2,536 posts
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Post by n1david on May 8, 2018 12:40:06 GMT
From a flier which came through my letterbox advertising the glories of the Bridge Theatre... Also on the website, but haven't seen a thread - apologies if I have duplicated. ALYS, ALWAYS By Lucinda Coxon Based on the novel by Harriet Lane From 23 January 2019 "Frances is quiet and capable, but nobody takes much notice: her face is pressed to the window, on the outside, looking in. One evening, driving home to London, she comes across an upturned car, and when the driver's famous family later gets in touch, Frances finds herself for the first time ushered into the world on the other side of the window." Nicholas Hytner directs the world premiere of this gripping psychological thriller that excavates the fault line that separated the entitled from the unentitled. bridgetheatre.co.uk/whats-on/alys-always/
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Post by Deleted on May 8, 2018 12:42:22 GMT
What? Nicholas Hytner is directing a play by a woman? A truly historic event!
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Post by Deleted on May 8, 2018 12:50:07 GMT
Ooooh, I'd heard about that but didn't know it had been scheduled. There are a lot of book adaptations going on at this theatre, aren't there - is there a big theatregoing/book club crossover...?
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816 posts
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Post by stefy69 on Sept 27, 2018 8:05:49 GMT
The Bridge website still says more details to follow in September for this, O K I know there are still a few days to go but the suspense....
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853 posts
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Post by bordeaux on Sept 27, 2018 9:26:57 GMT
I must confess, what I'm really waiting for is the announcement of which classic (Shakespeare or musical) they'll be putting on early next year...
What are the big Shakespeares Hytner hasn't directed? As You Like it? Ant and Cleo? Coriolanus? Richard III? The Merchant of Venice?
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227 posts
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Post by barelyathletic on Sept 27, 2018 9:54:53 GMT
The novel left me a bit cold. Interesting but curiously undramatic. I loved Lucinda Coxon's screen adaptation of The Little Stranger though. Fingers crossed for Ruth Wilson taking the lead in this. But maybe that will clash with Lear in New York?
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3,081 posts
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Post by Rory on Oct 11, 2018 22:14:56 GMT
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816 posts
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Post by stefy69 on Oct 12, 2018 6:20:59 GMT
Priority Members booking opens today at 10.00 AM, general public next Wednesday.
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Post by Deleted on Oct 12, 2018 8:25:14 GMT
Priority Members booking opens today at 10.00 AM, general public next Wednesday. Do you mind letting me know how you heard that? I'm on the Bridge mailing list but haven't received any info; I've just looked on the website and it's not even listed anymore!
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816 posts
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Post by stefy69 on Oct 12, 2018 8:27:28 GMT
Priority Members booking opens today at 10.00 AM, general public next Wednesday. Do you mind letting me know how you heard that? I'm on the Bridge mailing list but haven't received any info; I've just looked on the website and it's not even listed anymore! It's in Baz's Daily Mail column along with the fact that Joanne Froggatt will be taking the lead role...
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Post by Deleted on Oct 12, 2018 8:33:47 GMT
Well they've got 28 minutes to sort the website out, 'cos Alys Always isn't even on there right now, and I know it was before because I keep a list of links for future shows I want to book.
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2,536 posts
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Post by n1david on Oct 12, 2018 8:34:24 GMT
Priority Members booking opens today at 10.00 AM, general public next Wednesday. Do you mind letting me know how you heard that? I'm on the Bridge mailing list but haven't received any info; I've just looked on the website and it's not even listed anymore! It’s still there on the link I posted in my original post. Robert Glenister is in it too.
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Post by Deleted on Oct 12, 2018 8:41:08 GMT
This is what I see, following the link from your initial post. What am I missing here?
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816 posts
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Post by stefy69 on Oct 12, 2018 8:41:20 GMT
Do you mind letting me know how you heard that? I'm on the Bridge mailing list but haven't received any info; I've just looked on the website and it's not even listed anymore! It’s still there on the link I posted in my original post. Robert Glenister is in it too. Yep it certainly is. Just clicked on your link and there it was...
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Post by Deleted on Oct 12, 2018 8:43:45 GMT
Oh dear, back now with info - thanks!
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4,038 posts
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Post by kathryn on Oct 12, 2018 9:00:30 GMT
This is what I see, following the link from your initial post. What am I missing here? You are most likely getting a cached page - clear your cookies.
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3,081 posts
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Post by Rory on Oct 12, 2018 9:38:02 GMT
Why such a short run for this?
