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Post by 49thand8th on Mar 16, 2018 19:36:17 GMT
SORRY! You know, I did see this once on Broadway from pretty close and you'd think I'd know better...
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716 posts
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Post by indis on Mar 17, 2018 15:25:07 GMT
has there been any information if Kelli and Ken do a double show on saturday?
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Post by pajonk on Apr 8, 2018 20:30:49 GMT
How long is the show?
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4,211 posts
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Post by anthony40 on Apr 8, 2018 20:46:04 GMT
My problem with this show is the venue.
(I fear) the intimacy of some aspects of the show- facial expressions, the march of the iambs children- will just get lost.
I've no doubt that because of the size and depth of the stage the Shall We Dance sequence will look great and accommodate those infamous hoop skirts, and whilst I appreciate the producers desire to get bums on seats and accommodate the coach load but in my opinion, this needs to in proper theatre.
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Post by BurlyBeaR on Apr 8, 2018 20:57:41 GMT
Shall We Dance sequence will look great and accommodate those infamous hoop skirts Gagging for that bit though 👍😋 |
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Post by anthony40 on Apr 8, 2018 21:30:41 GMT
Shall We Dance sequence will look great and accommodate those infamous hoop skirts Gagging for that bit though 👍😋 Yeah, but there's so much more that that in the show though, isn't there? The whole Tuptin/Lunhar affair (We Kiss in a Shadow), little sequences between Anna and her son Louis, the whole crawling around on their hand and knees in the hooped skirt- Head should never be higher than Kings! I've no doubt the whole visiting Ambassador/ dinner/ball sequence will be well done as will the King on his deathbed though. |
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Post by Deleted on Apr 8, 2018 23:03:00 GMT
Gagging for that bit though 👍😋 Yeah, but there's so much more that that in the show though, isn't there? The whole Tuptin/Lunhar affair (We Kiss in a Shadow), little sequences between Anna and her son Louis, the whole crawling around on their hand and knees in the hooped skirt- Head should never be higher than Kings! I've no doubt the whole visiting Ambassador/ dinner/ball sequence will be well done as will the King on his deathbed though. This show played the Palladium in the 70s with Brynner and again in the 2000s with Elaine Paige. I don't think the show will have a problem suiting the venue. Also, this production originated at the Vivian Beaumont which is a huge vessel of a theatre much like the Olivier here or indeed the Barbican. It will be just fine in the Palladium. |
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Post by wickedgrin on Apr 8, 2018 23:29:08 GMT
The Palladium is ideal for the King and I! I have been lucky enough to see the past two productions there - with Yul Brynner and Elaine Paige (not together!)
The "Shall We Dance" number is totally thrilling - an iconic moment in musical theatre and is usually reprised several times due to the audience reception and the King demanding "Again"!!
Plus of course Lady Thiang singing the incredibly moving "Something Wonderful" !
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7,183 posts
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Post by Jon on Apr 9, 2018 0:39:53 GMT
I suspect they'll be using the set that is similar to the one used for the US tour
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1,133 posts
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Post by Stephen on Apr 9, 2018 1:33:09 GMT
For a theatre with over 2000 seats, it feels rather intimate, especially in the rear stalls compared to other large theatres. Also, the thrill of past productions here and the very fact it is the London Palladium make this the perfect home for the show. I'm looking forward to it.
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490 posts
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Post by bimse on Apr 9, 2018 8:57:09 GMT
My problem with this show is the venue. (I fear) the intimacy of some aspects of the show- facial expressions, the march of the iambs children- will just get lost. I've no doubt that because of the size and depth of the stage the Shall We Dance sequence will look great and accommodate those infamous hoop skirts, and whilst I appreciate the producers desire to get bums on seats and accommodate the coach load but in my opinion, this needs to in proper theatre. The Palladium does not actually have a very deep stage , is that what you mean when you say that sequence will look great? I’m not sure how the width compares to other theatres, but the designers work miracles with perspective , I’m sure it will be terrific |
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1,133 posts
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Post by Stephen on Apr 9, 2018 9:09:09 GMT
My problem with this show is the venue. (I fear) the intimacy of some aspects of the show- facial expressions, the march of the iambs children- will just get lost. I've no doubt that because of the size and depth of the stage the Shall We Dance sequence will look great and accommodate those infamous hoop skirts, and whilst I appreciate the producers desire to get bums on seats and accommodate the coach load but in my opinion, this needs to in proper theatre. The Palladium does not actually have a very deep stage , is that what you mean when you say that sequence will look great? I’m not sure how the width compares to other theatres, but the designers work miracles with perspective , I’m sure it will be terrific I could be wrong but I believe that the depth of the Palladium stage is around half the size of that at Drury Lane whilst the width is similar to Drury Lane? Just puts it into perspective. There is always the option of covering the Palladium pit to gain a little extra space but for a classic musical such as this I’d imagine with almost certainty that the full pit will be in use by a lovely large orchestra and the conductor on full show. People would feel short changed otherwise. Saying that I’m not sure of the sound equipment in the Palladium. Would it be an option to have an orchestra in the pit whilst covered? |
