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Post by Dave B on Oct 11, 2023 8:32:09 GMT
I'm guessing dates for The Motive and the Cue and Dear England. I wonder what else? Jamie LLoyd has form for NT Live with Cyrano and The Seagull. Wouldn't it be great to get Sunset Boulevard?! Dates/details for the following. Certainly about right for the Q1 shows to be announced.
Dear Octopus National Theatre (Lyttelton) February 2024
Nye National Theatre (Olivier) February 2024 Underdog: The Other Other Brontë National Theatre (Dorfman) March 2024 The Hot Wing King National Theatre (Dorfman) July 2024 London Tide National Theatre (Lyttelton) July 2024
Coriolanus National Theatre (Olivier) 2024
Oh nevermind me, I missed that it was NT Live, thought it was NT itself - oops.
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Post by zahidf on Oct 11, 2023 9:05:50 GMT
Vanya on NT Live 22nd Feb 2024 Dear England Jan 2024
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Post by Rory on Oct 11, 2023 9:07:01 GMT
No Motive and the Cue which is a shame, hopefully they will announce that for later next year, because I was there the day they were filming it. Glad to get a chance to see Vanya.
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Post by zahidf on Oct 11, 2023 9:22:34 GMT
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Post by MrBunbury on Oct 11, 2023 10:25:31 GMT
It went all silent about the new Artistic Director. Does anyone know anything, apart that it seemed that Indhu Rubasingham could have been offered the job?
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Post by lynette on Oct 12, 2023 19:13:24 GMT
‘Dazzling drama, Skylight’. Who are they trying to kid? It is interesting and well written but it ain’t dazzling. So many other plays but of course this a one set, and a two hander, isn’t it? (Maybe a third ch appears?) So cheap.
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Post by partytentdown on Oct 14, 2023 12:51:49 GMT
Carrie Cracknell is directing a play at the NT next year, according to an interview in The Stage. (Sorry if this is already known)
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Post by teamyali on Oct 14, 2023 14:16:53 GMT
‘Dazzling drama, Skylight’. Who are they trying to kid? It is interesting and well written but it ain’t dazzling. So many other plays but of course this a one set, and a two hander, isn’t it? (Maybe a third ch appears?) So cheap. I wish they bring Skylight to NT at Home. I’m quite underwhelmed with the slate of NT Live. Mostly reruns and only two are new ones (Vanya, Dear England) Are they running out of titles? The ones I could think of that deserve broadcasted proshots from recent shows: My Son’s A Queer Orlando Shirley Valentine Medea (though I think it’s not in Nica’s/Nimax’s best interests as they need to promote @sohoplace venue more) Dr Semmelweis (I don’t think Rylance is into it lol) Sunset Boulevard (we’ll never get the rights to this sadly) To Kill a Mockingbird (surprisingly no proshot of this?!) The Motive and the Cue (I think this is Broadway bound after its West End run, and/or a miniseries is likely)
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Post by Rory on Oct 14, 2023 14:20:32 GMT
Yes NT Live had a very good start to 2023 but has now gone totally quiet for the second half of the year. Latest announcement is underwhelming. Trotting out Skylight again 10 years later is not exciting.
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Post by jampot on Oct 15, 2023 16:13:13 GMT
‘Dazzling drama, Skylight’. Who are they trying to kid? It is interesting and well written but it ain’t dazzling. So many other plays but of course this a one set, and a two hander, isn’t it? (Maybe a third ch appears?) So cheap. I wish they bring Skylight to NT at Home. I’m quite underwhelmed with the slate of NT Live. Mostly reruns and only two are new ones (Vanya, Dear England) Are they running out of titles? The ones I could think of that deserve broadcasted proshots from recent shows: My Son’s A Queer Orlando Shirley Valentine Medea (though I think it’s not in Nica’s/Nimax’s best interests as they need to promote @sohoplace venue more) Dr Semmelweis (I don’t think Rylance is into it lol) Sunset Boulevard (we’ll never get the rights to this sadly) To Kill a Mockingbird (surprisingly no proshot of this?!) The Motive and the Cue (I think this is Broadway bound after its West End run, and/or a miniseries is likely) 99% certain motive and the cue was filmed..so will appear in some format at some point..
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Post by theoracle on Oct 15, 2023 23:26:09 GMT
Also would love to see The Normal Heart again - I’m guessing there’s a rights issue here?
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Post by Jon on Oct 15, 2023 23:37:30 GMT
Also would love to see The Normal Heart again - I’m guessing there’s a rights issue here? Ryan Murphy has screen rights so no theatre production can be filmed and broadcast, the same applies to Network which the screen rights are held by MGM.
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Post by jek on Oct 17, 2023 10:07:02 GMT
Just got the email stating that priority booking starts on November 2nd for Nye, Dear Octopus, London Tide, Til The Stars Come Down and Underdog:The Other Bronte. Also mentions that they are having some 6.30 pm performances.
