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Post by dontdreamit on Jun 22, 2018 20:58:26 GMT
I used to book A19 and 20 back in the day when it was restricted view (the centre of A used to be full price) and we didn’t miss much at all.
Was a fair few years ago now, so someone with more recent knowledge might be better informed!
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Post by Deleted on Jun 22, 2018 23:01:42 GMT
Well that was exquisite! If you didn't know it was a second preview I don't think you would have been able to tell - no line fluffs as far as I could tell, and no prop/set issues apart from an ensemble member losing an earring centre stage at one point.
Kelli O’Hara is quite simply sublime. I've waited a long, long time to see her perform and she didn't disappoint - vocally stunning, acted everyone else out of the park and she really does own the show. Deservedly got a huge ovation at the end.
Ken Watanabe is fine - acting wise he is good and he can sing, but his diction is poor and at times I struggled to understand him - a lot of the potential humour of A Puzzlement in particular got lost as a result.
Naoko Mori is a revelation vocally, she sounded fantastic and commanded the stage acting-wise as well. She was excellent.
Na-Young Jeon and Dean John Wilson have little chemistry but he in particular is hardly in it so in a way it doesn't matter much. I didn't find them believable as lovers though. His singing is fine, nothing to write home about. She struggled badly on the higher notes but sounded lovely when within her vocal comfort zone.
The children were all good. The ensemble were generally good and the choreography will undoubtedly tighten as the run goes on - a few minor losses of balance and the like tonight that did stick out a bit watching from the gods.
Sound balance was also a bit off up that high (they need to turn O'Hara's microphone up for her opening dialogue), but the orchestra were still great and the choreography and the sets (especially the beautiful cloth backdrops) can be fully appreciated from above.
Overall though, this is exceptional and I understand fully why it got the Tonys and the reviews it did on Broadway. Definitely made my £15 Row B Grand Circle seat (legroom fine given I'm short, on the aisle and the safety rails didn't bother me at all, plus I had two empty seats next to me) the bargain of the year so far! I'd pay about 10 times the price for O'Hara's performance alone! What a fantastic evening.
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Post by Deleted on Jun 22, 2018 23:10:43 GMT
Oh and for those who care about this sort of thing, all the principals except Dean John-Wilson came out of the stage door and signed.
I've never seen anything quite so crazy - they put barriers up and they were swamped by a hoard of over-excited Ken Watanabe fans who were pushing each other and everyone else out of the way to get close to the barrier. He came out looking like he'd rather be anywhere else (I don't blame him!), signed about a dozen programmes (skipping half the line in the process) and went back inside. Security then removed the barriers and told everyone that was it so that the crazy fans would disperse.
A small crowd of us who were waiting for some of the others instead hung around a bit further back from the stage door and it was another 25-30 minutes before the others came out, and probably more like 50 mins after the show ended before Kelli emerged. She was lovely, as was Naoko.
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Post by Deleted on Jun 22, 2018 23:18:26 GMT
Well. I am in love and her name is Kelli O'Hara. Don't get me wrong, I still loves me the mens but OMGosh, she's simply divine. Every leading lady and wannabe leading lady in London's glitzy West End should go and watch her performance which is just a masterclass. She's so natural and funny and seemingly completely spontaneous and her chemistry with Ken Watanabe is hot hot HOT. I almost burnt a finger from it and I was sat in the middle of the stalls. Her voice is also just a gift from heaven and it's such a thrill to see her live in London. I can't imagine there will be a better Best Actress nominee next year.
Ken is marvellous too. His accent is a bit on the strong side so some of it was a bit hit and miss but he's so very commanding on the stage and so funny, plus he's fantastic with the little kiddies. Obviously everyone knows that the show is one of the three best scores in musical theatre history but the whole show is just gawgeous and sumptuous and has the best glitzy West End curtain since 'Dreamgirls'. In addition to that there's a blooming great SHIP on stage too! I almost gave that a standing ovation!
We had Naoko Mori as Lady Thiang and she was marvellous although if you had told me it was Imelda Marcos I would have believed you. She forgot a few words during 'Western People Funny' but she saved it by walking around a bit. Probably thinking about shoes I should imagine. Na-Young Jeon was lovely as Tuptim and everyone will be pleased to know that Dean John Wilson sticks to the second amendment and gets the guns out in act one and saves the pecs for act two. You know they're coming because you see them come on stage before the rest of him. If he hadn't been singing two of the loveliest songs in the score then I would have been completely distracted.
