2,452 posts
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Post by theatremadness on Nov 11, 2016 11:17:35 GMT
Alexandra Burke sang and acted the role really well, compared to what I was expecting after seeing her in The Bodyguard. Although she still has the habit of putting her finger in her ear during high notes and key changes in the middle of songs. She really needs to get out of that habit. Easier said than done when you're pretending to be a nun..... TAXI!
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19,660 posts
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Post by BurlyBeaR on Nov 11, 2016 13:37:18 GMT
Oh my.......
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Post by bren on Nov 16, 2016 18:59:16 GMT
I caught this last night in Dublin. I have to say, I was a little nervous given the variety of opinions here. I booked my tickets when the tour was announced initially and before Alexandra was cast as Deloris.
For me, it was a real treat- probably one of the more enjoyable nights I’ve had in the theatre in a long time. I went in ‘blind’ as it were, having not seen it staged previously but I do know the score from the London Cast recording.
Alexandra Burke was marvellous. She has great stage presence. Her voice is exceptional but it was her acting that really surprised me. It’s clear that she puts her absolute all into the performance and it was a huge step up from her role in the Bodyguard, which was a little bland for me. She undoubtedly plays the role in an exaggerated manner, but it fits in with the rest of the production and I really found her very funny throughout. She did well in the softer moments too, in Act II. For me, she is a great example of ‘stunt casting’ done right.
The sisters are brilliant, I particularly liked Susannah Van Den Berg as Sr. Mary Patrick and Sarah Goggin is charming as Sr. Mary Robert. It was a relief when the choir eventually found their ability to hit the right notes!
Jon Robyns is hugely likable as Eddie, and he has good chemistry with Alexandra. He’s charming and I really enjoy the tone of his voice.
The staging is quite simple, but very cleverly put together. Good use of lighting throughout and I appreciated the glitter ball!
The blocking in one or two of the scenes was a little clumsy, but I actually really liked the staging of ‘The Life I Never Led’ and ‘Fabulous Baby, Reprise.’ Curtis’s stooges are terrific, particularly Sandy Grigelis who plays T.J. He drew some of the heartiest laughs from the audience.
Maybe it’s just the Bord Gáis theatre (which is wonderful by the way), but the sound was crisp and the dialogue was perfectly audible throughout.
The cast seemed to be having the time of their lives, which is infectious, and it’s quite something to experience such a talented bunch onstage.
There was a full standing ovation, followed by a sea of smiling faces as we departed. I might try and see if I can get tickets for Belfast when it comes back next year.
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Post by Deleted on Nov 21, 2016 19:29:09 GMT
This returns to Dublin August 29th 2017
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Post by Deleted on Nov 24, 2016 18:57:22 GMT
Does anybody know if Alexandra comes out to stage door after evening show and if so, how long does she take?
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Post by Kim on Nov 24, 2016 19:16:06 GMT
If it's anything like The Bodyguard your she takes quite a while
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Post by Deleted on Nov 24, 2016 20:25:51 GMT
If it's anything like The Bodyguard your she takes quite a while How long roughly?
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94 posts
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Post by Kim on Nov 24, 2016 20:33:29 GMT
Around half an hour on a good night
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Post by Deleted on Nov 24, 2016 20:58:32 GMT
I'm quite surprised to be honest that Alexandra and the cast haven't performed a song on Strictly considering Craig is the director/choreographer of the show!
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2,775 posts
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Post by daniel on Nov 25, 2016 3:37:12 GMT
If it's anything like The Bodyguard your she takes quite a while How long roughly? She was regularly taking over an hour to come out after The Bodyguard, and even then wouldn't have any conversations with the fans who pay her wages, due to vocal rest.
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Post by universetipping on Nov 25, 2016 15:09:13 GMT
She was regularly taking over an hour to come out after The Bodyguard, and even then wouldn't have any conversations with the fans who pay her wages, due to vocal rest. I met her after the Sister Act show a few months back and she was chatting away, so I don't think that's a constant thing. If she had dodgy vocals after lack of rest, people would complain about that too, so it's impossible to please everyone. Buying a ticket to a show doesn't entitle somebody to an automatic meet and greet with a performer, whether we pay the performer's wages or not.
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Post by Deleted on Nov 25, 2016 16:19:09 GMT
She was regularly taking over an hour to come out after The Bodyguard, and even then wouldn't have any conversations with the fans who pay her wages, due to vocal rest. I met her after the Sister Act show a few months back and she was chatting away, so I don't think that's a constant thing. If she had dodgy vocals after lack of rest, people would complain about that too, so it's impossible to please everyone. Buying a ticket to a show doesn't entitle somebody to an automatic meet and greet with a performer, whether we pay the performer's wages or not. How long did she take to come out?
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71 posts
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Post by universetipping on Nov 25, 2016 18:56:16 GMT
^ It was about an hour.
