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Post by Being Alive on Aug 31, 2019 11:16:53 GMT
Does anyone think TodayTix might be doing rush for this? Not sure whether to wait or try and grab a deal I’d doubt it. I was front row, which was £29.50. Said potential restricted view. But it wasn’t in anyway so I’d say that’s a good place to go 🤷🏻♂️
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Post by winonaforever on Aug 31, 2019 15:20:16 GMT
I'm there on Monday, listening to the cast recording right now
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Post by David J on Aug 31, 2019 16:41:57 GMT
Does anyone think TodayTix might be doing rush for this? Not sure whether to wait or try and grab a deal I’d doubt it. I was front row, which was £29.50. Said potential restricted view. But it wasn’t in anyway so I’d say that’s a good place to go 🤷🏻♂️ How’s the leg room for someone over 6 foot
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Post by Being Alive on Aug 31, 2019 20:39:12 GMT
I was front row, and am 6 foot 4 - legroom absolutely fine, more Han enough. Wasn’t end of row either.
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Post by BurlyBeaR on Aug 31, 2019 20:42:22 GMT
I was front row, and am 6 foot 4 - legroom absolutely fine, more Han enough. Wasn’t end of row either. I love legroom recommendations.
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Post by Deleted on Sept 2, 2019 10:52:42 GMT
Non-existent unless you are on the ends of row G (which are now selfishly kept mostly for the house only - tells you everything) or don't mind sitting bolt upright. Some find it fine, some awful in the latter case. Personally, I'm 5ft 7 and just don't go if I can't get row G. So this is infuriating! You are 100% correct Monkey, and I would also not go TOP unless could get row G aisle. Leg room is appalling for a new theatre. Anyway as you say G1-4 have been off sale for a while, but you could still get the other side. Now it seems G22/23 are also off sale, which I have to say makes me not wanna go at all. Anyone know if these house seats are always used or do they get released for general sale on day of performance for example? Sadly I haven't noticed this to be the case.
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Post by Deleted on Sept 2, 2019 10:58:31 GMT
I asked. Apparently they sometimes release them if they are not required, but there is no pattern. It just isn't on. They used to keep G 1 to 4, so we had a chance of G23. Then they went 1, 2, 22, 23. After that, I stopped worrying and stopped going. Totally agree. Do understand them keeping one side for house guests - but now the other has gone too so nobody tall stands a chance, it kinda makes you not want to go full stop. I'd consider it for a poorly attended show. When I saw The Wild Party wasn't in G, but was half empty and had nobody either side of me so was able to "man spread" (to be clear I am not one of those awful people that would ever do this with people sat next to me!)
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Post by shady23 on Sept 2, 2019 11:06:38 GMT
What is the approx finishing time for evening performances please?
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Post by n1david on Sept 2, 2019 11:31:58 GMT
I'm making an exception for Falsettos. That aside, I haven't been to TOP for years, despite a programme of things I find interesting, because of the legroom issue. For a new theatre, it's genuinely shocking, and I'm of only average height!
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Post by Deleted on Sept 2, 2019 12:40:27 GMT
I'm making an exception for Falsettos. That aside, I haven't been to TOP for years, despite a programme of things I find interesting, because of the legroom issue. For a new theatre, it's genuinely shocking, and I'm of only average height! Agreed. They surely missed a trick not refurbishing it like they did with the FOH areas when ALW took over. I guess in the auditorium as each row is stepped from the next it's inbuilt into the structure so very hard(/expensive) to change? Above The Stag is also horrifically uncomfortable. Lucky not to have a DVT after Closer To Heaven.
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Post by winonaforever on Sept 2, 2019 14:47:59 GMT
What is the approx finishing time for evening performances please? I'm going tonight, so I got an email today. It said running time approx 2hrs 40mins with a 20 minute interval.
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Post by BurlyBeaR on Sept 2, 2019 14:59:31 GMT
I asked. Apparently they sometimes release them if they are not required, but there is no pattern. It just isn't on. They used to keep G 1 to 4, so we had a chance of G23. Then they went 1, 2, 22, 23. After that, I stopped worrying and stopped going. Totally agree. Do understand them keeping one side for house guests - but now the other has gone too so nobody tall stands a chance, it kinda makes you not want to go full stop. Exactly. I didn’t go to something at TOP for this reason, might have been Heathers, so they are actively losing custom. If you booked another seat then complained to FOH about the legroom on the night do you think they would move you to a house seat? This happened to me at Her Majesty’s where I literally could not sit down in the stalls because there wasn’t enough legroom, and they put me in a box.
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Post by alece10 on Sept 2, 2019 15:11:35 GMT
It really is a stinker of a theatre for seat comfort. Great rake but as you cant put your feet under the seat in front of you it's so uncomfortable. I've booked an aisle seat for this show so I can hopefully stick my bad leg out into the aisle. I worked on a show there a few years ago so spent hours and hours sitting in various seats during rehearsals and tech and I can say with confidence they are all awful.
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Post by david on Sept 2, 2019 15:16:23 GMT
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Post by andrew on Sept 2, 2019 15:22:36 GMT
That's the most annoying thing. As I've said on here before, I've been underneath the seating. The auditorium space is just a very huge concrete cube. The seating is on wooden flooring within the cube. To rip it all out and re-build would cost very little comparatively. If they didn't want to rip out, then just losing a row and putting the seats back to create space would also work. Bit of an aside, but what do they do with that space under the seats?
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Post by FrontroverPaul on Sept 2, 2019 15:34:53 GMT
I'm 6 feet tall exactly and have so far always booked a seat in the front row between A9 and A16 at the Other Palace. Not the most legroom but perfectly adequate for me.