Oh and when Ken says "come" before swinging Kelli around the floor during 'Shall We Dance' my nethers got all hot and bothered. I defy you to find a sexier moment than that on stage this year that doesn't involve Tom Bateman whipping his shirt off.
Don't miss it! I'm definitely going again.
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Post by Deleted on Jun 23, 2018 10:08:28 GMT
Does anyone know what is happening with the currently schedules with casts? Is everyone doing every show? To be honestly I’ll be going several times to see it but just wondered? Thanks
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Post by niklas on Jun 23, 2018 12:25:30 GMT
In the process of booking tickets- anyone sat in the front row for the palladium, or even better this production? They’re rather cheap (£50) in comparison with the rest of the stall which makes me think they aren’t the best of views?! Where did you find the £50 front row tickets, latefortheoverture? I've been skimming through different ticket sites for such a discount but couldn't find front tow tickets any cheaper than £80. I would love to see the production, but the todaytix rush seats appear to be quite remote from the stage.
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Post by Deleted on Jun 23, 2018 14:34:01 GMT
I would love to see the production, but the todaytix rush seats appear to be quite remote from the stage. I thought people were getting stalls or royal circle for the rush seats? My view from the Grand Circle last night was great, so I don't think the lower levels will be anything to complain about! Up to you though - if you want to be very close to the stage you have to be prepared to pay for it!
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Post by Deleted on Jun 23, 2018 16:55:01 GMT
In the process of booking tickets- anyone sat in the front row for the palladium, or even better this production? They’re rather cheap (£50) in comparison with the rest of the stall which makes me think they aren’t the best of views?! Where did you find the £50 front row tickets, latefortheoverture? I've been skimming through different ticket sites for such a discount but couldn't find front tow tickets any cheaper than £80. I would love to see the production, but the todaytix rush seats appear to be quite remote from the stage. What is your definition of "remote" niklas? I got a rush seat last night and it was row N in the stalls. The view was terrific I thought.
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Post by Deleted on Jun 23, 2018 20:32:42 GMT
I was seated first row center at Lincoln Center for the Broadway run. When the boat arrived, I about had a heart attack as it was so imposing and coming right at me. Love hearing all the praise for Kelli who truly is sublime and one of the nicest human beings on the planet.
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Post by emj892 on Jun 23, 2018 22:20:47 GMT
KELLI O'HARA WHAT A STAR. Honestly had a marvellous night due to her. I had sky high expectations. She was the sole reason I booked my ticket and she truly delivered. Her voice was soaring! She was absolutely charming as Anna. Really embodied the role. Gosh she was marvellous and I hope she does more in the West End.
Agree with others that Ken Wanatabe was difficult to understand. He has great comedic timing though and he had the audience eating out of his hand. Tuptim (Na-Young Jeon) and Lun Tha (Dean John-Wilson) weren't really believable as lovers although their singing was fine. I suppose their lack of chemistry is particularly obvious when you have Kelli and Ken practically giving a masterclass on stage. Let's just say people were fanning themselves during Shall we Dance and not just due to the heat 😉
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Post by theatremadness on Jun 23, 2018 23:44:37 GMT
So I had quite a frustrating experience trying for Rush tickets on Saturday (though I guess trying to get them for a Saturday evening performance was the first error!), but I was on dead at 10am and it went straight to "all tickets in other customers basket" or words to that effect, and for the next 45 minutes it switched between "1 ticket remaining" or "5 tickets remaining" or "6 tickets remaining" or backing the "all tickets in other customers basket" but even when it said there were however many tickets remaining, it still wouldn't let me through to book as then there was a pop up just telling me they were in other people's basket again! Has anyone else experienced this whilst trying for Rush Tickets since Thurs or has it been pretty seamless for others?
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Post by Sam on Jun 24, 2018 8:06:04 GMT
So I had quite a frustrating experience trying for Rush tickets on Saturday (though I guess trying to get them for a Saturday evening performance was the first error!), but I was on dead at 10am and it went straight to "all tickets in other customers basket" or words to that effect, and for the next 45 minutes it switched between "1 ticket remaining" or "5 tickets remaining" or "6 tickets remaining" or backing the "all tickets in other customers basket" but even when it said there were however many tickets remaining, it still wouldn't let me through to book as then there was a pop up just telling me they were in other people's basket again! Has anyone else experienced this whilst trying for Rush Tickets since Thurs or has it been pretty seamless for others? That was pretty much my experience each day so far, though I haven't persisted beyond ten minutes. I'm hoping it will calm down before I plan to go in a few weeks.
