3,578 posts
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Post by showgirl on Aug 12, 2021 18:08:17 GMT
Don't know if it was this production but a touring production has had its week in Guildford cancelled - no reason given.
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2,859 posts
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Post by couldileaveyou on Aug 13, 2021 10:21:45 GMT
Extended until September 11th
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Post by Deleted on Aug 23, 2021 0:37:54 GMT
I thought Paul Keating was wonderful in this and really carried it, but some of the others were not up to the same standard. And those regional accents were dialed up to 11...
But what really made the performance special for me, was sitting 3 rows behind Armistead Maupin. The man himself. In the same tiny theatre, at the same time as I was. I wasn't sure it was him, having never seen him in person before, I thought he'd be in San Francisco! A friend confirmed that he was in tonight. I love his writing so much. And he was with Frances Ruffelle. Honestly, it made my day. seeing him and recognising him.
Apparently Mr Maupin now lives in Clapham too. We're practically neighbours!
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167 posts
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Post by cherokee on Aug 23, 2021 10:10:54 GMT
I didn't have a problem with the accents. Eric is from Birmingham and it was an interesting choice to have Bernie as Irish.
I quite enjoyed this production, without loving it. It's clearly inferior to the Donmar production a few years ago, and I felt it lacked subtlety and subtext. John was morose throughout and it was rather a one-note performance. His looks and his body aside, it was hard to discern the charisma that inspired Guy's decades-long infatuation. Paul Keating held the show together pretty well and - spoiler alert - his absence from Act 3 was felt. But again, for me it was a performance rather lacking in subtext. It would have been more interesting - and I venture more realistic - if Guy had tried harder to conceal some of his emotions - the neuroticism, the fussiness and the longing for John were all very obviously there on the surface, and it didn't really give him anywhere to go.
By far the strongest performance came from Stephen K Amos, who has a naturalness, a charm and considerable comic timing rather lacking elsewhere. I'd been a bit wary as obviously he's better known as a stand-up, but I found him easily the most watchable on stage.
I've seen criticism that some of the parts are miscast: I'm not sure Alan Turkington entirely convinced as the dull and uptight Bernie, and Gerard McCarthy doesn't really have the charisma to carry off Daniel. But I have to admit I found the casting of Eric particularly egregious.Eric's faux naive, head-cocking performance left me rather cold, unfortunately, with the eroticism of that final scene pretty much absent.
So a bit of a mixed bag. It's a great play which nevertheless shines through, but it's not exactly at its best here. The final act is rather ponderous, and the interval at the end of Act 1 is abrupt and comes far too soon. Would probably have been better to have it after Act 2 if at all.
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5,062 posts
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Post by Phantom of London on Aug 24, 2021 1:50:51 GMT
A play where dialogue is very key, which isn’t helped with a train rumbling above every 30 seconds.
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Post by Deleted on Aug 24, 2021 17:07:33 GMT
A play where dialogue is very key, which isn’t helped with a train rumbling above every 30 seconds. Seriously! What clever clogs thought that it would be a good idea to build a theatre there? Charing Cross is just about bareable. But the Turbine is something else.
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382 posts
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Post by stevemar on Sept 3, 2021 13:39:01 GMT
This was still pretty good. The tragedy captured better than the comedy, Paul Keating was the standout, and it slightly dragged at the end. It can’t rival the almost perfect Donmar production, but was a decent go. Probably not helped by one or two average performances. And, adding to the debate about the actor who played Eric, I thought it was a good performance and that’s all that counts.
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Post by interval99 on Sept 20, 2021 22:23:12 GMT
Just got a email that this will be available via stream.theatre from this week at fixed showing times and then on demand from the 26th for another three weeks. Know it got mixed reviews on here but worth the chance on a £13 stream and the shows I have seen via stream.theatre the filming production quality has been high and they have been showing some limited run shows which otherwise us non London based people would not get a chance to see.
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Post by craig on Sept 25, 2021 10:01:52 GMT
Great news, will definitely give this a stream.
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