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Post by showgirl on Oct 23, 2018 3:24:49 GMT
Does anyone else here ever have the feeling that s/he "ought" to see something but cannot face it? Sometimes I do book but towards the end of the run, if it's reasonably long, in the hope that I'll be more in the mood by then. Also, as I do book so much and so far ahead, I'm sometimes surprised, on checking my diary, to see what I'm actually due to attend in a particular week.
However, what I have in mind here is plays which sound very worthy and which attract good reviews or better, but for which you still cannot summon any enthusiasm, even if you have time to see them. For instance, the Yvonne Arnaud in Guildford, which I love visiting, recently hosted a touring production of Still Alice, with some 5-star reviews. Yet despite those and having liked the film, I couldn't stomach a play about Alzheimers. And now this week they have Rain Man - ditto.
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Post by jaqs on Oct 23, 2018 11:04:01 GMT
I feel like it about the Pinter season. Feel like I should but can’t face it. Worried I’m missing out....
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Post by showgirl on Oct 23, 2018 17:09:14 GMT
I do know what you mean about The Ferryman @emicardiff as, though I hesitate to say this and to you of all people, that was how I felt about Angels In America. But neither production would have suffered from the lack of our custom; in fact, we were probably doing others a favour by not competing with them for tickets!
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Post by Deleted on Oct 24, 2018 7:59:17 GMT
What do we mean when we call a play “worthy”. I wouldn’t go to see Alys Always because I don’t feel up to it emotionally at the moment, but I commend all involved for tackling the subject of Alzheimer’s.
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Post by Deleted on Oct 24, 2018 8:09:09 GMT
I feel like it about the Pinter season. Feel like I should but can’t face it. Worried I’m missing out.... I've seen enough Pinter already that, by and large, I feel great about my decision to give the entire season a wide berth. John Heffernan's inclusion will test my resolve though...
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Post by Deleted on Oct 24, 2018 10:27:36 GMT
Our Country's Good is the pinnacle of this for me - I know it's a great, important play and I understand why it keeps getting programmed but every time I see it announced a little bit of sick comes up. It's like Fairy Tale of New York on the radio at Christmas - yes, excellent song but so overplayed that just the opening bars make me want to vomit with the tedium of it all.
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Post by Backdrifter on Oct 24, 2018 10:50:44 GMT
Does anyone else here ever have the feeling that s/he "ought" to see something but cannot face it? Sometimes I do book but towards the end of the run, if it's reasonably long, in the hope that I'll be more in the mood by then. Also, as I do book so much and so far ahead, I'm sometimes surprised, on checking my diary, to see what I'm actually due to attend in a particular week. However, what I have in mind here is plays which sound very worthy and which attract good reviews or better, but for which you still cannot summon any enthusiasm, even if you have time to see them. For instance, the Yvonne Arnaud in Guildford, which I love visiting, recently hosted a touring production of Still Alice, with some 5-star reviews. Yet despite those and having liked the film, I couldn't stomach a play about Alzheimers. And now this week they have Rain Man - ditto. It's a pity anyone ever feels they "should" see something, but I know what you mean. In a broader sense, I've often had conversations where it's emerged that I love theatre, and the other person sighs and says "I really should try to see more theatre" as though it's some kind of duty or obligation. I usually say to them, why? If you're not already going regularly, it probably means you're just naturally disinclined so why make yourself go "more", any more than the notion you should go to more football matches or operas? That said, I'll try to put them right if it's obvious they think theatre automatically means daft prices for seats in big posh auditoriums, but otherwise I'll question why they think they should "see more theatre". But yes with some productions I do sometimes get a feeling of "it would be good for me if I see this play about a 'difficult' subject", consider it for a few moments, then don't book up for it. But to pick up on your comment about "plays which sound very worthy and which attract good reviews or better, but for which you still cannot summon any enthusiasm" the key thing is the second part of that sentence - anything for which you can't summon any enthusiasm, you shouldn't see. It's that simple - life's too short! I've only been to the Arnaud twice and disliked the audiences (not you though, I'm sure!). Re @baemax's comment "I've seen enough Pinter already" - I can never see enough Pinter. Due to not living in London I've so far only seen one of the Pinter at the Pinter programmes, though.
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Post by n1david on Oct 24, 2018 10:56:35 GMT
Godot is the one play that I have gone to many times thinking "this time I'll get it".
Frankly, if Patrick Stewart and Ian McKellen can't convince me, I am probably incapable of being convinced..
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Post by kathryn on Oct 24, 2018 11:00:48 GMT
Does anyone else here ever have the feeling that s/he "ought" to see something but cannot face it? Felt this way about The Jungle. I'm sure it really is as brilliant as everyone says, but the subject matter just does not appeal for a night out. Have managed to dither so successfully about booking it that it's now sold out/hideously expensive, which has rather taken the choice out of my hands. Oh well.
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Post by showgirl on Oct 24, 2018 16:59:15 GMT
The Jungle is a perfect example, kathryn: I resisted initially, was persuaded by reviews to try something outside my comfort zone and my normal range but my first instinct was proved correct - and this is what tends to happen when I decide I should take a chance on a production which doesn't appeal but about which others have raved.
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Post by Deleted on Oct 25, 2018 6:42:44 GMT
My heart sink play is a very very very dark matter. I wonder why Martin McDonagh insists on writing about race all the time when he seems so tone deaf in that regard. The idea of a whole theatre audience thinking they are so hip and right on that they can even laugh at racist jokes turns my stomach.
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Post by lynette on Oct 25, 2018 18:39:52 GMT
If I know the play for example, Romeo and Juliet, I usually say, no, not another one. Can’t face it. But if I don’t know the play as is the case with new works of course then I look at the pitch and if it contains certain words or ideas, I don’t bother. I trust this Board to cut through the faff and will give something a go if enough of you guys say so. I love a tragedy, Hamlet a fave, but there is a difference between a traegedy and a 'heartsink'.
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Post by Deleted on Oct 26, 2018 23:31:56 GMT
Does anyone else here ever have the feeling that s/he "ought" to see something but cannot face it? Sometimes I do book but towards the end of the run, if it's reasonably long, in the hope that I'll be more in the mood by then. Also, as I do book so much and so far ahead, I'm sometimes surprised, on checking my diary, to see what I'm actually due to attend in a particular week. However, what I have in mind here is plays which sound very worthy and which attract good reviews or better, but for which you still cannot summon any enthusiasm, even if you have time to see them. For instance, the Yvonne Arnaud in Guildford, which I love visiting, recently hosted a touring production of Still Alice, with some 5-star reviews. Yet despite those and having liked the film, I couldn't stomach a play about Alzheimers. And now this week they have Rain Man - ditto. I think I felt this way about Rain Man when it was first released as a film. I still haven’t seen it.
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Post by Deleted on Oct 26, 2018 23:55:18 GMT
For me, this year it's The Inheritance. I haven't seen it at the Young Vic or here, and I really do intend to see it. But the whole day thing, and working out when best to go is the thing. I keep pushing it back and back. But I realise I will just have to book it soon.
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