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Post by Deleted on Aug 27, 2017 20:00:43 GMT
Often longer running shows have cast changeovers - what are the rules about performers wanting to stay, if we assume that the producers and directors are happy with them?
Lets say in Beautiful - Katie Brayben left after so long but Lorna Want stayed virtually the whole run until she went on maternity leave. Could someone like Katie have asked to be extended given she won Olivier and it was her breakout role or might producers have decided to refreshen show?
Often a big name will only do a limited run and Producers may look to get a cheaper replacement in if show is doing decent business, so I don't count those sort of changes in this query as often a big name would be extended if they wanted to stay anyway provided finances stacked up.
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Post by Steffi on Aug 28, 2017 17:51:54 GMT
From what I know in the West End it's a case of negotiating a new contract (or extension of contract). Both the actor and the producers can decide they don't want to renew/extend the contract. So if a producer wants to "freshen up" the cast there will be performers whose contracts aren't renewed even if said performers might want to stay with the show. It's the same in Germany in case anyone is interested.
On Broadway things are definitely different. I am no expert but I think it's a lot harder for the producers to "get rid" (for lack of a better term) of a performer. Which is why it's quite common to find performers in long running productions who have literally been there for ages.
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7,189 posts
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Post by Jon on Aug 28, 2017 18:09:03 GMT
From what I know in the West End it's a case of negotiating a new contract (or extension of contract). Both the actor and the producers can decide they don't want to renew/extend the contract. So if a producer wants to "freshen up" the cast there will be performers whose contracts aren't renewed even if said performers might want to stay with the show. It's the same in Germany in case anyone is interested. On Broadway things are definitely different. I am no expert but I think it's a lot harder for the producers to "get rid" (for lack of a better term) of a performer. Which is why it's quite common to find performers in long running productions who have literally been there for ages. Cameron Mackintosh dropped in a performance of Les Mis on Broadway and found that it had become so substandard with too many people just phoning it in that he sacked most of the cast and made them re audition.
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