2,058 posts
|
Post by Marwood on Sept 24, 2021 13:32:53 GMT
Starting in less than a fortnight, anyone else got themselves sorted for tickets? It was the usual shambles when tickets first went on sale, with links not working and after about half an hour of faffing about and actually getting tickets in my basket , when I confirmed my card details I then got told I was on the end of a 3500 deep queue.
After sending the BFI an email telling them I will not be renewing my membership if they can’t get this sorted, I managed to get tickets for the films I wanted to see (although I had a second row seat for The French Dispatch in my basket and will now be watching it from somewhere up on the balcony of the RFH : which brings me into asking what was wrong with the cinemas in Leicester Square, the RFH is a concert hall not a cinema)
But anyway, I will be seeing: Sundown , The French Dispatch, The Tender Bar and The Phantom Of The Open. I hope everyone else will get to see what they wanted to.
|
|
7,175 posts
|
Post by Jon on Sept 24, 2021 13:40:10 GMT
Am hoping to see King Richard as I think this is the World premiere debut. Both The French Dispatch and Last Night in Soho are being released a few weeks after their BFI debut so will catch them on general release.
I assume the reason the cinemas in LS aren't being used for the Festival this year is because of No Time to Die which is out next week.
I am surprised Dune isn't getting a look in but that could be because it's being released in the same month.
|
|
|
Post by Deleted on Sept 24, 2021 14:13:43 GMT
I looked at the programme during the Amex presale and decided it wasn't worth paying £30 for the RFH for something I can see for half the price in a normal cinema in the coming months. Not impressed with the pricing for a venue that is not suited to being a cinema.
The only one I might have paid for was Belfast but I can't do the night it's on and the weekend screening sold out before I looked.
|
|
|
Post by Deleted on Sept 24, 2021 14:14:01 GMT
Am hoping to see King Richard as I think this is the World premiere debut. Both The French Dispatch and Last Night in Soho are being released a few weeks after their BFI debut so will catch them on general release. I assume the reason the cinemas in LS aren't being used for the Festival this year is because of No Time to Die which is out next week. I am surprised Dune isn't getting a look in but that could be because it's being released in the same month. Dune could be the Surprise Film.
|
|
2,058 posts
|
Post by Marwood on Sept 25, 2021 21:19:32 GMT
I can understand not booking to see a film that is on general release a couple of weeks later but part of the attraction of this festival is the chance to see the stars of the films in attendance, obviously there’s next to no chance of the stars turning up after the first screening but it’s almost worth the hassle to walk the red carpet at a premiere and see the stars.
|
|
|
Post by Deleted on Sept 25, 2021 21:52:21 GMT
I can understand not booking to see a film that is on general release a couple of weeks later but part of the attraction of this festival is the chance to see the stars of the films in attendance, obviously there’s next to no chance of the stars turning up after the first screening but it’s almost worth the hassle to walk the red carpet at a premiere and see the stars. Been there done that half a dozen times over the years, there isn't anyone I particularly want to see enough this year to pay £30 for the privilege to then sit through the film in a wholly unsuitable venue. Not worth it for me.
|
|
|
Post by eua78 on Oct 4, 2021 21:13:12 GMT
Looking forward to this, have my ticket for last night in Soho which I cannot wait for. Anyone else going to see anything at LFF ? I was tempted by the French Dispatch
|
|
2,492 posts
|
Post by zahidf on Oct 4, 2021 22:47:22 GMT
Looking forward to this, have my ticket for last night in Soho which I cannot wait for. Anyone else going to see anything at LFF ? I was tempted by the French Dispatch Phantom of the open, Riz Ahmed in Encounter, 'all my friends hate me' and king Richard for me.
|
|
|
Post by eua78 on Oct 5, 2021 6:34:52 GMT
Looking forward to this, have my ticket for last night in Soho which I cannot wait for. Anyone else going to see anything at LFF ? I was tempted by the French Dispatch Phantom of the open, Riz Ahmed in Encounter, 'all my friends hate me' and king Richard for me. Awesome, I was also looking at Macbeth but its not showing at my local haha. It's great that I dont have to travel down to London to see other films though
|
|
2,058 posts
|
Post by Marwood on Oct 9, 2021 22:09:35 GMT
So, my first film of the festival tonight, Sundown. Disappointing that neither Tim Roth or Charlotte Gainsbourg attended the screening (although Michel Franco, Henry Goodman and the two that play Gainsbourgs children in the film did) I wasn’t impressed with the film, without spoilering it, it’s the kind of film that leaves it all to the viewer to put things together, I’ve seen comparisons to Camus in some of the reviews before it got here and that is generous to say the least: Roth’s character is so hard to find sympathy for that by the time the film ends it was hard to say I was that bothered what happened to him.
