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Post by Phantom of London on Nov 25, 2016 19:18:34 GMT
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Post by Deleted on Nov 25, 2016 21:02:02 GMT
There is no diversity in the cast
And this is reflected in the audience
All old white people
It's totally misplaced in the WE
And will fail to pull in tourists
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Post by Deleted on Nov 25, 2016 21:05:05 GMT
The show is like a poor mans my fair lady
It's fine for £20
There is nothing going on justifying £70+
It's like a regional tour show
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2,778 posts
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Post by daniel on Nov 25, 2016 21:06:00 GMT
There is no diversity in the cast And this is reflected in the audience All old white people It's totally misplaced in the WE And will fail to pull in tourists I'm not an old white person...and there were plenty of non-old white people in the audience when I saw it. |
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Post by Deleted on Nov 25, 2016 21:06:30 GMT
There is no diversity in the cast And this is reflected in the audience All old white people It's totally misplaced in the WE And will fail to pull in tourists Old white people go to the theatre and have money. That's who's buying the tickets! |
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133 posts
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Post by whygodwhytoday on Nov 25, 2016 21:20:19 GMT
There is no diversity in the cast And this is reflected in the audience All old white people It's totally misplaced in the WE And will fail to pull in tourists I think most people would rather see a talented cast than a cast hired purely due to something as superficial as their skin colour. |
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193 posts
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Post by groupbooker on Nov 25, 2016 21:23:32 GMT
Parsley I presume you live near London and can get into and out of London with no problem. First you moan about coach loads being the only people wanting to see this, now no diversity in the cast and an audience of old white people! I bring people to London for shows by coach - it is the only way we can do this cheaply but we have to buy top price - not premium tickets on a Saturday as a lot work during the week. My groups have a fair number of older people yes but also a lot of young and younger people as well. They do not walk with zimmer frames or have wheel chairs but they love theatre and they want to see new shows. You say because there is no coloured person in the cast of Sixpence it is total misplaced in the WE - why?? You had Bend It which you championed with coloured people in it, we have Lion King with hardly a white face in it both of which my groups have really enjoyed. A show does not HAVE to have a coloured person in the show same as a show featuring a fully coloured cast does not HAVE to have a white person in it.
I hope word of mouth goes round so more and more people book to see this terrific show.
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Post by Deleted on Nov 25, 2016 22:09:42 GMT
There is no diversity in the cast And this is reflected in the audience All old white people It's totally misplaced in the WE And will fail to pull in tourists It's still a great show. |
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Post by Deleted on Nov 25, 2016 22:17:18 GMT
There is no diversity in the cast And this is reflected in the audience All old white people It's totally misplaced in the WE And will fail to pull in tourists I think most people would rather see a talented cast than a cast hired purely due to something as superficial as their skin colour. Except that there are many empty seats And people aren't really wanting to see it The word "generic" Comes to mind for this show I cannot deny the cast are talented And Charlie Stemp is adorable But the actual book story and songs Lack any sophistication or edge I simply don't understand why they have thrown money and effort on such an inferior piece of work |
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Post by Deleted on Nov 25, 2016 22:19:41 GMT
I think most people would rather see a talented cast than a cast hired purely due to something as superficial as their skin colour. Except that there are many empty seats And people aren't really wanting to see it And you think that's because of the casting? |
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Post by Deleted on Nov 25, 2016 22:22:08 GMT
Except that there are many empty seats And people aren't really wanting to see it And you think that's because of the casting? See above I think the casting and dancing are very good The actual show is sickly stupid boring and simplistic It's not the current trend of London theatre going Same as CM wanted to bring Barnum to the WE These sorts of shows are mediocre and people aren't willing to pay top whack for them when there is better stuff on offer |
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1,064 posts
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Post by bellboard27 on Nov 25, 2016 22:29:49 GMT
My other half is not white & loved this show. She is not British and commented that it was great seeing a musical that was very English. Just one view though.
