Critics in the digital age

The company has decided to stop offering established reviewers a second free ticket to opening nights as it tries to bring in more varied critical voices. Its new scheme, called Response and outlined to the Observer by ENO’s chief executive, Stuart Murphy, is designed to make extra space in the Coliseum for 10 novice critics to learn their craft.

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The Observer’s own expert, Fiona Maddocks, is unsettled. “There are so many reasons a second ticket is important,” she said. “Critics, none of us rich, can introduce newcomers to opera. It’s our passion. We’re the best advocates. Going with someone also normalises what can otherwise be a somewhat specialised activity. This decision may backfire. Expect a revolt.”