I’ll be generous and give it 6 out of 10.
|
|
|
Post by eua78 on Oct 10, 2021 18:45:11 GMT
So the only film I bought a ticket for was last night in Soho and wow what an adventure, if you love Soho in the 60s, love costume or soundtracks you'll love this.
Story was slightly all over the place, maybe it's just me it just felt slightly rushed and unexplained. I loved the way real life and Sandy's life were blended,Anya Taylor joy was excellent, Matt Smith was great as usual, and the rest of the cast brought the script to life.a special mention to Diana Rigg who was exceptional as usual, but sadly passed in 2020 before this film received a general release.
The soundtrack was a trip down memory lane, had my feet tapping throughout most scenes.
A great night out and love the fact LFF expanded to more then just London this year, enabled me to watch without the train journey to kings cross 😂
4/5
|
|
2,058 posts
|
Post by Marwood on Oct 10, 2021 19:42:51 GMT
Just seen The French Dispatch at the RFH and to tell the truth I wasn’t impressed, probably the worst Wes Anderson film that I’ve seen: it had a few moments but overall it seemed to drag and the cast was stuffed full of name actors who only get to say a few words (for example Christoph Waltz, I just thought why did he bother?)
But at least we got to see Jarvis Cocker and Bill Murray before and after the film 🥳
|
|
7,175 posts
|
Post by Jon on Oct 10, 2021 20:02:51 GMT
So the only film I bought a ticket for was last night in Soho and wow what an adventure, if you love Soho in the 60s, love costume or soundtracks you'll love this. Story was slightly all over the place, maybe it's just me it just felt slightly rushed and unexplained. I loved the way real life and Sandy's life were blended,Anna Taylor joy was excellent, Matt Smith was great as usual, and the rest of the cast brought the script to life.a special mention to Diana Rigg who was exceptional as usual, but sadly passed in 2020 before this film received a general release. The soundtrack was a trip down memory lane, had my feet tapping throughout most scenes. A great night out and love the fact LFF expanded to more then just London this year, enabled me to watch without the train journey to kings cross 😂 4/5 In regards to Last Night in Soho: Is Diana Rigg's character actually the older Anya Taylor-Joy character?
|
|
|
Post by eua78 on Oct 10, 2021 20:33:53 GMT
So the only film I bought a ticket for was last night in Soho and wow what an adventure, if you love Soho in the 60s, love costume or soundtracks you'll love this. Story was slightly all over the place, maybe it's just me it just felt slightly rushed and unexplained. I loved the way real life and Sandy's life were blended,Anna Taylor joy was excellent, Matt Smith was great as usual, and the rest of the cast brought the script to life.a special mention to Diana Rigg who was exceptional as usual, but sadly passed in 2020 before this film received a general release. The soundtrack was a trip down memory lane, had my feet tapping throughout most scenes. A great night out and love the fact LFF expanded to more then just London this year, enabled me to watch without the train journey to kings cross 😂 4/5 In regards to Last Night in Soho: Is Diana Rigg's character actually the older Anya Taylor-Joy character? Haha now that would be telling.
|
|
2,058 posts
|
Post by Marwood on Oct 12, 2021 22:46:58 GMT
To end the festival for me, The Phantom Of The Open: enjoyable enough but it seemed ideal material to put on the tv on a Sunday afternoon rather than seeing in a cinema (the sound seemed really echo-ey as well which together with Mark Rylances accent made some of what he was saying hard to figure out, I’m hoping they go back to proper cinemas for the galas and premieres next year). Probably the best of the films I saw (I gave up on The Tender Bar after an hour, the fact it was ridiculously late starting, was made by Amazon so will be on Prime in a couple of months and was basically, just dull, like something that turns up on Freeview) but I’ve been disappointed with everything I saw this year.
|
|
2,760 posts
|
Post by n1david on Oct 12, 2021 23:03:08 GMT
It's not going great for me; I avoided the RFH for the galas - paying £30 to sit in somewhere that wasn't a cinema (and had £10 "restricted view" seats) didn't seem the best use of my money for films that would appear on a proper big screen anyway. And an abortive hour at the Prince Charles on Friday night waiting for the "world premiere" of All My Friends Hate Me before the showing was cancelled due to a "technical issue" was hugely insulting to the filmmakers, crew, friends and family who were there.
