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Post by takeabow on Jun 26, 2024 10:29:28 GMT
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423 posts
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Post by dlevi on Jun 26, 2024 13:14:03 GMT
I love Josh Malina, I guess this must've been born out of their time working with one anouter on Leopoldstadt.
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Post by thaneofglamis on Sept 15, 2024 11:56:27 GMT
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1,860 posts
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Post by Dave B on Sept 15, 2024 12:18:47 GMT
I have sat in AA1 and it was not at all a restricted view. I've seen maybe 5 shows there over the past couple of years and I can't think of one offhand where this seat would have been really restricted - especially for the price difference. I'd pick that over the back rows myself but it is also a nice small space so I suspect the back rows are also just fine.
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Post by thaneofglamis on Sept 15, 2024 13:13:53 GMT
I have sat in AA1 and it was not at all a restricted view. I've seen maybe 5 shows there over the past couple of years and I can't think of one offhand where this seat would have been really restricted - especially for the price difference. I'd pick that over the back rows myself but it is also a nice small space so I suspect the back rows are also just fine. Thanks, appreciate! Will go for these and make it into a double-bill with Godot (when I’m already in London with a free evening).
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901 posts
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Post by bordeaux on Oct 12, 2024 17:40:51 GMT
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213 posts
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Post by l0islane on Oct 13, 2024 14:28:18 GMT
I caught the matinée of this yesterday (mostly because I'm a Doc Martin fan and wanted to see Caroline Catz!). I thought it was really good. I'm not sure it adds much more to the debate about the crisis in the Middle East, but it seemed to put across the issues in a balanced way (although I certainly cannot claim to know the detailed nuances of the conflict) and was an admirable attempt to show both sides (albeit exclusively from within the Jewish community). Apart from the political/social arguments it was just genuinely entertaining and thought provoking. It was well acted and engrossing and kept my interest in a way many plays in the West End have failed to do recently. My one quibble would be with the ending which felt a little out of tone with the rest of the piece and perhaps undermined the seriousness of the preceding discussions.
I definitely recommend taking a trip to Marylebone to see it. It's such a small theatre every seat will give you a good view. I think there are 4 dates with Q&A's following them and I may go back to try and catch one of them.
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Post by jake on Oct 14, 2024 9:03:57 GMT
I saw The Government Inspector from the front row (in this case row A) there in May this year. The view was fine, as was the leg room. Pity I couldn't say the same about the production!
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901 posts
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Post by bordeaux on Oct 25, 2024 8:38:17 GMT
I saw this yesterday and thoroughly recommend it. It is both very funny and fascinatingly topical given current events in the Middle East - though Gaza is only one part of a wide-ranging discussion of what being Jewish means in the modern world. It's about two friends meeting after a gap of several decades. There are two couples, both American, one liberal progressives in Florida and one orthodox Haredim now based in Israel, and it just has them discussing, arguing, reminiscing. I was interested at quite how hostile the US-based couple were to Israel, which seemed to be based on a longer-term animosity not just the events of the past year. There is some very dark humour in there. I saw it the day after seeing the equally brilliant Giant and it doesn't suffer by the comparison. Good to see a largely full house at the Marylebone theatre in the afternoon.
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3,575 posts
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Post by showgirl on Nov 3, 2024 3:21:08 GMT
I saw the matinee at my first visit to the Marylebone Theatre, which is easy enough to reach but a bit removed from other theatres & cinemas so off my beaten track if not everyone's. Nice venue; the stalls reminded me of a smaller version of those at Hampstead Theatre, though the rake wasn't enough, and seats weren't offset, to stop tall people's heads blocking the view. This happened to me but luckily FoH staff invited some people to move forward to the (more expensive!) unfilled seats so I was able to shift sideways and see the stage well. I enjoyed the play, which was very varied in ranging from personal to political issues and swinging rapidly - and inevitably - between the two, and "discursive". However, I have never seen such a shouty play, and this was before the 2 couples started arguing. The husband of one couple was shouting from the outset and eventually they all did. It must be exhausting for the cast, and why? They seemed to be miked as well so it can't have been necessary. Anyway, well worth seeing and I'll look out for more at this venue, though they don't appear to have any more plays coming in the near future.
