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Post by Deleted on Jul 25, 2017 6:20:52 GMT
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Post by stefy69 on Jul 25, 2017 6:34:31 GMT
Excellent thanks for the tip off-. 
My poor credit card but hey....
Update : Got the seats, date and time I wanted
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Post by couldileaveyou on Jul 25, 2017 10:07:14 GMT
Any word on day seats yet?
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Post by Rory on Jul 25, 2017 10:52:42 GMT
The website is longdaystheplay.com
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Post by Rory on Jul 25, 2017 10:53:56 GMT
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Post by jadnoop on Jul 25, 2017 12:52:33 GMT
Monkey nests are £12.50 Apologies for a stupid question, but what's meant by 'monkey nests'? Do you just mean high/balcony seats generally, or are you talking about specific locations? |
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Post by lynette on Jul 25, 2017 12:53:11 GMT
Aaaggggghhhhhhhh!!!!!!!!!!!!! Is this a good Aagh or a bad aagh? |
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Post by CG on the loose on Jul 25, 2017 12:59:36 GMT
Monkey nests are £12.50 ![:)]() Apologies for a stupid question, but what's meant by 'monkey nests'? Do you just mean high/balcony seats generally, or are you talking about specific locations? Balcony A5 and 26 - see attached both for origins of name and full description of seats! www.theatremonkey.com/WYNDHAMSbooking.htm#BA |
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Post by TallPaul on Jul 25, 2017 13:01:12 GMT
Monkey nests are £12.50 ![:)]() Apologies for a stupid question, but what's meant by 'monkey nests'? Do you just mean high/balcony seats generally, or are you talking about specific locations? Never apologise. I've learn't over the last few months that (within reason) there is no such thing as a stupid question on TheatreBoard. As I understand it when people write about 'monkey nest' seats at the Wyndhams, they are referring to A5 and A26 in the balcony (very top level). They are separate from others on A row, and you have to sit sideways. |
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Post by Deleted on Jul 25, 2017 13:18:07 GMT
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Post by jadnoop on Jul 25, 2017 13:37:30 GMT
Thanks for the info Hmmm. Seats seem good, and £12.50 is an absolute bargain. On the other hand, in all honesty a main draw for me would be a chance to see a master like Jeremy Irons on stage, and the reviews from Bristol seem to suggest that he wasn't on form and forgetting lines (and, oddly, said that he would only transfer to National or to New York) so perhaps it might be a disappointment. |
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Post by TallPaul on Jul 25, 2017 13:41:00 GMT
If I was going to be disappointed, as a Yorkshireman, I'd much prefer be disappointed after spending £12.50, rather than £98.50!
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Post by martin1965 on Jul 25, 2017 17:11:44 GMT
Saw this in Bristol, absolutely superb, pleasantly surprised by WE transfer as Irons isnt a fan!