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Post by Deleted on Nov 25, 2016 22:30:48 GMT
It reminded me
Of Frank Spencer
Lost in My Fair Lady
And it is entirely unfunny
The book is trite
I didn't hear the audience laughing much
And the cast seem to realise it's that limp lame wet afternoon sort of humour anyway
The best part is the dancing and movement and the costumes
But the book songs and plot are all truly terrible
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Post by Deleted on Nov 25, 2016 22:32:47 GMT
It reminded me Of Frank Spencer Lost in My Fair Lady And it is entirely unfunny The book is trite I didn't hear the audience laughing much And the cast seem to realise it's that limp lame wet afternoon sort of humour anyway The best part is the dancing and movement and the costumes But the book songs and plot are all truly terrible Could you not press enter twice after every few words please? It's kind of annoying. |
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Post by Deleted on Nov 25, 2016 22:36:55 GMT
Parsley I presume you live near London and can get into and out of London with no problem. First you moan about coach loads being the only people wanting to see this, now no diversity in the cast and an audience of old white people! I bring people to London for shows by coach - it is the only way we can do this cheaply but we have to buy top price - not premium tickets on a Saturday as a lot work during the week. My groups have a fair number of older people yes but also a lot of young and younger people as well. They do not walk with zimmer frames or have wheel chairs but they love theatre and they want to see new shows. You say because there is no coloured person in the cast of Sixpence it is total misplaced in the WE - why?? You had Bend It which you championed with coloured people in it, we have Lion King with hardly a white face in it both of which my groups have really enjoyed. A show does not HAVE to have a coloured person in the show same as a show featuring a fully coloured cast does not HAVE to have a white person in it. I hope word of mouth goes round so more and more people book to see this terrific show. COLOURED people? Are you serious? WTF? ! |
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Post by Deleted on Nov 25, 2016 22:37:42 GMT
It reminded me Of Frank Spencer Lost in My Fair Lady And it is entirely unfunny The book is trite I didn't hear the audience laughing much And the cast seem to realise it's that limp lame wet afternoon sort of humour anyway The best part is the dancing and movement and the costumes But the book songs and plot are all truly terrible Could you not press enter twice after every few words please? It's kind of annoying. Not really |
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Post by Deleted on Nov 26, 2016 11:52:02 GMT
May I add that as I sat in the Upper Circle, it is actually a great seat! I was in the back row and could see everyrhing perfectly bar the Orchestra who is apparently above the stafe? But a great seat, you could still see facial expressions and it is actually a brilliant view of thr design of the lighting and set, especially the 4 or 5 revolves on the stage and the way the set moves. It is also a great view of the big group numbers and dance routines!  |
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Post by Deleted on Nov 26, 2016 17:51:49 GMT
OMGosh. I loved this with a capital L.O.V.E.D.
I can't begin to mention all the things I loved. The cast is amazing (and actually the first time I've rated Emma Williams) and the songs are great. I loved the bandstand set and the set pieces are fabulously well done. This has to be the best ensemble in London's glitzy west end at present. 'Flash Bang Wallop' is one of the most thrilling numbers I've seen in a long time.
And Charlie Stemp is just adorable. ADORABLE I tell you. He's like a puppy that you want to put in your pocket and take home for when you need cheering up. I hope he has the most amazing career ahead of him.
It's stuff like this that don't make me begrudge Dame Cam Mac's considerable fortune one little bit.
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1,103 posts
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Post by mallardo on Nov 26, 2016 18:03:14 GMT
I was there too and I think reports of this show's demise are premature. It was a packed house, all four levels open and the audience went wild for it. I don't know when I've heard such applause. Charley Stemp's solo bow raised the roof and it went on forever. It sure looked and sounded like a hit.
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Post by Deleted on Nov 26, 2016 18:10:51 GMT
I was there too and I think reports of this show's demise are premature. It was a packed house, all four levels open and the audience went wild for it. I don't know when I've heard such applause. Charley Stemp's solo bow raised the roof and it went on forever. It sure looked and sounded like a hit. Boo. No hello. No wave. No inappropriate touching as I made my way to the bar in the interval. Shame on you Mallardo. Shame. |
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1,103 posts
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Post by mallardo on Nov 26, 2016 18:14:49 GMT
Ryan, I swear I looked for you because I read the Board just before I left and knew you were there. I was in the bar at the interval buying a V&T. Where were you?
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Post by Deleted on Nov 26, 2016 18:22:25 GMT
Ryan, I swear I looked for you because I read the Board just before I left and knew you were there. I was in the bar at the interval buying a V&T. Where were you? You should have called out. I'd have answered. I was in the stalls dontcha know. Row J. A marvellous view. I was also in the bar treating myself to a cheeky glass of Shiraz (I once went out with someone called Shiraz but that's for another time. True story.). Red checked shirt. Glasses. Giving an ovation for the cast. Looking like a young Jude Law. Or June Whitfield. Depending on the light. |
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1,103 posts
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Post by mallardo on Nov 26, 2016 18:45:59 GMT
Wow, we were not that far apart. I was in a row C day seat and when I scanned the house I thought I saw Jude Law. If only I'd known!
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5 posts
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Post by tito on Nov 27, 2016 2:11:03 GMT
Hi there!
I'm visiting London on February and can't decide wich show to watch on my single slot available since I'm already watching The Book of Mormon and Cursed Child so I'd really appreciate a bit of advice. These are my options: Dreamgirls, Half a Sixperience and School of Rock. I know they're very different from one another but I love all kinds of musicals. Wich one should I see?
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131 posts
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Post by critchyboy on Nov 30, 2016 7:31:48 GMT
Caught this last night - P14 in the stalls for £25.
Thought it was an excellent show and the rest of the audience seemed to appreciate it too. Stalls were full but don't know about the rest of the levels.
Charlie Stemp is wonderful in the lead - in fact there's not a weak link in the cast.
Never knew the show in its previous incarnation, knew only one song going in - but thought it a wonderful, joyous evening.
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