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1,089 posts
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Post by tonyloco on Apr 9, 2018 10:19:55 GMT
There is always the option of covering the Palladium pit to gain a little extra space but for a classic musical such as this I’d imagine with almost certainty that the full pit will be in use by a lovely large orchestra and the conductor on full show. People would feel short changed otherwise. Saying that I’m not sure of the sound equipment in the Palladium. Would it be an option to have an orchestra in the pit whilst covered? I may be wrong, and I hope other members will comment on this, but I am fairly sure that when I saw 'The Sound of Music' from the Upper Circle at the Palladium, whenever the performers went onto the walkway that went around the front of the orchestra pit, they almost completely disappeared from my sight. In fact, isn't this true of many older London theatres that the sight lines for the upper reaches of the house are meant to see what happens on the stage only behind the proscenium arch, so whenever sets are built out forward of the proscenium the sight lines for people sitting in the higher parts of the auditorium become severely restricted. Sadly, designers often fail to take this into account, or they don't care! And I guess this can happen inadvertently when a show transfers from one theatre to another. |
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Post by Dr Tom on Apr 9, 2018 10:20:08 GMT
There is always the option of covering the Palladium pit to gain a little extra space but for a classic musical such as this I’d imagine with almost certainty that the full pit will be in use by a lovely large orchestra and the conductor on full show. If I remember, the NYC production had the orchestra on show for the overture, then the stage extended to cover them (and bring the ship on). They could do something similar at the Palladium. I did see the touring production as well and they made that look almost as impressive with a variety of stage sizes. Shall We Dance certainly worked. So I don't think the stage is anything to worry about. |
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236 posts
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Post by undeuxtrois on Apr 22, 2018 12:47:14 GMT
Does anyone know who the alternates will be?
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Post by Deleted on Apr 22, 2018 13:42:33 GMT
Does anyone know who the alternates will be? Will there be alternates? Its only a three month run. |
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2,859 posts
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Post by couldileaveyou on Apr 22, 2018 15:02:50 GMT
They didn't have alternates on Broadway
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Post by Deleted on Apr 22, 2018 15:06:30 GMT
I don't know King and I that well other than the Shall We Dance sequence (although I'm sure I'll know more parts of it when I see it), but are either of the lead roles that vocally or physically demanding? I mean, I'm sure those dresses are heavy on the actresses of course, but otherwise?
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4,029 posts
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Post by Dawnstar on Apr 22, 2018 15:16:55 GMT
The most recent cast announcement included Annalene Beechey's name without specifying a role so I assume she is understudy Anna, as she's the right voice type & age (which makes me feel old - I first saw her 11 years ago as Glinda s/b). I do hope she gets at least one scheduled show as I'd love to see her in the role. I'm assuming she's understudy rather than alternate as surely they'd have to say if Kelli O'Hara wasn't doing all 8 shows.
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3,057 posts
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Post by ali973 on Apr 22, 2018 15:37:53 GMT
I think the Broadway cast had a standby with no regular shows bar from holidays and sick days off.
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151 posts
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Post by gra on Apr 22, 2018 15:48:23 GMT
The most recent cast announcement included Annalene Beechey's name without specifying a role so I assume she is understudy Anna, as she's the right voice type & age (which makes me feel old - I first saw her 11 years ago as Glinda s/b). I do hope she gets at least one scheduled show as I'd love to see her in the role. I'm assuming she's understudy rather than alternate as surely they'd have to say if Kelli O'Hara wasn't doing all 8 shows. Good to see Annalene back on stage. She seems to have been out of the loop in recent years (I heard she's been concentrating on bringing up her family, but this may be wrong) |
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3,057 posts
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Post by ali973 on Apr 22, 2018 15:51:53 GMT
She was in Whisper House at the Other Palace last year.
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Post by theatremadness on Apr 22, 2018 16:02:12 GMT
She was in Whisper House at the Other Palace last year. That was Diane Pilkington, no? |
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Post by ali973 on Apr 22, 2018 16:03:08 GMT
Oh shoot. You're right. Both ex-Glindas. My bad.
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Post by Dawnstar on Apr 22, 2018 16:24:24 GMT
They were from a similar Wicked era: when Annalene left at the end of April 2007 Dianne took over as standby for 2 and a half months before becoming the lead. As far as I know Annalene hasn't done anything apart from very occasional concerts for several years. I think her last major London appearance may have been the My Fair Lady Prom back in 2012. I bumped into her husband, the director Simon Greiff, at the Union 2 or 3 years ago & he said she was taking a break from the stage while their children were young. It's good news for those of us who are fans that evidently they're now old enough that she wants to return. I suppose understudying is a good way to come back after a break as it must be a bit less pressued than having to lead a show full time.
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