1,347 posts
|
Post by tmesis on May 11, 2019 9:12:20 GMT
This was my first experience of this Deborah Warner production and very satisfying it is too. We never see a ship as such but there is great atmospheric use of decking, ropes, ladders and sails (lots of hammocks) and it all feels very convincing. There is also great use of different levels to suggest above and below deck and therefore reinforce the issues of rank and class.
I've seen a few productions of this over the years but it is never performed that often. One memorable one was at ENO many years ago with a youthful Thomas Allen as Budd.
The opera is long and Britten set himself quite a challenge with a closed environment and a cast of male only voices. I often find an opera like Boris Godunov can be a bit of a trial because of its lack of contrasting female voices but Britten achieves much greater variety of texture here with some thrilling choral moments.
The plot is possibly the simplest in all opera and there are really only three main characters. Brindley Sherratt was a dark, domineering Claggart, Toby Spence was wonderfully intense as Fairfax and Jacques Imbrailo an almost perfect, both physically and vocally, Billy Budd.
Frankly I couldn't imagine this better done.
|
|
4,029 posts
|
Post by Dawnstar on May 11, 2019 13:46:06 GMT
I saw it last night & thought it was good but not as good as the other 2 productions I've seen, ENO back in 2005 & Glyndebourne at the Proms in 2013. I found the clash between C20th production & 1797 libretto setting problematic at times, especially when they're supposed to be preparing to fight but there were no guns in sight, just men moving around boxes & bundles. I also wasn't as moved as I'd expected to be by the denoument. Billy scampering up a ladder into the flies with no sign of him actually being hung didn't quite do it for me (I still remember how ENO did it with a simple but effective bit of lighting).
I thought Imbralio was (again - he was in the Glyndebourne one) very good in the title role. Spence was more convincing with intellectual side of Vere than as commander & for the first time I found myself thinking Vere came over as rather self-obsessed: he seemed to be worrying more about how Billy's death would affect him than about Billy himself. Sherratt was good but I think I was spoilt by my 1st Claggart being Tomlinson, by comparison Sherratt didn't have the same stage presence or air of menace. A strong supporting cast with Bayley, Furness & Rock stand outs for me.
|
|