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Post by 141920grm on Jul 4, 2020 2:26:16 GMT
The "You at the barricade listen to this!" warnings, both of them- really fun if you're familiar with the cast & swings and can tell who's singing it offstage (in the regular show); enjoyed putting a face to the normally uncredited "loudhailer guy" (in the staged concerts), quite stunningly done by Chris Jacobsen in the 2019 Gielgud production too, with even more conviction than some of the students I daresay (lol)
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Post by intotheunknown on Jul 4, 2020 20:37:52 GMT
In Amélie, the harmony at the start of Sound of Going Round in Circles. So nice to see an arrangement really milk a great moment of vocal harmony. Sometimes I think orchestrations can be too heavy and mean that amazing intricacies in vocal harmony get lost.
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Post by anthony40 on Jul 7, 2020 9:37:42 GMT
That line in Blood Brothers "Who dare tell the lambs in Spring what fate the later seasons bring".
I love that line so much, and where it's placed in the show (as you will see) its become one of my tag lines on this forum.
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Post by anthony40 on Jul 7, 2020 9:47:57 GMT
There’s a small show called Ordinary Days- don’t know if any of you saw when it played at the Trafalgar Studios a little while back.
It’s quite an intimate piece with a small cast of four. There is a song called I’ll Be Here where you learn how one of the character’s met a guy by chance, started dating him, fell in love and eventually married him and it’s only as the song progresses that you realise this character is in mourning as she lost him when the planes hit the twin towers in September 11.
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