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Post by FrontrowverPaul on May 26, 2020 15:09:59 GMT
The two spies in Chitty Chitty Bang Bang. I know it's a family-orientated musical but they're just too pantomime.
Not too keen on the Baron or Baroness either for similar reasons.
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4,214 posts
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Post by anthony40 on May 26, 2020 15:49:00 GMT
The two spies in Chitty Chitty Bang Bang. I know it's a family-orientated musical but they're just too pantomime. Not too keen on the Baron or Baroness either for similar reasons. The two spies in Chitty Chitty Bang Bang. I know it's a family-orientated musical but they're just too pantomime. Yes! Definitely! I never saw the most recent Palladium version as I hadn't as yet arrived in London but I have 'The Making of' DVD and the cast recording and from this- and the film too- I feel the same way. Again, I can't comment on the recent Palladium production but I love them in the film- especially their interaction together.
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Post by Deleted on May 27, 2020 10:37:00 GMT
I was always terrified of the Child Catcher from Chitty Chitty Bang Bang.
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Post by viserys on May 27, 2020 11:01:50 GMT
I can't stand all the adult cats who despise Grizabella (the young ones at least want to approach her) for the vaguest of reasons. Sure, it is the flaw of the musical that nothing is explained well but we're talking about the majority of the cats we're following for the whole musical and how am I supposed to relate to them when I don't get why they hate Grizabella. Is it because she left? What does glamour cat mean exactly? Why is that a terrible thing for cats? Does it mean she likes to be glamorous and is proud of it? - says the cats who act high and mighty most of the time If the musical is going to make a song and dance about Grizabella at least explain! Does the film explain? Yes, that one confuses me. I thought maybe it was because all the other cats have humans and homes, even Gus and Skimbleshanks, who live in a theatre and a railway station/line respectively. Grizabella seems to be a stray. Other than that, I have no idea what she's done to offend the other cats. I'd give two reasons: The "kinder" explanation (for the other cats) is that Grizabella was a haughty "glamour puss" who thought very highly of herself while she was in her glory days and it's now a "look how the mighty have fallen" disgust and the others not forgiving her for her earlier uppity attitude (think of many C-list celebs who turn their back to the normal world they came from, think they're suddenly a cut above them and when they've fallen by the wayside and try to return, realize they have alienated everyone at home). The other "crueler" explanation: They are just disgusted by a formerly "gorgeous" glamourous cat, who's now old and scruffy, just like humanity often goes "ugh, have you seen what has become of her? Awful!" (and it's usually her, rarely him, men can go wrinkly and bald all they like). The line in her short poem goes "The postman sighed as he scratched his head: 'You'd really had thought, she'd ought to be dead'". Then of course the poems were written in early 20th century, when there was a whole other attitude towards prostitution and "loose women" who were out to have a good time (and not nicely married, staying at home to serve their husbands and masters), so this might also be reflected in the other cats' attitude, even though the show is somewhat timeless. Also don't forget that Grizabella used to look a lot scruffier in her earlier 80s version with the unkempt curly mop of "hair" (fur?) and played by older singers. I personally really can't get behind the "new look Grizabella" being played by extremely good-looking youngish performers like Nicole Scherzinger and that new glossy sleek wig she wears.
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Post by greeny11 on May 27, 2020 12:04:43 GMT
I have gone for characters in shows that I actually really enjoy.
Certain portrayals of Jamie in Everybodys Talking About Jamie Patty in School of Rock Nicola in Kinky Boots Certain portrayals of the Phantom in POTO Amber in Hairspray
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Post by crabtree on May 27, 2020 12:42:49 GMT
I'm afraid the drag queens in 'Jamie' get on my padded boobs.
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Post by intoanewlife on May 27, 2020 14:46:57 GMT
Actually, I'd add Dolly Levi.....controversial? She'd be my Number 1 as well.
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65 posts
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Post by dazzlair on May 28, 2020 0:09:52 GMT
The two Asian characters with the harro accents in Anything Goes. Yuuuuuuuuuuuck.
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Post by HereForTheatre on May 28, 2020 8:22:21 GMT
What's the hell with that statue that comes alive in Mary Poppins and then does ballet all the time? And why does he always have a weird voice? So irritating. I dread his scenes in that show.
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Post by vickyg on May 28, 2020 8:39:38 GMT
Alana in Dear Evan Hansen. A terrible human.
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Post by Deleted on May 28, 2020 8:56:59 GMT
Alana in Dear Evan Hansen. A terrible human. I'd expand that to pretty much all the characters in Dear Evan Hansen. Never seen any other show with such a thoroughly unlikeable and unsympathetic bunch of characters.
