19,776 posts
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Post by BurlyBeaR on Jan 10, 2022 8:23:57 GMT
This debuted on New Year’s Day but the full 6 episodes are available to stream on iplayer. I binge watched the whole thing over the weekend. No spoilers but I thought it was pretty good if a bit frustrating with the speed with which we’re drip-dripped information. Also a couple of “quirky” comedy elements which were a bit clunky and felt too try-hard. One episode (5) was a duff in my opinion but overall I enjoyed it. Jamie Dornan is easy on the eye and theres lots to like and hate about the other characters. Preposterous plot though obviously, it starts with an Irish bloke driving through the Australian outback who gets involved in a car accident and wakes up with no memory. We discover who he is and why he’s there at the same time as he does. You could drive a bus through some of the plot holes but it’s all good fun.
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2,339 posts
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Post by theglenbucklaird on Jan 10, 2022 8:58:12 GMT
Yep pretty much sums up my feelings. Watched Belfast recently. I have realised I really like Jamie Dornan as an actor
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3,040 posts
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Post by crowblack on Jan 10, 2022 9:19:59 GMT
Thanks yes, we started this a couple of weeks ago and will watch the rest after the snooker. There hasn't been much in the way of escapist entertainment in the manner of Taboo for a while so it's very welcome.
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2,408 posts
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Post by theatreian on Jan 10, 2022 10:19:41 GMT
I gave up on it last night after 10 minutes of episode 3.The characters just didn't interest me any more and it was so slow and the backdrops so drab that I couldn't take it any more. Have to say I have been disappointed with most of the BBC dramas on recently. Hopefully Rules of the game will be better.
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2,422 posts
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Post by robertb213 on Jan 10, 2022 11:41:35 GMT
I liked it up until the third episode. I lost interest from the fourth, the fifth was just stupid and then I didn't care by the sixth!
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3,040 posts
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Post by crowblack on Jan 10, 2022 13:11:47 GMT
I gave up on it last night after 10 minutes of episode 3.The characters just didn't interest me any more and it was so slow and the backdrops so drab that I couldn't take it any more. Have to say I have been disappointed with most of the BBC dramas on recently. Hopefully Rules of the game will be better. I agree on that - TV has been rather disappointing recently. I hope there are good things in the offing that have been delayed because of covid (the final series of Peaky Blinders) though I do feel the BBC has lost its touch with drama: in recent years it has cancelled several great and promising series and scheduled good shows badly, in effect throwing them away. What I've seen of this winter's big family offering, 'Around the World in 80 Days', lacks the pace and urgency a story framed around a deadline really needs and really just feels like some extra Dr Who.
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490 posts
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Post by bimse on Jan 11, 2022 7:23:10 GMT
Just ok, it didn’t entirely grip me somehow, some nice comedy elements (however unlikely) , several plot holes as mentioned above, but way too many characters introduced for my liking , few of whom were interesting or likeable . Endings which leave the way open for a sequel are really disappointing for me , I always feel I’ve been led on a wild goose chase and the writer is just making it up as he/she /they go along (like Line of Duty which everyone seems to think is so ingenious and clever . In which case so was Crossroads).
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3,040 posts
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Post by crowblack on Jan 11, 2022 11:04:18 GMT
Just ok, it didn’t entirely grip me somehow, some nice comedy elements (however unlikely) , several plot holes as mentioned above, but way too many characters introduced for my liking , few of whom were interesting or likeable . Endings which leave the way open for a sequel are really disappointing for me , I always feel I’ve been led on a wild goose chase and the writer is just making it up as he/she /they go along (like Line of Duty which everyone seems to think is so ingenious and clever . In which case so was Crossroads). I've just gone back and restarted Game of Thrones and it's striking, compared to so much current TV, the difference that there is when the writer and screenwriters know exactly where the characters' storylines are going. I felt the same with the first two series of Succession which tied up neatly and punchily at the end, but less so with the recent one.
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Post by danb on Jan 11, 2022 11:06:22 GMT
Oh we shall stop watching now then if it doesn’t even end properly. We watched ep 3 last night and despite many thrilling ‘things’ happening, the languid pace just drains it of any excitement and you go back to thinking of putting the recycling out. Lovely to see Neighbours/Prisoner fave Genevieve Lemon in there though. One of the only fully realised characters despite limited screen time.
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594 posts
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Post by og on Jan 15, 2022 8:42:56 GMT
Conversely, I really enjoyed this.
Far too much fictional TV rushes every element, where scenes play out in seconds and acres of plot finds itself shoehorned into mere sentences.
The Tourist takes the pace seriously and deliberately. I found the directors choice to pace things slowly when we know nothing and incrementally speed up the more we learn, informed and intelligent. It suited and worked brilliantly.
In the same vibe as Killing Eve, there is a very firm tongue-in-cheek approach to the writing here and the writers obviously had some fun developing this. Downton Abbey this is not. The use of stereotypes (Russian Drug Lord, Cowboy Assassin, Corrupt Authority Figure) in the characters obviously a subtle poke at the genre and lightly black humour along the way keeps it from becoming overwhelmingly generic. On the subject of characters, I don’t think 3 principles (Elliot, Helen, Luci) 3 supporting (Lochan, Billy, Kosta) and a bunch of transient characters is too many. If that’s really the case someone needs to have a word with Shakespeare for his overzealous use of characters (not that I’m comparing this with Shakespeare). We spend a lot time with characters like Ethan and his verbal diarrhoea because we need to dislike him for the payoff when Helen finally snaps.
EP 5 was actually my favourite of the lot because, for me, this was where it really found its feet, moving from Australian Breaking Bad to its own piece. The creative team were able to use the plot to play on the non-linear elements and bend the production style, which paid off.
Again, BBC Studios were only lightly involved (1/6th of the production team) so I’m not sure where this “BBC drama loosing its touch” logic comes from.
Overall, an enjoyable ride. Beautiful colour palette, great sound mix and soundtrack, digestible and entertaining.
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5,156 posts
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Post by TallPaul on Jan 15, 2022 9:25:45 GMT
It was episode 5 for me last night. I felt like I was tripping on acid.
I don't think I've ever heard Bette Davis Eyes being re-imagined before. It worked rather well I thought.
The final episode will have to be very disappointing for me to regret investing six hours of my time.
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