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Post by Marwood on Jul 25, 2017 17:19:50 GMT
Thanks for the info Hmmm. Seats seem good, and £12.50 is an absolute bargain. On the other hand, in all honesty a main draw for me would be a chance to see a master like Jeremy Irons on stage, and the reviews from Bristol seem to suggest that he wasn't on form and forgetting lines (and, oddly, said that he would only transfer to National or to New York) so perhaps it might be a disappointment. Only time I've seen Jeremy Irons on stage was in Isabella Rossellini's tribute to Ingrid Bergman at the Royal Festival Hall a couple of years ago - I wouldn't call him a master going by that, he was a bit too, er, mannered to be honest (I would say hammy but the sun is out and its payday so I might have guilt pangs later about being mean to him 😛) |
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Post by deadyankee on Jul 25, 2017 21:21:07 GMT
Thanks for the info Hmmm. Seats seem good, and £12.50 is an absolute bargain. On the other hand, in all honesty a main draw for me would be a chance to see a master like Jeremy Irons on stage, and the reviews from Bristol seem to suggest that he wasn't on form and forgetting lines (and, oddly, said that he would only transfer to National or to New York) so perhaps it might be a disappointment. I saw this in Bristol and there was no forgetting of lines on that night. It was an excellent production although, as good as Irons was, I thought Lesley Manville was the star of the show. |
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Post by TallPaul on Jul 26, 2017 12:55:28 GMT
Saw this in Bristol, absolutely superb, pleasantly surprised by WE transfer as Irons isnt a fan! Mr Irons strikes me as the type of actor who will stop a production mid-flow to deal with a mobile phone, etc. At least he'll be able to park his motorbike around the back of the Wyndham's. |
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Post by Deleted on Jul 26, 2017 13:19:40 GMT
Mr Irons strikes me as the type of actor who will stop a production mid-flow to deal with a mobile phone, etc. At least he'll be able to park his motorbike around the back of the Wyndham's. Oh how exciting. Remind me to schedule a call half way through the show to see if he goes the full Patti. Who do you THINK you ARE? In all honesty, I'm only going to see this to complete the family trio. I'll have seen husband, wife and son then. Is that some kind of theatre top trump? |
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Post by TallPaul on Jul 26, 2017 13:39:31 GMT
Mr Irons strikes me as the type of actor who will stop a production mid-flow to deal with a mobile phone, etc. At least he'll be able to park his motorbike around the back of the Wyndham's. Oh how exciting. Remind me to schedule a call half way through the show to see if he goes the full Patti. Who do you THINK you ARE? In all honesty, I'm only going to see this to complete the family trio. I'll have seen husband, wife and son then. Is that some kind of theatre top trump? The things Sinead has put up with over the years, allegedly. I've seen Mr & Mrs Godber performing together. That must be worth a bonus point, surely? |
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Post by lynette on Jul 26, 2017 15:03:29 GMT
Come guys who saw this in Bristol, is it really good? Be honest.
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Post by bordeaux on Jul 26, 2017 16:00:36 GMT
Come guys who saw this in Bristol, is it really good? Be honest. Yes, with cast and a director you would have expected to see at the National or the Almeida. It is London-worthy, if that's what you mean. I've seen it twice before, in the 90s, once with Timothy West and Prunella Scales (and young Stephen Dillane) at the National and then at the Young Vic with Richard Johnson and Penelope Wilton, both very good, but I think this Bristol one has the edge. |
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Post by martin1965 on Jul 26, 2017 16:10:47 GMT
Come guys who saw this in Bristol, is it really good? Be honest. I did and i was in tears at the end, really really good. Go!☺ |
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Post by Deleted on Jul 26, 2017 16:44:10 GMT
Grabbed a monkey nest for early March. Read the play in my first year of uni but have yet to see it performed.
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Post by Deleted on Jul 26, 2017 23:40:38 GMT
Yes, with cast and a director you would have expected to see at the National or the Almeida. It is London-worthy, if that's what you mean. I've seen it twice before, in the 90s, once with Timothy West and Prunella Scales (and young Stephen Dillane) at the National and then at the Young Vic with Richard Johnson and Penelope Wilton, both very good, but I think this Bristol one has the edge. That Tim & Pru NT production also did a short UK tour and I saw it at Bristol Old Vic! When Richard Eyre became AD of the NT he co-produced several Lyttelton shows with regional theatres and toured them as part of their Lyttelton run. Of course, the BOV stage and seating configuration is different now. |
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Post by callum on Jul 27, 2017 0:03:13 GMT
Don't think I'll be able to handle the poor comfort of a monkey nest for how long this play is. Will wait to try and grab front row day seats.
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Post by stefy69 on Jul 27, 2017 5:49:02 GMT
Come guys who saw this in Bristol, is it really good? Be honest. Is it Good  It's got Jeremy Irons in it- be still my beating heart! |
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It's got Jeremy Irons in it- be still my beating heart!