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Post by zahidf on Oct 17, 2023 10:24:57 GMT
Just got the email stating that priority booking starts on November 2nd for Nye, Dear Octopus, London Tide, Til The Stars Come Down and Underdog:The Other Bronte. Also mentions that they are having some 6.30 pm performances. Tuesday and Thursdays have 6.30 performances
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Post by Dave B on Oct 17, 2023 11:07:56 GMT
New dates:
Till the Stars Come Down National Theatre (Dorfman) Wednesday, 24 January 2024 Saturday, 16 March 2024
Dear Octopus National Theatre (Lyttelton) Wednesday, 7 February 2024 to Tuesday, 27 March 2204
Nye National Theatre (Olivier) Saturday, 24 February 2024 to Saturday, 11 May 2024
Underdog: The Other Other Brontë National Theatre (Dorfman) Wednesday, 27 March 2024 to Saturday, 25 May 2024
London Tide National Theatre (Lyttelton) Wednesday, 10 April 2024 to Saturday, 22 June 2024
That leaves The Hot Wing King and Coriolanus with dates to be announced.
Public booking opens at midday, Thursday 9 November
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Post by n1david on Oct 17, 2023 11:09:40 GMT
Just got the email stating that priority booking starts on November 2nd for Nye, Dear Octopus, London Tide, Til The Stars Come Down and Underdog:The Other Bronte. Also mentions that they are having some 6.30 pm performances. Tuesday and Thursdays have 6.30 performances Not every Tuesday and Thursday, though. Dates here: www.nationaltheatre.org.uk/news/early-evening-performances/
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Post by Mark on Oct 17, 2023 11:33:03 GMT
Love the idea of a 6:30 show. A standard 10pm finish usually gets me home for just after 11. Getting home that little bit earlier helps a lot.
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Post by Latecomer on Oct 17, 2023 12:15:18 GMT
That have also, finally made dates searchable by matinee performance only! Hurrah!
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Post by Deleted on Oct 17, 2023 16:07:44 GMT
The earlier start especially for longer plays is an excellent idea provided people have time to get there.
Michael Sheen as Nye Bevan could be an outstanding performance given his ability with historic real life people. Nye's wife Jennie Lee was a long serving Arts Minister in Harold Wilson's 1960's Government who I assume Sharon Small will portray in the play.
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Post by alece10 on Oct 17, 2023 16:47:41 GMT
I like the idea of the early starts, unfortunately nothing there I would want to see.
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Post by mkb on Oct 17, 2023 17:14:17 GMT
I'd always assumed early starts (and therefore finishes) were for the benefit of families with kids who need to get to bed sooner.
I find even the current typical 19:30 start quite a challenge. 19:30 is fine if you're retired or have flexible working arrangements, but for a typical office-hours job, you're going to be leaving the office at 17:30 at the earliest. (If it's like most professional jobs I've had where you're not expected to depart until work is complete, it's more likely an hour or so later.)
There's no chance of eating any dinner before a show, and it's a-wing-and-a-prayer as to whether traffic will allow you to get straight from work to the theatre in time.
I look on enviously at both those who have the luxury of earlier starts, and at those Halcyon days depicted in archive theatre posters where Coward's latest three-act and two-interval drama notes a start time of 20:30 or even 21:00.
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Post by sweets7 on Oct 17, 2023 21:52:58 GMT
With so much working from home and now because of that people starting at 7am on their emails, a lot of that isn’t a problem. For the public service I’m sure you book around shifts or manage workload to leave earlier.
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Post by cavocado on Oct 18, 2023 11:28:47 GMT
I like the idea of the 6.30pm starts. Maybe not appealing for those who work late or want to eat beforehand, but they must have identified a market among the many people working within easy reach of the Southbank, solo theatregoers who might prefer to go straight to a play without the social time beforehand, people who have long journeys home afterwards.
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Post by n1david on Oct 18, 2023 11:39:08 GMT
I think it's an interesting thing to try, They're doing it for a selection of performances, and not every Tues/Thurs performance, so they'll be able to compare audience levels, bar sales, any post-theatre restaurant bounce, etc. When I worked latterly in Central London 6.30 would have been perfect for me, as I don't like eating before a show, so normally ended up in the pub which wasn't great either (at other parts of my career I often couldn't even make 7.30).
Time will tell how they work out - if successful, we could well see other theatres having a go at this too. I think it fits into the whole "working out what the working week now looks like" post-pandemic.
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Post by n1david on Oct 18, 2023 18:53:40 GMT
People who are interested in the background to 'Nye' might be interested in a 2015 documentary with Michael Sheen looking at the political radicalism of the Welsh Valleys, which was repeated earlier this week. Nye Bevan gets a few mentions. On iPlayer for about a month: www.bbc.co.uk/iplayer/episode/b0547tsj/michael-sheens-valleys-rebellion(Warning: contains Owen Jones. And David TC Davies. And Neil Kinnock. And James Dean Bradfield)
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