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Post by joem on May 14, 2022 21:54:38 GMT
Ben Brown's play shines a light on an unlikely episode which occurred towards the end of the European part of the Second World War, when Dr Kersten, the Finnish masseur who treated Himmler (by this point aspiring to succeed Hitler and hoping to negotiate peace with the Western Allies), persuades the latter to meet with Norbert Masur, a representative of the World Jewish Congress, with a view to releasing some Jews from the concentration (death) camps in which they were being held and murdered.
This is a bit like "Copenhagen", a play which speculates on what happened during a real incident from the war but, unlike the former, since there was testimony available from two of the three participants, one must assume the facts are broadly correct and only the dialogue is imagined. The playwright manages to convey a lot of information without too much exposition and we get a sense of the moral dilemma Masur faces in trying to save lives by negotiating with someone who has been responsible for millions of deaths.
Good performances from all the cast, although Richard Clothier looks much taller than what I imagined Himmler to be, everyone keeps their accent more or less, in a play which does not require the depiction of strong emotions - restraint all round is the order of the day - despite the horrifying subject matter under discussion.
Nicely staged, simple setting but the cold light behind the stage with the treetops silhouetted, aided by the air conditioning, did give the stage a cool country estate feel.
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3,307 posts
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Post by david on May 19, 2022 16:51:27 GMT
After seeing this at today’s matinee, I’d definitely agree with the thoughts posted by joem . It was certainly a fascinating afternoon watching this at the Park Theatre. The play is definitely done in the style of “Copenhagen” so a talking heads style of presentation for the 90 minutes straight through which I thought was an effective style to deliver the material. At least with TEOTN my using existing source material it allows Ben Brown to give a more accurate account of the meeting and what was discussed. It was certainly an emotional watch and watching it based on what as an audience we now know about the atrocities perpetrated by the Nazi’s during the Holocaust the play certainly sheds some light onto the personality of Himmler at the meeting and his own personal beliefs snd reasoning for carrying out the actions that he did during the war. Michael Pavelka’s basic set representing Gut Harwalde was effective and the cast came across well in their respective roles. Though from seeing pictures of Himmler, I always imagined him as a much shorter person than the 6ft odd Richard Clothier. As it is based on a real life event, it certainly left me with plenty to chew over post show and will get me doing further internet research later on with the subject matter. I’d certainly recommend it to those who are interested in this part of history. edit - I had a mid row c stalls seat for this. No major issues except for one brief period with one of the cast is sat on a bench and so has their back to you.
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5,694 posts
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Post by lynette on May 20, 2022 21:18:24 GMT
Perfect programming for a small theatre. Really a two handler with three supporting cast, very, very well written, the tone reminiscent of Copenhagen and also Stoppard’s better riffs. It is about a meeting that actually did take place between a representative of the World Jewish Congress, at the time based in Sweden, and Himmler, right at the end of the war in an attempt to release concentration camp prisoners before any more perished in the unfolding chaos and take them to Sweden. The meeting is orchestrated by Himmler’s personal masseuse. Intriguing and a classy production.
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