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Post by d'James on Apr 27, 2017 10:00:27 GMT
In the finale of Hair at the Hope Mill (and soon to be in London) the cast invite the audience to get up and dance. I did my usual of sitting resolutely in my sest (probably with arms folded) and refusing the actor's beckoning and the rest of my party of 6 did exactly the same. It was only after we left the theatre that one of them pointed out that we were the only people in the entire theatre who didn't get up. I mean LITERALLY the whole place was up except 6 of us looking like right miserys. There you go kids.... dare to be different That's Hair though, I knew about it before I saw it in London (was it The Gielgud) so was quite looking forward to it. Obviously not everyone did for that but it was just a nice atmosphere, also one of the cast had told me they liked me shirt earlier so I was in a good mood anyway. The audience participation at Priscilla would make me want to curl up and die, however.
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Post by wickedgrin on Apr 27, 2017 10:05:39 GMT
Absolutely LOATHE it!
I just want to relax and be entertained. If the cast start some sort of audience participation I spend the entire evening dreading them picking on me.
My most recent experience was typically humiliating. I was in the middle of the second row for Pure Imagination - the Leslie Bricusse show at the St James Theatre - now the Other Palace. Giles Terera singing Candy Man was offering out sweets to the entire row who obligingly held out their hands for one. Feeling I would look stupid if I was the only one in the row NOT to hold out their hand for a sweet I did so but when he got to me their was an instrumental break in the song and he said "oh not for you" and withdrew the sweet! The audience laughed and I just wanted to die! I am sure it was nothing personal and he did that every night on the instrumental break to whomever he had got to in the audience - but stupidly it completely ruined the evening for me!
As I said I just want to watch, relax and immerse myself in the show, not worry I am going to have to hold stupid props and become the butt of some joke!
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Post by Deleted on Apr 27, 2017 10:06:35 GMT
I don't mind it in the grand scheme of things, but that may come from myself being a performer too. I certainly would not refuse if a yone asked me to go up, simply because it would stall the performance and potentially ruin the fun for the audience members around me, and could potentially spoil a great memory for me. Plus, after being mounted and humped by Adam Bailey in your sear at Jest End, after that, you are prettt much game for anything. It's just a bit of fun.
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Post by wickedgrin on Apr 27, 2017 10:08:46 GMT
Oh well in that case ....bring it on!!!!
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Post by bellboard27 on Apr 27, 2017 10:31:02 GMT
Hate it! I particularly remember from around 22 years ago, in what was a very funny show actually, a few of us cowering in absolute dread in about Row E of the stalls when Dame Edna was on the lookout for serious audience participation. Thank God we weren't chosen! I remember Dame Edna spotting a group of gentlemen sitting together and referred to them all night as "my little Brideshead boys". They loved it! Obviously, when I'm playing panto dame, I need audience participation (otherwise the show is about 20 minutes long!) and I usually pick on an audience member for more "prolonged" attention. I have on occasion got it wrong, but once you have started you have to carry on, I just tone it down a bit. As for participation in more "legit" theatre, I have to change sides and say, no. Leave me alone to enjoy your participation. I ended up on stage at the Palladium due to urging from Dame Edna's alter ego Les Patterson. Ended up cooking a barbecue and sitting down for a rather horrible meal. I enjoyed the experience! Generally I am happy for audience participation although it is perfectly possible to design it badly.
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Post by PalelyLaura on Apr 27, 2017 10:37:45 GMT
Normally I hate it (except for immersive theatre, when it's expected). However, at the end of Moby Dick at the Union the cast were getting people to stand up and dance. I'd enjoyed the show so much that I was in a really great mood and was happy to join in!
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Post by Deleted on Apr 27, 2017 10:43:25 GMT
Normally I hate it (except for immersive theatre, when it's expected). However, at the end of Moby Dick at the Union the cast were getting people to stand up and dance. I'd enjoyed the show so much that I was in a really great mood and was happy to join in! Oh God the enforced 'get up and dance' at some musicals makes me want to make a slightly rude early exit (however if you're in the mood it can be fun!!)
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Post by Deleted on Apr 27, 2017 10:54:45 GMT
Oh if we are talking finale audience participation of up and dance, I cannot tell a lie, I am usually the first one twerking in the aisle.