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Post by theatrelover123 on Oct 12, 2018 10:24:52 GMT
Robert Glenister also cast in this.
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Post by lichtie on Oct 12, 2018 10:25:33 GMT
Why such a short run for this? well they did the same to Nightfall (which was also originally due to have a longer run), and it seemed to be based on their own perceptions of the quality of the work they'd received....
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Post by Deleted on Oct 12, 2018 11:34:21 GMT
I'd have thought a new theatre was far better advised to do short runs at this stage, unless it's a guaranteed bums on steas piece - they just don't have the mailing list to fill a long run.
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853 posts
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Post by bordeaux on Oct 12, 2018 12:18:44 GMT
And the Midsummer Night's Dream is a very long run. Three months solid. That's a lot more performances than, say, a National Theatre production of a classic, isn't it? It's been ages since I've seen it, so I'll definitely go for the downstairs experience.
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3,081 posts
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Post by Rory on Oct 12, 2018 12:20:24 GMT
Yes the lengths of the runs are very different. I would imagine though that it's very difficult to programme a big, new theatre on a commercial scale when new plays only get 5 or 6 weeks.
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Post by chameleon on Feb 27, 2019 9:31:30 GMT
Well, this is amiable enough, but a psychological thriller it is not. A gentle satire, perhaps. Jo Froggatt quietly manipulates her way upwards amongst a collection of stereotypes. It's watchable (mostly because of Froggatt's quiet glee as she plans her next move), but there's not much drama, and I didn't quite see the point.
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367 posts
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Post by Ade on Mar 1, 2019 22:26:35 GMT
A pleasant enough evening and I’m glad I have seen it. It’s good but there’s something that feels very amateur about much of it. It feels like a veryone on the stage is ‘acting’ - lots of running off stage and big open-armed stage hugs. Also lots of projections that look like they managed to get a deal on istock - they were entirely unnecessary and cheapened the design. They clearly spent the budget on the unnecessary lift. I think the problems are with the uninspiring direction and clunky dialogue rather than the performances or plot. Still, it moved along at a nice pace and was an enjoyable Friday evening. A solid 3 stars from me.
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885 posts
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Post by lonlad on Mar 2, 2019 9:23:52 GMT
Hytner's NEVER been good with new plays that aren't by Alan Bennett (and even then his success rate is far from 100%). Anyone remember TRAVELLING LIGHT at the Nash?
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Post by Jon on Mar 3, 2019 0:11:23 GMT
Saw it tonight and it's a decent play, I do think it's more of a black comedy than a thriller, I enjoyed how the plot unfolded and how Jo Froggatt transforms from timid to ruthless over the course of it.
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Post by Snciole on Mar 4, 2019 15:11:39 GMT
Hytner's NEVER been good with new plays that aren't by Alan Bennett (and even then his success rate is far from 100%). Anyone remember TRAVELLING LIGHT at the Nash? The only time I have seen an audience member heckle writer and director about a play during an NT Platform. Mortifying for everyone there.
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5,280 posts
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Post by mrbarnaby on Mar 5, 2019 23:35:36 GMT
Hytner's NEVER been good with new plays that aren't by Alan Bennett (and even then his success rate is far from 100%). Anyone remember TRAVELLING LIGHT at the Nash? The only time I have seen an audience member heckle writer and director about a play during an NT Platform. Mortifying for everyone there. I went to the press night tonight and I’m still in shock at what I saw. The most pointless, boring play I’ve seen for a long time. Great actors wasted. This theatre is really the pits. Hytners choices are absolute stinkers and I think this may be the last time I ever waste minutes/hours of my life there again. Avoid like the plague.
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885 posts
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Post by lonlad on Mar 6, 2019 0:08:53 GMT
Review so far range from 1 star to 4 stars ..... for some reason, I trust Sam Marlowe's 1 star one the most !!
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2,962 posts
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Post by crowblack on Mar 8, 2019 11:35:20 GMT
This theatre is really the pits. A bit harsh! But yes, there have been some really disappointing productions there. It does strike me as a theatre with a very well-heeled, very white older audience and they seemed to enjoy the plays I sat there hating. Maybe they are enough to keep it ticking over, especially in that very monied, rather sterile part of London - come out of your City offices or waterside apartment, meal at the Ivy, take in whatever's on offer (the people going into the stalls before me a the last play I saw there said "what's the name of this thing we're seeing?" as they walked through the doors!)
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