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Post by showgirl on May 19, 2018 21:15:36 GMT
I saw today's matinee and found that after a promising start with the first couple of scenes, this went steadily downhill and well outstayed its welcome - I was so tempted to check my watch and by the time I managed to do so discreetly, was relieved to find there were only 20 minutes left. The normal, spiky, sparring dialogue was enjoyable and engaging but what was described by a character as the "tribal sh*t" was certainly ordure imo and as for all those tedious sex scenes, what on earth was the point? Cutting some of those would have reduced the running time to something more bearable.
In fairness I knew it was a marmite play and I was interested in seeing if for myself but having done so, I'm glad I only risked a £10 seat and unlike Ella Road the week before (The Phlebotomist), Ella Hickson isn't joining my list of writers to look out for.
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2,761 posts
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Post by n1david on May 22, 2018 14:03:24 GMT
Anyone heading to 'The Writer' this evening should note that Upper Street is closed (even to pedestrians) north of the Almeida Theatre and there are no buses running on Upper Street due to a stabbing last night. Police are saying closures will probably stay in place overnight. Best way to approach will be from Angel and walk up Upper St.
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1,347 posts
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Post by tmesis on May 26, 2018 16:22:39 GMT
Well I came to The Almeida today with great trepidation thinking from the reviews that this would be a play so up itself that it would prove to be the longest two hours of my life. But I loved it - the first scene, brilliantly played by West and Rossi, engages immediately, subsequently gets subverted and succeeding scenes continue to surprise and wrong-foot expectations. It's thought-provoking and entertaining; it has some breathtakingly elegant scenic transformations and was, for me, one of the best things I've seen all year.
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