I had no idea it was so bad elsewhere. Thanks for the tip offs.
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Post by TallPaul on Sept 2, 2019 15:35:28 GMT
There must, by now, be quite a queue of people who want to put you in a box, BurlyBeaR, with @theatremonkey clutching Turn-O-Matic ticket number 1. 🙂
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Post by longinthetooth on Sept 2, 2019 15:35:59 GMT
Joining in the discussion about seating, I too have decided to give Falsettos a miss (any anything else at TOP) because of the comments about the space, or lack of, although I would love to have seen it. I am not particularly tall, but suffer from arthritis in the knee, so being able to stretch my leg is important. I also have bad balance, so am put off by descriptions of the steep steps (which would also do my knee no good). A shame, but there we are.
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Post by alece10 on Sept 2, 2019 15:57:05 GMT
Joining in the discussion about seating, I too have decided to give Falsettos a miss (any anything else at TOP) because of the comments about the space, or lack of, although I would love to have seen it. I am not particularly tall, but suffer from arthritis in the knee, so being able to stretch my leg is important. I also have bad balance, so am put off by descriptions of the steep steps (which would also do my knee no good). A shame, but there we are. Dont be put off. I have the same issue with arthritis in my knee and I phoned the box office. They were really helpful and gave me an aisle seat. They also made a remark on the booking so the FOH staff are aware in case of any emergency. If you sit towards the back you will not have to climb all the stairs and the view is great wherever you are. It's just the blasted legroom that's the issue.
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Post by xanady on Sept 2, 2019 17:52:36 GMT
We were M5,6 and 7 and no problems with legroom unlike the Ambassadors which was ridiculous in the Circle and I had to change to Row F from C which has a gangway in front of it....I’m 6 ft 4...mind you,row L at TOP had a lot of empty spaces so we didn’t have anyones’ heads directly in front of our knees so maybe this changes things?...show finished at ten past ten to answer another poster...if you can cope with the design problems with steps/seating etc then I would very highly recommend this...
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Post by intoanewlife on Sept 2, 2019 21:01:50 GMT
You guys are REALLY not selling this to me
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Post by westendcub on Sept 2, 2019 21:39:02 GMT
Wow that musical was stunning (and couldn’t have been the most perfect show to go see due to its story strands & most importantly its message).
Absolutely wonderful performances from all but I must say I supported Daniel Boys since the ‘Joseph’ Show & it was a joy to see him as the lead (it’s very much an ensemble show but he shone) it really felt like he was born to play the role (and his performance broke me 😭).
What I found so powerful is that in Act 1 you start off feeling at arms length from these characters but become involved in their dynamic & fabric & then bam there is an emotional father & son towards the end of act 1 & you care deeply for all its characters.
Act 2 is a marvel, there’s a slight change in tone (very clever that two new characters get thrown into the mix) when we go from the ball game to its curveball & reflection of the time the story takes place.
What is so powerful here that it explores many themes, characters are rounded (they are not always nice in their ways or actions) & you care for them even though they are flawed but most importantly this has something to say & an important message about what a “family” is & what “family” means.
Lovely mix of ages & genders too attending this which is great for a LGBTQI+ story at its core....big standing ovation (deserved) & many tears (including mine).
I understand why this show is beloved on Broadway as a musical & now I’m part of it.
Beautiful show!
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Post by Marcus on Sept 3, 2019 9:57:52 GMT
I was there last night too.
Initially thought the first number needed more ommph. But it then took off like a juggernaut. What I find so interesting about this show is every character is presented with all their many complex flaws. To the point you don’t particular like them but then it comes round and you care so deeply about this dysfunctional family.
The boy playing Jason was brilliant and the whole cast were on fire.
Go and see!
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Post by xanady on Sept 3, 2019 12:53:09 GMT
Yayyyyy,the great reviews start to flow...right up there with the recent WE Company as a truly great ‘ensemble’ musical imo....
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Post by musicalmarge on Sept 4, 2019 21:18:39 GMT
This was AMAZING tonight. Gosh it is soooo good!! I’m booking to see it again. What SENSATIONAL performances. It’s a HIT! 10/10 from me
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Post by robertb213 on Sept 4, 2019 21:31:49 GMT
Thanks for all the great reviews, I'm booked for next week 😀
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Post by lonlad on Sept 4, 2019 23:00:29 GMT
Saw it tonight -- simply wonderful. Audience slow to laugh, perhaps, but certainly not to ovate. The performances are wonderful, especially Laura Pitt-Pulford who bats Trina out of the park. Brava, bravi!
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Post by dazzerlump on Sept 4, 2019 23:02:03 GMT
I’m there on Friday and I can’t wait. Was looking forward to it anyway but the glowing reviews on here only make me more excited. Is it press night Thursday?
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Post by shady23 on Sept 5, 2019 7:22:53 GMT
Thursday night.
There's also a matinee on that day.
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Post by cheri78 on Sept 5, 2019 8:22:09 GMT
Waited too long to see this but the wait was so worthwhile. What performances! A real ensemble show but have to mention Laura Pitt Puford's Act2 "Tina's song" as a masterclass of acting, agree with previous post how she totally nailed it, never heard it sung where every word had meaning. Lovely to see Natasha J Barnes again, wrung every bit from her brief time onstage. And I can't not mention Daniel, he moved me to tears many times. Sad to see leavers after Act1 but I can understand why if it's a 1st hearing, Act1 has fewer ballads and at times quite disjointed music, personally I love it, but the piece really goes for the jugular in Act 2 and I was a bit of an emotional wreck for much of it. Go see, I felt lucky to be there.
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