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Post by dippy on May 28, 2020 9:38:03 GMT
What's the hell with that statue that comes alive in Mary Poppins and then does ballet all the time? And why does he always have a weird voice? So irritating. I dread his scenes in that show. He doesn't annoy me as much as Robertson Ay. I really don't remember him being so stupidly comical and annoying in the past (seen Poppins a few times since it first opened in Bristol) but when I saw it last year I couldn't stand him. I do think they have purposefully made him more comical but in a really bad way.
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Post by sf on May 28, 2020 16:57:57 GMT
The two Asian characters with the harro accents in Anything Goes. Yuuuuuuuuuuuck. Ugh. Yes. Even in the 80s those jokes were wince-inducingly unfunny.
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Post by daisy24601 on May 28, 2020 17:02:40 GMT
Just remembered the baby man in Eugenius. Top of my list.
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Post by sf on May 28, 2020 17:03:57 GMT
Alana in Dear Evan Hansen. A terrible human. Just about everyone in Dear Evan Hansen. When you boil it down, it's a show about an appalling narcissist who tells a reprehensible lie to the grieving parents of a classmate who killed himself in order to make the other kid's suicide all about him, who uses "social anxiety" as a fig-leaf for some truly disgusting behaviour, and who faces no significant consequences for behaving like a manipulative little sh*t. And it's not a saving grace that the characters surrounding him are all almost as bad. I'm not generally a fan of the school of criticism that ascribes flaws in fictional characters to personality defects in their authors, but there's always an exception, and I'm afraid this is a show that can only have been written by really, really unpleasant people.
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Post by intoanewlife on May 29, 2020 10:53:32 GMT
Alana in Dear Evan Hansen. A terrible human. Just about everyone in Dear Evan Hansen. When you boil it down, it's a show about an appalling narcissist who tells a reprehensible lie to the grieving parents of a classmate who killed himself in order to make the other kid's suicide all about him, who uses "social anxiety" as a fig-leaf for some truly disgusting behaviour, and who faces no significant consequences for behaving like a manipulative little sh*t. And it's not a saving grace that the characters surrounding him are all almost as bad. I'm not generally a fan of the school of criticism that ascribes flaws in fictional characters to personality defects in their authors, but there's always an exception, and I'm afraid this is a show that can only have been written by really, really unpleasant people. Yikes! I think people forget what it was like to be a teenager sometimes. A lot of people will do a lot of stupid things to fit in. He was not a narcissist as he had genuine remorse for what he did. He just made a stupid mistake and it spiralled out of control. I don’t think the show was meant to be taken as seriously as a lot of people did, I thought of it as more as a ‘what if’ cautionary tale. I think the main problem is in the writing of the entire show more so than with the character. The reasons for why he did it are so banal and unfleshed out that it makes him completely unsympathetic. I think the performance of the lead also changes its impact depending on whoever you get. Have you ever seen the Robin Williams film Worlds Greatest Dad? It is the exact same story only with an adult in pretty much the same situation. I wonder if you’d feel any different about it because it is about an adult with a real history. I personally enjoyed it much more as it put the blame more on the ‘followers’ who swept him up on the journey than on the person who created the situation and the set up/reason for him doing what he did was more understandable because he’d lived such a sh*tty life.
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Post by sf on May 29, 2020 11:20:36 GMT
Yikes! I think people forget what it was like to be a teenager sometimes. A lot of people will do a lot of stupid things to fit in. I remember very well what it was like to be a teenager, thank you. It was pure hell. I know what it's like to be a teenager with social anxiety too. And this show is putrid.
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Post by intoanewlife on May 29, 2020 11:46:35 GMT
Yikes! I think people forget what it was like to be a teenager sometimes. A lot of people will do a lot of stupid things to fit in. I remember very well what it was like to be a teenager, thank you. It was pure hell. I know what it's like to be a teenager with social anxiety too. And this show is putrid. Yikes again! Tell us how you really feel lol I thought it was bland, didn’t love it or hate it, but it certainly didn’t offend me in the way it did other people. Maybe because I’d already seen the same story done better elsewhere it didn’t affect me either way. It definitely shouldn’t have beat either Comet or Come From Away though, it is not a patch on either of them.
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Post by crabtree on May 29, 2020 17:06:39 GMT
i'll thrown in the Thenardiers, I'm afraid, well the comic panto turn they have become. And in Sondheim, I feel sorry for her, but Sweeney's beggar woman is a touch one. And then there's Che.....
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Post by sfsusan on May 29, 2020 17:31:32 GMT
Also don't forget that Grizabella used to look a lot scruffier in her earlier 80s version with the unkempt curly mop of "hair" (fur?) and played by older singers. This is interesting... I only saw it once, in the 80s, and Grizabella was definitely being portrayed as an alley cat... kind of the feline equivalent of a street person. (Did the UK have the phrase 'catting around'? Mid-century slang for a promiscuous woman...) So is the character more of a 'faded beauty' now?
