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Post by Jan on May 1, 2024 17:30:28 GMT
Julius Caesar - Questors Theatre (Ealing)
This is really quite good. It is better than the last RSC production of the play but that is not saying much. Set in 1930s Italy. Don’t be put off by the fact it appears to be amateur theatre, the venue and auditorium are fantastic, far better than most commercial venues, and the creatives and cast are mostly drama school trained professional or semi-professional well up to fringe standard.
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158 posts
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Post by bee on May 2, 2024 6:38:27 GMT
Julius Caesar - Questors Theatre (Ealing) This is really quite good. It is better than the last RSC production of the play but that is not saying much. Set in 1930s Italy. Don’t be put off by the fact it appears to be amateur theatre, the venue and auditorium are fantastic, far better than most commercial venues, and the creatives and cast are mostly drama school trained professional or semi-professional well up to fringe standard. I saw this last night and also liked it. A brisk, solidly acted production. I only discovered Questors Theatre a couple of years ago in spite of living in the area for nearly 20 years now. I've been to a few productions since then and they have all been decently done, some better than others but as Jan says none would have looked out of place at one of the "proper" fringe venues. The venue is a 10 minute walk from Ealing Broadway station so worth checking them out if you live in West London.
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Post by Jan on May 2, 2024 6:49:49 GMT
Julius Caesar - Questors Theatre (Ealing) This is really quite good. It is better than the last RSC production of the play but that is not saying much. Set in 1930s Italy. Don’t be put off by the fact it appears to be amateur theatre, the venue and auditorium are fantastic, far better than most commercial venues, and the creatives and cast are mostly drama school trained professional or semi-professional well up to fringe standard. I saw this last night and also liked it. A brisk, solidly acted production. I thought David Erdos as Casca was outstanding. As Ealing Broadway is on the Elizabeth Line travel times from outside West London can also be reasonable.
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Post by cavocado on May 2, 2024 19:20:31 GMT
I also saw the Questors' Julius Caesar and enjoyed it. One thing I didn't understand was the significance of the schoolgirl being onstage throughout. I think she was reading a biography of Caesar and then occasionally playing a minor character. Can anyone shed any light on her purpose/significance?
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158 posts
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Post by bee on May 2, 2024 19:33:08 GMT
I also saw the Questors' Julius Caesar and enjoyed it. One thing I didn't understand was the significance of the schoolgirl being onstage throughout. I think she was reading a biography of Caesar and then occasionally playing a minor character. Can anyone shed any light on her purpose/significance? Not me, I was similarly perplexed by that. I've just had a quick scan of my programme and there's no hint in their either.
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Post by cavocado on May 2, 2024 19:47:25 GMT
I also saw the Questors' Julius Caesar and enjoyed it. One thing I didn't understand was the significance of the schoolgirl being onstage throughout. I think she was reading a biography of Caesar and then occasionally playing a minor character. Can anyone shed any light on her purpose/significance? Not me, I was similarly perplexed by that. I've just had a quick scan of my programme and there's no hint in their either. I wondered if it was a slightly clumsy way of representing 'us' - as in modern day citizens learning from history, hence the book? But why a schoolgirl? And why have her playing Caesar's wife with her school blazer still on? I thought I must be missing something.
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Post by Jan on May 3, 2024 8:50:28 GMT
I also saw the Questors' Julius Caesar and enjoyed it. One thing I didn't understand was the significance of the schoolgirl being onstage throughout. I think she was reading a biography of Caesar and then occasionally playing a minor character. Can anyone shed any light on her purpose/significance? My take on the framing device: She's studying Julius Caesar and reading a book about it and falls asleep and dreams the play. At moments she intervenes directly in the action at those points where prophecies are delivered - she's Caesar's wife telling him not to go to the forum and she's the soothsayer - because she's standing outside the action and already knows what's going to happen next. In addition she's fulfilling a Brechtian role in constantly reminding us that it's just a play we're watching so we are engaged politically rather than emotionally. I don't think it was particularly well done but it was an interesting approach. Of course things like that have been done before - in the Norris Macbeth I seem to recall the Porter was on stage almost the whole time fulfilling a similar role.
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Post by cavocado on May 3, 2024 16:22:00 GMT
I also saw the Questors' Julius Caesar and enjoyed it. One thing I didn't understand was the significance of the schoolgirl being onstage throughout. I think she was reading a biography of Caesar and then occasionally playing a minor character. Can anyone shed any light on her purpose/significance? My take on the framing device: She's studying Julius Caesar and reading a book about it and falls asleep and dreams the play. At moments she intervenes directly in the action at those points where prophecies are delivered - she's Caesar's wife telling him not to go to the forum and she's the soothsayer - because she's standing outside the action and already knows what's going to happen next. In addition she's fulfilling a Brechtian role in constantly reminding us that it's just a play we're watching so we are engaged politically rather than emotionally. I don't think it was particularly well done but it was an interesting approach. Of course things like that have been done before - in the Norris Macbeth I seem to recall the Porter was on stage almost the whole time fulfilling a similar role. That makes more sense - thanks Jan.
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