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1,494 posts
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Post by Steve on Nov 8, 2024 0:13:15 GMT
Saw today's matinee and it's fantastic, blending the vicious comedy of "God of Carnage" with the warmth of a reunion of old friends with the topicality of Israel/Palestine as well. This feels like it could have been written yesterday, it never shies away from its difficult subject matter, and it avoids feeling prescriptive or programmatic, the writing feeling moment to moment alive to any and every possibility. Some spoilers follow. . . This works as both a comedy and a drama. Its comic bits are "God of Carnage" confrontational, but also in absurd affectionate quirky character bits and also a wonderful set piece involving Joshua Malina's character wanting to touch Dorothea Myer-Bennett's frum modesty wig. The comic bits are very funny but they are not the whole story. The principal story is the build-up of drama between very different world views, views about Israel and about Jewishness as well, that is carefully crafted from multiple points of view. One of the most powerful parts of the play is the way it doesn't end on its most dramatic moment but cleverly plays into an aftermath that is deep and resonant, poignant and unpredictable. The players are wonderful across the board, with Joshua Malina's caustic liberal Phil witty and abrasive in equal measure; Simon Yadoo's ultra-conservative Yerucham like Tevye teleported out of "Fiddler" to decide just how much tradition has a hold on him today; and Caroline Catz and Dorothea Myer-Bennett both sparkling and incandescent as their respective wives, old friends who have chosen very different lives. As the liberal couple's even more liberal son, Gabriel Howell is comedy gold as he reacts to his parents' and their would-be friends' increasingly zany antics. This is really great to the tune of 4 and a half stars for me.
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Post by thaneofglamis on Nov 12, 2024 17:36:39 GMT
In case anyone was interested in this, but hadn’t bought tickets, there has been an extra row added at the front of the theatre at £37 a seat. I received an email as I’m now row 2, but may be of interest to some:
“The show has had an amazing reception from critics and audience and is sold out until the end of the run. Due to the extreme demand for tickets, the producers of the show have decided to add an extra row of seats at the front of the auditorium. As a courtesy, we are therefore letting you know that your seat will not now be part of the front row.”
It closes on 23 November.
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2,760 posts
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Post by n1david on Nov 12, 2024 20:25:55 GMT
Suspect they might be waiting for responses to these emails as every show is now showing as sold out (which they weren't yesterday). Unexpectedly in London this week I thought about this but balked at £82.50 for all remaining seats. If they end up publicly releasing that front row at £37 I might be able to fit it in.
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1,860 posts
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Post by Dave B on Nov 12, 2024 20:29:08 GMT
Glad this got some word of mouth and sales after some papering from early on. Well worth catching.
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Post by thaneofglamis on Nov 12, 2024 21:29:15 GMT
Suspect they might be waiting for responses to these emails as every show is now showing as sold out (which they weren't yesterday). Unexpectedly in London this week I thought about this but balked at £82.50 for all remaining seats. If they end up publicly releasing that front row at £37 I might be able to fit it in. I’m sure it’s worth refreshing. There was almost full availability in this new front row across the rest of the run when I sent this post - so imagine they’ve temporarily been taken off sale but will go back up.
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Post by thaneofglamis on Nov 13, 2024 18:13:27 GMT
Suspect they might be waiting for responses to these emails as every show is now showing as sold out (which they weren't yesterday). Unexpectedly in London this week I thought about this but balked at £82.50 for all remaining seats. If they end up publicly releasing that front row at £37 I might be able to fit it in. The front row are now back on sale and look to actually be priced at £32.25. Available for the rest of the run - including one date with a post-show talk from the cast - with some dates having more availability than others. (I noticed a note to say “The role of Shoshana will be played by Mercedes Bahleda” for 3 of the last 5 dates, so wonder if this is an understudy or a planned change ahead of a US transfer.)
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583 posts
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Post by princeton on Nov 13, 2024 20:05:11 GMT
Thanks very much for the tip-off.
I've managed to book for the performance I wanted. Who knows how squashed in it might be - I don't recall there being that much of a gap between the front row and the stage last time I visited - but it certainly seems a bargain.
The reason for the cast switch is that Dorothea Myer-Bennett is playing Maria in Twelfth Night at the Orange Tree which opens on Saturday 23 Nov - so her last performance in "What we talk about..." is Friday 22 Nov (presumably she's missing the matinee on 21 due to rehearsals). It's almost like the good old days of rep.
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Post by parsley1 on Nov 14, 2024 12:02:46 GMT
Really thought this was all over the place
A bit like The Giant
It becomes a predictable and tedious
Shouting match
With the usual tired lines about numbers of dead stated like newsnight
The ending was good and linked into the personal lives and challenges of the characters
The son was extremely annoying
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