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Post by Deleted on Jun 24, 2018 8:12:29 GMT
So I had quite a frustrating experience trying for Rush tickets on Saturday (though I guess trying to get them for a Saturday evening performance was the first error!), but I was on dead at 10am and it went straight to "all tickets in other customers basket" or words to that effect, and for the next 45 minutes it switched between "1 ticket remaining" or "5 tickets remaining" or "6 tickets remaining" or backing the "all tickets in other customers basket" but even when it said there were however many tickets remaining, it still wouldn't let me through to book as then there was a pop up just telling me they were in other people's basket again! Has anyone else experienced this whilst trying for Rush Tickets since Thurs or has it been pretty seamless for others? TodayTix does that frequently - I've had the same problem for The Ferryman and 42nd Street in the past (got some for the latter in the end but not the former) despite being on the app and refreshing at exactly 10am. Whatever software they use to run the rush ticketing is rubbish.
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3,325 posts
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Post by Dr Tom on Jun 24, 2018 10:52:24 GMT
So I had quite a frustrating experience trying for Rush tickets on Saturday (though I guess trying to get them for a Saturday evening performance was the first error!), but I was on dead at 10am and it went straight to "all tickets in other customers basket" or words to that effect, and for the next 45 minutes it switched between "1 ticket remaining" or "5 tickets remaining" or "6 tickets remaining" or backing the "all tickets in other customers basket" but even when it said there were however many tickets remaining, it still wouldn't let me through to book as then there was a pop up just telling me they were in other people's basket again! Has anyone else experienced this whilst trying for Rush Tickets since Thurs or has it been pretty seamless for others? It's always like that for popular shows, unfortunately, particularly at the weekend. You have to keep refreshing and hope that someone releases a ticket at the exact second you want one, before the screen updates to show remaining tickets. Obviously much easier if you're going for singles than pairs as well.
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Post by bimse on Jun 24, 2018 13:45:36 GMT
If anyone can help how much are programmes and brochures for The King and I ?
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Post by emj892 on Jun 24, 2018 14:15:47 GMT
If anyone can help how much are programmes and brochures for The King and I ? The programme was £5.
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1,132 posts
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Post by Stephen on Jun 24, 2018 14:56:03 GMT
It's also a nice programme. Something between a programme and souvenir brochure with a bit of nice history and background on the show including costume designs.
I've only managed to see little bits of the production so far. How does the orchestra sound? I noticed that it is a bit reduced ie not a full string section.
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Post by Oleanna on Jun 24, 2018 15:33:52 GMT
Anybody able to post the list of orchestra players please?
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2,452 posts
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Post by theatremadness on Jun 24, 2018 17:08:09 GMT
Many thanks to those who responded re: Rush Tickets - glad to know it's not just me haha!
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Post by Stephen on Jun 24, 2018 17:10:29 GMT
I'm sure someone here with a programme can post for the London Production. I believe it's about 14 plus conductor.
For the Lincoln Center Production, it was 29 plus conductor
Violin (5) Viola (3) Cello (2) Bass (1) Flute/Piccolo (1) Flute (1) Clarinet (2) Bass Clarinet (1) Oboe/English Horn (1) Bassoon (1) French Horn (3) Trumpet (3) Trombone (2) Tuba (1) Harp (1) Percussion (1)
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Post by BurlyBeaR on Jun 24, 2018 19:17:59 GMT
Dare one ask.... what is the magnet situation? 🤭
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490 posts
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Post by bimse on Jun 24, 2018 20:30:45 GMT
If anyone can help how much are programmes and brochures for The King and I ? The programme was £5. Thanks for the information emj892
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490 posts
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Post by bimse on Jun 24, 2018 20:32:39 GMT
It's also a nice programme. Something between a programme and souvenir brochure with a bit of nice history and background on the show including costume designs. I've only managed to see little bits of the production so far. How does the orchestra sound? I noticed that it is a bit reduced ie not a full string section. Thanks Stephen . I’m looking forward to being back at the Palladium . I was last there for Barry Humphries’ farewell show .
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1,132 posts
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Post by Stephen on Jun 24, 2018 20:33:30 GMT
Dare one ask.... what is the magnet situation? 🤭 At the moment no but there will be more merch on offer from next week so could have then. I'll let you know. There's a tea towel though!
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19,661 posts
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Post by BurlyBeaR on Jun 24, 2018 20:53:00 GMT
Dare one ask.... what is the magnet situation? 🤭 There's a tea towel though! 😑
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