever you want.'" The Yiddish-language "Fiddler," currently at New York's Museum of Jewish Heritage and due to transfer to off-Broadway in February, has a credited choreographer, Staś Kmieć, but one who's billed on the museum's website as a "'Fiddler on the Roof' alumnus and historian." His staging of the musical numbers seemed to me to be very close to Robbins, including a (quite impressive) bottle dance, but I wouldn't be surprised if it was slightly modified for the relatively small stage and for the abilities of the ensemble, who put on a great show but don't all seem to have Broadway-level dance training.
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Post by joeinnewyork on Dec 15, 2018 14:22:47 GMT
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1,562 posts
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Post by showtoones on Dec 17, 2018 4:19:10 GMT
Louise Gold is the weak link and for a role that’s the comic relief, he line readings fall flat. I’m sure she’s a lovely person, but...
That said, loved it and it def deserves a transfer.
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31 posts
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Post by cheri78 on Dec 25, 2018 14:24:36 GMT
I am amazed there are so few posts about this show. I am there on 5th Jan matinee, before the final performance of 42nd St, and keep looking to see comments, but very few. Still, looking forward to this as the original at Her Majesty's was a major factor in my love of musicals.
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8,103 posts
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Post by alece10 on Dec 25, 2018 15:30:15 GMT
I am amazed there are so few posts about this show. I am there on 5th Jan matinee, before the final performance of 42nd St, and keep looking to see comments, but very few. Still, looking forward to this as the original at Her Majesty's was a major factor in my love of musicals. Reading the thread from beginning there was not a lot of interest and also being such a small theatre not that many people able to see it. Of course it's all sold out now so no chance of seeing it unless it transfers. I enjoyed it especially as I'd never seen it on the stage before.
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3,057 posts
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Post by ali973 on Dec 26, 2018 18:23:54 GMT
I agree. I absolutely adored it. I thought Act I was stronger and had the better material than Act II - but the drama really picks up in the second half. The staging was fantastic, and Andy Nyman had us under his spell. I would see it in a heartbeat if it transfers.
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Post by kofler22 on Dec 28, 2018 16:01:02 GMT
I am amazed there are so few posts about this show. I am there on 5th Jan matinee, before the final performance of 42nd St, and keep looking to see comments, but very few. Still, looking forward to this as the original at Her Majesty's was a major factor in my love of musicals. Reading the thread from beginning there was not a lot of interest and also being such a small theatre not that many people able to see it. Of course it's all sold out now so no chance of seeing it unless it transfers. I enjoyed it especially as I'd never seen it on the stage before. It seems to be sold out...do you know of any resellers where I can try to find tickets for February?
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8,103 posts
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Post by alece10 on Dec 28, 2018 16:11:54 GMT
Reading the thread from beginning there was not a lot of interest and also being such a small theatre not that many people able to see it. Of course it's all sold out now so no chance of seeing it unless it transfers. I enjoyed it especially as I'd never seen it on the stage before. It seems to be sold out...do you know of any resellers where I can try to find tickets for February? I think the only was is phoning the box office for returns or queueing on the night for returns.
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268 posts
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Post by gmoneyoutlaw on Dec 28, 2018 17:11:31 GMT
I got my tickets fast for my trip in January. I'm also thrilled that in NYC there's a revival of Fiddler in yiddish. It's moving to a large theatre in February and I'll see it then.
When I was at Menier for Funny Girl I showed up 2 hours before the show with one person in front of me and we both got front row seats. So close I could have hugged the cast at the end. I wanted too.
THE SHOW IS NOT SOLD OUT as of post. You can get a pair January 2 at 8pm. Or singles tonight, Saturday or Sunday Nights.
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Post by Deleted on Dec 28, 2018 18:43:32 GMT
I returned a single the box office on Wed for 2/14
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Post by Deleted on Dec 28, 2018 19:06:52 GMT
I loved this
But it’s quite oppressive and depressing
I also Preferred the first half to the second
And the 20:00 start is so unnecessary
London Bridge isn’t that far away
I don’t get their late start time
19:45 would be a reasonable compromise
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8,103 posts
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Post by alece10 on Dec 28, 2018 19:48:50 GMT
I loved this But it’s quite oppressive and depressing I also Preferred the first half to the second And the 20:00 start is so unnecessary London Bridge isn’t that far away I don’t get their late start time 19:45 would be a reasonable compromise Everything starts at 8pm there, it's because of the restaurant which is a good source of income for the unfunded theatre. But do agree especially when Mr Nunn is involved as you never get out before 11pm. Not good on a school night when you have to be up at 5.30am
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153 posts
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Post by liverpool54321 on Jan 2, 2019 23:41:36 GMT
Understudy on for Andy Nyman at matinee today. Put in a good performance although I’ve nothing to compare it to aside from Topol who I saw when I was about 8 but remember nothing about the show. Hoping they will add their customary mid week matineee late in the run so I can go again.
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3,334 posts
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Post by Dr Tom on Jan 4, 2019 23:39:48 GMT
Saw this tonight and can only echo what everyone else said about it being an excellent production.
And I only got my ticket yesterday, so they do appear.
The interval isn’t until 9:40pm and it’s testament to the strength of the show that it doesn’t feel that long at all.
Andy Nyman is excellent too and has been hiding his talents away for too long.
Deserving of a transfer.
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Post by songbird on Jan 7, 2019 2:27:18 GMT
I saw this right at the end of December, and it was honestly one of the theatrical highlights of the year for me (alongside Company).
Andy Nyman is just phenomenal (as expected). I booked as soon as he was announced, he is a wonderful actor and such a lovely guy.
The cast were so spot on. In such an intimate setting its amazing to see their detailed expressions and reactions, and hear the ad libs especially in the busier scenes.
I was a bit annoyed by the constant door slamming and I wasn't a big fan of the lighting design, but everything else was practically perfect.
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