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Post by BurlyBeaR on Sept 22, 2018 6:52:11 GMT
Two words...
War Horse
😝
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Post by danb on Sept 22, 2018 13:15:03 GMT
One word; another animal.... 🐈 ‘s |
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Post by Someone in a tree on Sept 23, 2018 10:06:53 GMT
Perhaps the YV could bring it back in a year or so a la Follies.
Opera and Ballet companies do it all the time
I would rather sit in the YV rather than the expensive West End
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Post by Rory on Sept 23, 2018 11:26:54 GMT
I would love it to come back as I am sorry not to have seen it. This, and The York Realist.
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Post by andrew on Sept 23, 2018 11:53:42 GMT
I'm quite gutted that it's not imminently going to return, didn't manage to catch a repeat show in the end despite a lot of trying. It's always a shame when stuff of genuine quality (although as above I'm obviously just saying that because that's what I'm "supposed to say") doesn't have the commercial appeal to transfer. Meanwhile Thriller Live! lives on. What a world.
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Post by Deleted on Oct 4, 2018 22:40:05 GMT
Transfer to the Garrick likely according to Mark Shenton & Baz
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Post by Being Alive on Oct 4, 2018 22:44:30 GMT
So help me god I PRAY so
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Post by latefortheoverture on Oct 4, 2018 22:45:43 GMT
Transfer to the Garrick likely according to Mark Shenton & Baz Please tell me this is not BS!!! God!!! |
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Post by cheesy116 on Oct 4, 2018 22:51:45 GMT
I hope to god this is true, though I can't see any tweets from Baz saying so.
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Post by Deleted on Oct 4, 2018 22:54:54 GMT
Its not bullsh*t. It’s there on twitter
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Post by Deleted on Oct 5, 2018 3:02:09 GMT
Oh good, I misssd this. Though I hope it works with the vibrations of passing trains!
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Post by anthony40 on Oct 5, 2018 5:22:47 GMT
I was surprised by how much I was moved by this so I hope that this happens
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Post by ensembleswings on Oct 5, 2018 17:05:21 GMT
Really hope this transfer happens, gutted to have missed this at the YV especially given the reviews it had, would love to have the chance to see it after all.
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Post by Deleted on Oct 5, 2018 17:47:03 GMT
I'd be surprised if it didn't considering the critical acclaim, ticket sales and the potential of future success given the right theatre.
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Post by Deleted on Oct 5, 2018 18:03:28 GMT
Well I hope they don't transfer it for a long run (mainly because I don't want it clogging up the theatre when better stuff could go in) but no wonder you all want it to move to the Garrick, they'll have to discount the sh*t out of it. There'll be more cheap seats than full price ones!
Let's hope it does a bit better than the last Young Vic show to transfer to the Garrick.... Ouch.
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Post by Jon on Oct 6, 2018 1:17:14 GMT
I suspect a limited run would work best, it's not the sort of show that'll be a long runner
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Post by Scswp on Oct 6, 2018 5:31:10 GMT
I suspect a limited run would work best, it's not the sort of show that'll be a long runner Is this likely to tour at all? |
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Post by learfan on Oct 6, 2018 7:24:22 GMT
But the Garrick is booked through to Feb with Don Quixote, surely if it was transferring it would sooner than next spring?
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Post by Rory on Oct 6, 2018 7:56:42 GMT
But the Garrick is booked through to Feb with Don Quixote, surely if it was transferring it would sooner than next spring? No not necessarily. There are now no theatres free until the New Year, except for the Gielgud which is dark after 22nd Dec, as good as January in real terms. Delayed transfers becoming more usual due to lack of theatre availability - Mary Stuart and Caroline, or Change to give two examples. I can't see this touring though. |
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Post by Deleted on Oct 6, 2018 11:48:56 GMT
I saw it in NYC and loved it more than Hamilton.The Public Theatre is such a gift.I think from the clip that Jenna I heard will get the Olivier. For a risky show it did quite well. Not as well as one hoped. It won the Tony and that must mean something. I loved both Hamilton and Fun Home.
I felt Fun Home while it had good writing needed a little more to get the Pulitzer
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Post by Deleted on Oct 6, 2018 11:56:13 GMT
But the Garrick is booked through to Feb with Don Quixote, surely if it was transferring it would sooner than next spring? No not at this point, it's too late to announce etc, I suspect a March previews/opening. They can use the Olivier nominations as a great source of promo by that point, as well as the reviews and press. |
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Post by nash16 on Oct 6, 2018 22:11:47 GMT
This is definitely not transferring unfortunately.
The intention had, of course, been for it to cross the Thames and they spent a lot redesigning it to be End-on staging for that reason/hope, as it could have easily played in the square at the YV as in New York.
A shame as I think more people would have liked to haveseen it, but the producers didn't think the pick up would have been enough to sustain it, even in a limited run, at West End costs.
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Post by raider80 on Oct 6, 2018 22:16:12 GMT
It's a shame it's not transferring but, if there a silver-lining it should be exciting that a show about a lesbian cartoonist has been produced so much and that the general public has embraced it.
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Post by learfan on Oct 7, 2018 11:40:53 GMT
This is definitely not transferring unfortunately. The intention had, of course, been for it to cross the Thames and they spent a lot redesigning it to be End-on staging for that reason/hope, as it could have easily played in the square at the YV as in New York. A shame as I think more people would have liked to haveseen it, but the producers didn't think the pick up would have been enough to sustain it, even in a limited run, at West End costs. Oh well. |
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Post by nash16 on Oct 7, 2018 12:03:41 GMT
This is definitely not transferring unfortunately. The intention had, of course, been for it to cross the Thames and they spent a lot redesigning it to be End-on staging for that reason/hope, as it could have easily played in the square at the YV as in New York. A shame as I think more people would have liked to haveseen it, but the producers didn't think the pick up would have been enough to sustain it, even in a limited run, at West End costs. Oh well. C'est la vie. |
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