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Post by stefy69 on Apr 27, 2017 10:55:01 GMT
Normally I hate it (except for immersive theatre, when it's expected). However, at the end of Moby Dick at the Union the cast were getting people to stand up and dance. I'd enjoyed the show so much that I was in a really great mood and was happy to join in! Oh God the enforced 'get up and dance' at some musicals makes me want to make a slightly rude early exit (however if you're in the mood it can be fun!!) Oh gosh yes ! that's one of those times when suddenly root canal surgery becomes oddly appealing....
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Post by Deleted on Apr 27, 2017 10:57:44 GMT
Oh if we are talking finale audience participation of up and dance, I cannot tell a lie, I am usually the first one twerking in the aisle. Darling you're probably twerking up the aisle (and onto the stage WELL before then)
But yes the dreaded 'megamix' moment...
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Post by Deleted on Apr 27, 2017 11:09:49 GMT
In the finale of Hair at the Hope Mill (and soon to be in London) the cast invite the audience to get up and dance. Ha! That has reminded me of a solo show I saw at Chapter by Annie Sprinkle, performance artist and former porn film star. The show culminated with a general invitation to the audience to come onstage, take off all their clothes and engage in any sexual activity that they chose, while being filmed. To encourage us, two prepared volunteers, one male and one female, popped on to the stage to kick things off as she was asking us. Annie Sprinkle seemed genuinely crestfallen when no one in the audience took up the offer because her show should really have made us all open to this public experience. It was a good show though!
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Post by Deleted on Apr 27, 2017 11:20:17 GMT
Normally I hate it (except for immersive theatre, when it's expected). However, at the end of Moby Dick at the Union the cast were getting people to stand up and dance. I'd enjoyed the show so much that I was in a really great mood and was happy to join in! Oh God the enforced 'get up and dance' at some musicals makes me want to make a slightly rude early exit (however if you're in the mood it can be fun!!) If I'd known Sunny Afternoon was going to end with a megamix, I'd have left at the interval.
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Post by Deleted on Apr 27, 2017 11:30:20 GMT
Oh God the enforced 'get up and dance' at some musicals makes me want to make a slightly rude early exit (however if you're in the mood it can be fun!!) If I'd known Sunny Afternoon was going to end with a megamix, I'd have left at the interval. Didn't it also go on for what felt like another three days after that or am I imagining it?
Fun (spoiler not fun) story related to that. I injured my leg really badly on the way to the theatre- I wiped out on a kerb near Leicester Square and was in agonising pain the entire performance, and COULDN'T stand up and join in the frivolity even if I wanted to. So I basically sat, wincing, while people danced to Waterloo Sunset around me for 10 minutes.
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Post by Deleted on Apr 27, 2017 11:38:54 GMT
I must admit, other tha the megamix style endings of shows, I have rarely been to an audience participation show, in London especially. Other than Play That Goes Wrong and Jest End of course.
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Post by BurlyBeaR on Apr 27, 2017 11:42:46 GMT
The audience participation at Priscilla would make me want to curl up and die, however. This female member of the chorus tried to pull me on stage for the act 2 opener and I just wedged myself into the seat (not difficult!) so she was literally pulling and tugging at my arm trying to get me up with me just sat there totally immovable shaking my head. It must have looked hilarious. She was about 4'11" and teeny I'm 6'3" and err.. not! I felt a bit sorry for her because they have very little time to find a victim and she wasted it all on me. In the end she did that "aaaaargh" thing with her hands in her hair and literally pleaded with the folk around me "Pleeeeeaaaaaase!" until some gullible fool got up. I felt all hot after
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Post by d'James on Apr 27, 2017 11:45:30 GMT
The audience participation at Priscilla would make me want to curl up and die, however. This female member of the chorus tried to pull me on stage for the act 2 opener and I just wedged myself into the seat (not difficult!) so she was literally pulling and tugging at my arm trying to get me up with me just sat there totally immovable shaking my head. It must have looked hilarious. She was about 4'11" and teeny I'm 6'3" and err.. not! I felt a bit sorry for her because they have very little time to find a victim and she wasted it all on me. In the end she did that "aaaaargh" thing with her hands in her hair and literally pleaded with the folk around me "Pleeeeeaaaaaase!" until some gullible fool got up. I felt all hot after I know. I stupidly forgot about that part and when I went a second time I sat at the end of a row in the Stalls (well it wasn't the end of the row but there was no one between me and the end). When they started coming into the audience I clenched everything started feeling hot and sick, but thankfully they didn't pick me. That sort of thing really is not for me as it's designed to get the audience to laugh at you. Definitely not what I pay for. I don't mind some mega-mixes.