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Post by WireHangers on Nov 25, 2016 20:02:34 GMT
Buying a ticket to a show doesn't entitle somebody to an automatic meet and greet with a performer, whether we pay the performer's wages or not. That's such a rubbish cop out of an excuse. Yes, buying a ticking doesn't entitle someone to meet the performer but it is part of a long tradition and it's a routine for any young theatre goer. Many performers have said in interviews that they themselves used to stage door stars of shows. George Ure, a previous Boq of Wicked, once tweeted Kerry Ellis a picture of a signed programme he got from her during her stint in Miss Saigon. Hell, even Matthew Bourne did it a few years before he hit it big time. No one is entitled to meet anyone but people who have sh*tty attitudes about stage-dooring should take the stick out their backside.
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Post by universetipping on Nov 25, 2016 20:42:29 GMT
Buying a ticket to a show doesn't entitle somebody to an automatic meet and greet with a performer, whether we pay the performer's wages or not. That's such a rubbish cop out of an excuse. Yes, buying a ticking doesn't entitle someone to meet the performer but it is part of a long tradition and it's a routine for any young theatre goer. Many performers have said in interviews that they themselves used to stage door stars of shoes. George Ure, a previous Boq of Wicked, once tweeted Kerry Ellis a picture of a signed programme he got from her during her stint in Miss Saigon. Hell, even Matthew Bourne did it a few years before he hit it big time. No one is entitled to meet anyone but people who have sh*tty attitudes about stage-dooring should take the stick out their backside.Excuse for what? I don't disagree with you, my point is that criticizing someone who was on voice rest for not having conversations with fans is not fair. As I said, I saw Alexandra a few months back when she was back on form, and she was very chatty and gracious.
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19,660 posts
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Post by BurlyBeaR on Nov 29, 2016 14:32:51 GMT
Remember what Carrie Hope Fletcher taught us all about stagedoor!
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4,361 posts
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Post by shady23 on Nov 29, 2016 14:50:42 GMT
I wonder what stage doors are like in Dubai? Not had any comments for a while. I do miss the stage door rants!
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Post by lolasangel on Dec 2, 2016 1:35:11 GMT
Does anybody know whether Aiesha Pease has been on as Delois yet? She is below Joanna Francis.
I know Nicola Bryan has been on for Sister Mary Patrick but have any other understudies been on yet?
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Post by Deleted on Dec 3, 2016 1:16:07 GMT
Saw this for the first time tonight, coming in with just knowlage of the film and the score. And I really enjoyed it and had alot of fun! Is it groundbreaking theatre, no, but it doesn't try to be and that makes it all the more fun. The cast are clearly the highlight and the ensemble numbers bring the house down. Everyones comedic timing is on point and you came to care for each of their characters through how loveble they become. Alexandra is phenomenal, a real talent! She shines so much in this, with incredible vocals, comedic timing and a body that makes all of those outfits look incredible. Myself and @danie, were discussing at the interval whether it was because she wears a habit so much that when she wears the other outfits, it makes them look more incredible, but she looked stunning! Enough to turn a man straight quite frankly! If you want a fun night out, not too much to think about, just a good time, this is the show for you! Also, brilliant moment when during the after show speech Jon made a reference to Craig Revel Horward and made a comment about him "always being a top" which had the audience in hysterics and Alexandra practically crying with laughter!
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2,775 posts
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Post by daniel on Dec 3, 2016 2:11:37 GMT
When talking about the Diabetes UK bucket collections happening after the show, Jon Robyns made comment about donating Craig Revel-Horwood's salary to the cause, and that he was "always a giver" or something to that extent! Enjoyed the show, Dan has summarised well for me
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Post by Deleted on Dec 3, 2016 9:05:43 GMT
I really want to meet Alexandra after the show but I don't think I'd be able to wait over an hour for get to come out
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2,775 posts
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Post by daniel on Dec 3, 2016 9:07:08 GMT
I really want to meet Alexandra after the show but I don't think I'd be able to wait over an hour for get to come out She might not take an hour, but it's not unknown for her to be that long. Just go to Stage Door after the show and wait as long as you are able to, and hopefully it'll be long enough.
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Post by Deleted on Dec 3, 2016 9:09:35 GMT
I really want to meet Alexandra after the show but I don't think I'd be able to wait over an hour for get to come out She might not take an hour, but it's not unknown for her to be that long. Just go to Stage Door after the show and wait as long as you are able to, and hopefully it'll be long enough. Yeah I'll try. if I was alone I would 100% wait for her to come out but it's just if the people I'm going with will want to wait with me
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Post by Deleted on Dec 3, 2016 9:45:39 GMT
Also sidenote, first time at this theatre last night and it is lovely! Great view from Row K in the Dress, really bizzare angles on thr stage though! I'd be intrigued to see the stage from a different angle but it seemed like the whole stsge (not just the set for Sister Act) was on an angle rather than straight as other shows generally are. I don't know if this was just me going crazy or if this is just the design for this specific show, and it didn't bother me at all, just a small thing! But a beautiful theatre, i'd definately go back to catch some more touring shows there!
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Post by talkstageytome on Dec 3, 2016 11:08:23 GMT
Hmmm how odd. Didn't notice anything unusual about the set when I saw it in Birmingham.
Do we know anything about a cast change yet? Jon Robyns is leaving for The Wedding Singer soon, so it'll be getting a new Eddie. Surely others will be going too...
Just wondering.
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