|
Post by d'James on Aug 18, 2018 2:12:00 GMT
nicerdays.org/rtt-broadway-actor-defends-autistic-child-who-interrupted-his-performance/This is a subject very close to my heart but I can’t help but feel we are being lectured at by yet another ‘superior’ actor. He is, of course, getting praise for what he says but I don’t believe that every single actor on that stage felt as he did before knowing the facts. It’s all very well to make the audience feel bad after the event and you know all the facts, but can you honestly say that none of the actors on stage felt distracted by the autistic person? Did he really hear those specifically worded ‘murmurs?’ ‘... this post won’t go the way you think it will.’ Really? Not only do you have superhuman hearing, you can read minds too. We’ve had the conversation before about relaxed performances, and whether they all should be relaxed (no they shouldn’t (at least, not all in the same way)), but if we are all to be as marvellous as he, then shouldn’t we all be in the know before a performance begins? I know that sounds ridiculous, but the way he’s talking down to people infuriates me. He’s speaking either with pre-performance warning, or post-performance hindsight. Hmmmm. It really got my back up.
|
|
19 posts
|
Post by ailsmal on Aug 21, 2018 19:34:50 GMT
Someone posted about that on the MTAS facebook page, I played devil's advocate and that seemed to end the discussion. My first point was that I highly doubt that the those complaining did so over that single incident.....I suspect it was the straw that broke the camel's back. Secondly? What if that child triggered other audience members who could have any one of number of disorders?
I really don't know much about autism, but it strikes me that a massive show like that is something that should be built up to for a child like that.....a few relaxed and/or shorter shows first to get a feel of how the kid will react to the theatre in general.
I very nearly did something similar when I went to see Matthew Bourne's Cinderella a couple of months ago. Two young children with an aunt sat behind me and didn't shut up once, she encouraged it in between shovelling sugar-laden crap into their mouths (she arrived with 2 full bags for life). The little girl spent a good deal of time complaining that there were no songs in the show, then there was the waving of the booster seats etc. I can't help but think the Scottish Ballet's Cinderella (this Christmas) would have been a better option than the Bourne one; I just don't think Bourne is for children that young. I went to see Highland Fling in March and I can't imagine how some of the scenes were explained to the couple of young kids that were there. Point is, if I had blown the dancers onstage would only have been aware of that and not all the nonsense preceding it. I thought Loh was really condescending.
|
|
230 posts
|
Post by hal9000 on Aug 22, 2018 9:39:40 GMT
The author wrote that he will refund any ticket.
Must be a very rich man!
|
|
2,041 posts
|
Post by 49thand8th on Aug 24, 2018 17:55:17 GMT
The author wrote that he will refund any ticket. Must be a very rich man! He's probably doing fine; he's seemingly constantly working and is currently in SpongeBob and has already been announced for Beetlejuice. (Why is this gaining traction again since it happened three years ago?)
|
|
5,707 posts
|
Post by lynette on Aug 24, 2018 19:55:45 GMT
I’m ignorant of the way things are done on Broadway but maybe a warning that there are certain scenes not suitable for children? I think any child would be upset by a whipping scene,
|
|
3,580 posts
|
Post by showgirl on Aug 25, 2018 4:54:04 GMT
BurlyBeaR, shouldn't this be in the "International" section, please?
|
|
19,794 posts
|
Post by BurlyBeaR on Aug 25, 2018 6:34:33 GMT
I think it’s in here because it’s not about the actual show but the trend of actors speaking out . Happy to move it if others agree though.
|
|