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Post by Deleted on Apr 27, 2017 11:49:55 GMT
I'm usually willing to participate but it was awkward once to have to do jive-type dancing because I'm incapable of it. At the end, the actor quietly apologised and explained that she could tell that no one else in the on-stage audience would have agreed to do it!
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Post by BurlyBeaR on Apr 27, 2017 11:50:11 GMT
It's not helped by the fact that they're probably told to pick someone who looks like they'll be "good value" in some way. In other words will look a right numpty doing the dance etc. They're not gonna pick someone who's going to look dead cool up there on stage are they.
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Post by BurlyBeaR on Apr 27, 2017 11:51:25 GMT
I'm usually willing to participate but it was awkward once to have to do jive-type dancing because I'm incapable of it. At the end, the actor quietly apologised and explained that she could tell that no one else in the on-stage audience would have agreed to do it! I'd KILL to see a video of that!
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Post by Deleted on Apr 27, 2017 12:02:58 GMT
Loathe it. For all the reasons others have mentioned. I'm terribly shy and hate speaking in any kind of group bigger than about 5 people (and it's taken me years even to do that confidently!). What makes entertainers think I'd be remotely interested in messing about on a stage in front of a crowd?
If I go to comedy gigs, I make sure I sit well out of the danger zone. Same with magic shows (though that can be harder to avoid as they often draw from throughout the room to show there are no stooges). I think with Impossible they mainly asked for volunteers, but could be my memory playing tricks...?
There are some situations where, though I wouldn't want to be picked, I wouldn't curl up and die if I was. Penn and Teller, say, or the Mischief Theatre lot. Their shows are laid back and funny, so you feel the audience laugh with the unsuspecting victim rather than at them.
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Post by peggs on Apr 27, 2017 12:14:35 GMT
As a child at panto's was terrified someone was going to drag me onto the stage and that hasn't changed, I like to think I'd be cool but in reality get hit with the feeling of dread and fear. Have been at the Globe quite a lot when someone has been dragged on stage or one time when the whole play stopped until an identified groundling made up a line to say back at someone, I think being short helps in these occasions. I can't even manage to respond when you go to some old stately home or something and they have people dressed up and interacting, in my head I can do a perfectly sane response but actually just look horrified and try and back away.
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Post by fossil on Apr 27, 2017 13:42:31 GMT
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Post by Kim_Bahorel on Apr 27, 2017 15:08:53 GMT
A drama teacher I had said she never sits front row of shows because the cast probably wouldn't like what she might do. One time she sat front row. The cast started giving audience things to hold for later on. She got an apple and to the horror of the actors started to eat it 😂.
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Post by Deleted on Apr 27, 2017 15:23:09 GMT
I sat front row at Protest Song in the NT's Temporary Theatre. I was one of the people who had to deal with the persistent attentions of Rhys Ifans's character. I obviously made an impression on him because after the curtain call he approached me to return the pound coin his character had successfully begged in the show. But it had actually been donated by someone else.
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Post by Deleted on Apr 27, 2017 15:54:29 GMT
I'm OK with minor involvement of the audience if it doesn't involve making me the unwilling centre of attention or leaving me in a position where I don't know what to do. Examples where it's been OK have been things like Cats where the cast come into the house and play with the audience, a production of Salad Days where the cast took the audience to their seats, and one show whose name I forget where one of the cast cooked a pancake on stage and handed it to me to eat (but left me in peace to eat it).
What I absolutely can't stand is when I'm made the centre of attention but don't know exactly what to do, or where I'm expected to do something I don't know how to do or can't do.
Perhaps it's time to retell my Sweeney Todd pie story.
(That's not a "please ask me" comment. I just can't be bothered to type it out right now.)
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