Of what I have seen, Cop Smart from Iceland was funny without being ground-breaking and The Divide was a decent film but should never have been in the Laugh thread, it's one of the bleakest films I've seen, enough to put me off my film the following day which was set in Nazi Germany and sounded like a tough watch regardless. Three films tomorrow to round off the festival for me but I haven't been excited this year.
|
|
2,492 posts
|
Post by zahidf on Oct 12, 2021 23:36:39 GMT
I saw all my friends hate me the next day at the Odeon. Was fun!
I've had a blast this LFF so far. Really loved boiling point and encounter at the Prince Charles, have phantom of the open and Belfast tomorrow to look forward to.
I really liked the feast as well, Welsh Language horror, and Hinterland
I didn't much enjoy true things, decent central performance but the story wasn't that interesting.
|
|
524 posts
|
Post by callum on Oct 13, 2021 21:07:38 GMT
The reason that they’re at Royal Festival Hall is because since Odeon Leicester Square had its ‘Luxe’ refurbishment replacing standard seats with colossal recliners, the capacity inside has been massively reduced. So in 2019, they held simultaneous galas at OLS and their pop-up Embankment Garden Cinema.
Alternative commercial venues that would have had a suitable capacity as the original OLS (such as Cineworld Leicester Square which hosted galas in 2018, or BFI IMAX) likely wouldn’t have been willing to surrender 10 nights so soon after the release of No Time To Die. So, they settled on RFH.
Personally I have found the sound to be not an issue at all, and I’ve loved seeing each of the films with a huge audience. However I have been mainly sitting in Rear Stalls which definitely seem to have the best acoustics with the overhang of the balcony perhaps contributing to this.
The pop-up Embankment had far worse sound IMO being able to hear every passing siren, as well as a lot more uncomfortable to sit in for 2+hrs with whole rows of seats of thinly padded seats rocking backwards and forwards as soon as someone on the same row fidgeted.
I find RFH great as it keeps the festival centred in the Southbank too.
|
|
2,492 posts
|
Post by zahidf on Oct 14, 2021 10:00:08 GMT
Belfast and Phantom of the Open were ace yesterday
|
|
4,156 posts
|
Post by kathryn on Oct 15, 2021 14:49:03 GMT
Is anyone else failing at BFi player this year? I’ve had 2 films I’ve booked but missed because the 24 hour window to start watching/ 4 hours to finish coincided with internet problems and general life business. Last night I realised 10 minutes after the deadline had passed that I had a film to watch.
I think next year I am sticking with in-person screenings.
|
|
2,058 posts
|
Post by Marwood on Oct 30, 2021 22:22:29 GMT
Saw Last Night In Soho tonight at Picturehouse Central followed by a Q&A with Edgar Wright: thought it was ok, but I enjoyed it more for the places in Soho I’ve been in more than the actual film (I need to go back to the Toucan to see if that downstairs bar actually exists) but it was good to see Diana Rigg, Terence Stamp and Rita Tushingham on the big screen again.
|
|
1,482 posts
|
Post by mkb on Nov 5, 2021 17:18:59 GMT
Last Night in Soho is my new favourite film of the year. I absolutely loved it. It looks sumptuous and the 60s soundtrack is fantastic. It demands to be seen on a huge screen with cranked-up surround sound. Other than that, the least you know about it before seeing it, the better.
As we were in London last night (for The Shark is Broken), we couldn't resist a post-show drink in The Toucan Bar basement. Go see the movie then check out the filming locations.
|
|
7,175 posts
|
Post by Jon on Nov 5, 2021 17:31:53 GMT
Some spoilers regarding Last Night in Soho: Did anyone else figure out that Terrence Stamp's character wasn't Jack early on? For me, it was the combination of Sam Claflin's appearance and the fact Matt Smith's accent didn't sound anything close to Terrence Stamp.
|
|
1,482 posts
|
Post by mkb on Nov 5, 2021 17:50:58 GMT
It seemed possible early on, but less likely as the movie developed. Miss Collins on the other hand, I didn't twig until late on.
|
|
7,175 posts
|
Post by Jon on Nov 5, 2021 18:00:22 GMT
It seemed possible early on, but less likely as the movie developed. Miss Collins on the other hand, I didn't twig until late on.
TBH I had an inkling that Miss Collins was Sandie because of Diana Rigg, you don’t cast someone who was a 60s icon in a minor role and also age wise, it matched up
|
|