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Post by westendboy on Jun 15, 2020 16:37:38 GMT
i'll thrown in the Thenardiers, I'm afraid, well the comic panto turn they have become. I do kind of agree with you. I love the Thenardiers, they're two of my favourite villains from any musical and I look forward to whenever they turn up. But I will admit, depending on the actors, they can come off as 'pantomimey'. Despite them both being comedic villains, they both do really terrible things. They abused a little girl, indirectly caused her mother to lose her job, resulting in her going into prostitution and eventually dying, they ripped their customers off and (in the case of Monsieur T at least) rob dead bodies. To convey both their comedy and menace, you really need actors who can pull these off convincingly. Alun Armstrong was able to do this, particularly with his creepy rendition of 'Dog Eats Dog'. I've personally never seen any bad Thenardiers (well with the exception of Sacha Baron Cohen and Helena Bonham Carter), but I would like to see a bit more menace.
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Post by 141920grm on Jun 16, 2020 4:45:03 GMT
but I would like to see a bit more menace. If I may recommend Gerard Carey, current West End cast, whenever theatres reopen. He and Josefina Gabrielle have no qualms about being the worst innkeepers in town and are themselves horribly amused by the fact. While many Thenardiers before them characterise this self-awareness with the kind of wink-wink humour that easily becomes panto-like, this pair gives absolutely zero f*cks about playing it up for the audience, intently focusing on their crookedness and letting the script/blocking carry out the jokey aspect- farthest thing from Matt Lucas's interpretation I've seen. Gerard's Dog Eats Dog is brilliantly creepy as well.
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Post by Deleted on Jun 16, 2020 6:20:25 GMT
Basically every character in Wicked except Elphaba or Madame Morrible. Pretty sure Winnie Holzman designed the book to make you purposefully hate every character except Elphaba. But if you get an actress who is really invested in the role of Madame Morrible (eg Kim Ismay) it makes you enjoy her as a character as you can see she’s trying to mask her evil self.
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Post by Deleted on Jun 16, 2020 6:25:16 GMT
i'll thrown in the Thenardiers, I'm afraid, well the comic panto turn they have become. I do kind of agree with you. I love the Thenardiers, they're two of my favourite villains from any musical and I look forward to whenever they turn up. But I will admit, depending on the actors, they can come off as 'pantomimey'. Despite them both being comedic villains, they both do really terrible things. They abused a little girl, indirectly caused her mother to lose her job, resulting in her going into prostitution and eventually dying, they ripped their customers off and (in the case of Monsieur T at least) rob dead bodies. To convey both their comedy and menace, you really need actors who can pull these off convincingly. Alun Armstrong was able to do this, particularly with his creepy rendition of 'Dog Eats Dog'. I've personally never seen any bad Thenardiers (well with the exception of Sacha Baron Cohen and Helena Bonham Carter), but I would like to see a bit more menace. I personally really enjoyed Vivien Parry (final cast of original), thought she brought a good balance of menace and comedy.
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Post by distantcousin on Jun 16, 2020 13:05:55 GMT
Yes, that one confuses me. I thought maybe it was because all the other cats have humans and homes, even Gus and Skimbleshanks, who live in a theatre and a railway station/line respectively. Grizabella seems to be a stray. Other than that, I have no idea what she's done to offend the other cats. I'd give two reasons: The "kinder" explanation (for the other cats) is that Grizabella was a haughty "glamour puss" who thought very highly of herself while she was in her glory days and it's now a "look how the mighty have fallen" disgust and the others not forgiving her for her earlier uppity attitude (think of many C-list celebs who turn their back to the normal world they came from, think they're suddenly a cut above them and when they've fallen by the wayside and try to return, realize they have alienated everyone at home). The other "crueler" explanation: They are just disgusted by a formerly "gorgeous" glamourous cat, who's now old and scruffy, just like humanity often goes "ugh, have you seen what has become of her? Awful!" (and it's usually her, rarely him, men can go wrinkly and bald all they like). The line in her short poem goes "The postman sighed as he scratched his head: 'You'd really had thought, she'd ought to be dead'". Then of course the poems were written in early 20th century, when there was a whole other attitude towards prostitution and "loose women" who were out to have a good time (and not nicely married, staying at home to serve their husbands and masters), so this might also be reflected in the other cats' attitude, even though the show is somewhat timeless. Also don't forget that Grizabella used to look a lot scruffier in her earlier 80s version with the unkempt curly mop of "hair" (fur?) and played by older singers. I personally really can't get behind the "new look Grizabella" being played by extremely good-looking youngish performers like Nicole Scherzinger and that new glossy sleek wig she wears. Good explanations, HOWEVER Nicole, Beverley Knight, Kerry Ellis, Leona Lewis etc were really no younger than Elaine, Betty or many of the other original Grizabella's back in the day. (all in their 30's)
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