213 posts
|
Post by peelee on Oct 30, 2018 17:26:15 GMT
As the centenary of the Armistice approaches, release of Peter Jackson's documentary based on British film in the Imperial War Museum and BBC archives is timely. The commentary derives from interviews in oral history archives, that are skilfully integrated with film of British volunteers from the balmy August days of 1914 through to war-exhausted November 1918.
It is roughly chronological though without any dates or named battles mentioned, and is both appalling and fascinating, while witnesses with a range of regional accents explain facts significant and trivial that were features of the war they experienced. There have been individual films and documentary series about this war before, but what makes this new documentary stand out is the re-processing of film the better to help the modern viewer connect with something that by now lacks living witnesses. Fuzzy old monochrome film clips are transformed into colour detail that underlines the humanity these soldiers share with people like us now.
There have been stage classics based on the 1914-18 war front, in the decades that followed the war, never mind other works that may have had immediate impact in their postwar time but been forgotten as time has passed. This latest film underlines the intensity of what happened to war participants, and I think why it eventually reverberated culturally and politically once realisation of what had happened sank in.
|
|
562 posts
|
Post by jadnoop on Oct 30, 2018 17:42:57 GMT
I was lucky enough to get to see the 3d showing at the BFI as part of this years London Film Festival (making Prince William my entry for the 'famous people you've seen in the audience' thread). I definitely agree that this was a great film, interesting and very moving.
However, I have to say that I'm mixed about some of the processing. Don't get me wrong, the general clean up of the images, the stabilisation, and addition of vocals in particular were wonderful. However, I found the colouring (essentially pastel tones with somewhat unnatural tones like Victorian-era postcards) gave something of the feeling of the uncanny valley. Similarly, while correcting the film speed worked well, the fact that the interpolation was (understandably) computer-generated meant that at moments you had very unusual & unnatural movements, similar to Bob Sabiston's work on films like Waking Life and A Scanner Darkly or face-morphing videos. The 3d effects on the other hand, which I was pretty nervous about, seemed to be uniformly excellent throughout the film.
Ultimately, I thought this was a really interesting and worthwhile film and one I look forward to seeing again. However, I suspect that in a generation or so, the technological side will be viewed like Terminator 2, Jurassic Park or Independence Day; huge step changes, but still only a dip into the waters of what can be done for movies with computing.
|
|
213 posts
|
Post by peelee on Nov 11, 2018 17:08:31 GMT
Only recently released for cinema showings in the UK, Peter Jackson's They Shall Not Grow Old is to be broadcast tonight on BBC2 at 9.30pm and runs for roughly 90 minutes: www.bbc.co.uk/programmes/b0brzkzx
|
|
237 posts
|
Post by harrietcraig on Jan 14, 2019 23:01:51 GMT
For those who have seen the film: any thoughts on whether one should make an effort to see it in 3D, or would it be OK in 2D? It's being shown in both formats in several different theatres in New York next week, and the location of the 2D screening is more convenient for me. Thanks.
|
|
3,321 posts
|
Post by david on Jan 14, 2019 23:34:38 GMT
For those who have seen the film: any thoughts on whether one should make an effort to see it in 3D, or would it be OK in 2D? It's being shown in both formats in several different theatres in New York next week, and the location of the 2D screening is more convenient for me. Thanks. Having watched it in on my tv, I thought it was a very powerful film. I’d certainly go with the 2D option if it is more convenient for you.
|
|
|
Post by Deleted on Feb 10, 2019 1:04:51 GMT
Amazing film bringing to life the reality of being at the front. Did people really have such bad teeth in those days.
|
|