2,496 posts
|
Post by zahidf on Jun 13, 2019 9:15:42 GMT
Welcome to Iran
by Nadia Fall
directed by Nadia Fall
Based on real-life testimonials, Nadia Fall's new play offers a tender and witty snapshot of modern life in Iran. Plays first @stratfordeast.
Dorfman, May 2020
|
|
|
|
Post by Deleted on Jun 13, 2019 9:17:55 GMT
That's more like it, many things that I really want to see there.
I saw Seven Streams of the River Ota the last time it was here, in 1996, and loved it. The intervening years may have changed it, or me, so it'll be an interesting comparison.
|
|
2,496 posts
|
Post by zahidf on Jun 13, 2019 9:19:45 GMT
|
|
2,496 posts
|
Post by zahidf on Jun 13, 2019 9:26:49 GMT
Tickets for the new booking period go on sale as follows:
Tuesday 18 June, 8.30am
Supporting Cast, Patron, Premier Patron, Benefactor & Olivier Circle Members, Young Patron Premium and Young Patron Ambasadors
Thursday 20 June, 8.30am
Priority and Priority Plus Members, and Young Patron Member and Young Patron Associates
Wednesday 26 June, 8.30am
Advance Members
Friday 5 July, 8.30am
Public booking for all new shows and performances
For My Brilliant friend, Antipodes, Three Sisters, Faith Hope, and The Ocean at the End of the Lane
|
|
|
|
Post by Deleted on Jun 13, 2019 9:28:39 GMT
|
|
|
|
Post by Deleted on Jun 13, 2019 10:08:42 GMT
No Theatre Quiz??? That's the start of Christmas for me (and, to be fair, the end of it)!
|
|
|
|
Post by Deleted on Jun 13, 2019 10:53:26 GMT
|
|
1,863 posts
|
Post by NeilVHughes on Jun 13, 2019 11:06:00 GMT
Surprised by My Brilliant Friend, wasn’t expecting it to have a life after Kingston.
Recollect enjoying it on a 2 play Sunday despite not knowing the books but not special enough for a second viewing.
|
|
|
|
Post by Deleted on Jun 13, 2019 11:24:01 GMT
|
|
|
|
Post by londonpostie on Jun 13, 2019 11:36:21 GMT
|
|
|
|
Post by Deleted on Jun 13, 2019 11:54:29 GMT
Tickets for the new booking period go on sale as follows: Tuesday 18 June, 8.30am Supporting Cast, Patron, Premier Patron, Benefactor & Olivier Circle Members, Young Patron Premium and Young Patron Ambasadors Thursday 20 June, 8.30am Priority and Priority Plus Members, and Young Patron Member and Young Patron Associates Wednesday 26 June, 8.30am Advance Members Friday 5 July, 8.30am Public booking for all new shows and performances For My Brilliant friend, Antipodes, Three Sisters, Faith Hope, and The Ocean at the End of the Lane And from twitter... Amex booking 2nd July Entry Pass 3rd July |
|
62 posts
|
Post by demonbarber on Jun 13, 2019 12:18:25 GMT
New season looks stunning. And there’s some sublime casting to boot. This is more like it from the NT!
|
|
406 posts
|
Post by MrBunbury on Jun 13, 2019 14:39:08 GMT
Very exciting announcement. Luckily they are not putting everything on sale at the same time or I would need to sell a kidney...
|
|
5,707 posts
|
Post by lynette on Jun 13, 2019 15:42:58 GMT
Surprised by My Brilliant Friend, wasn’t expecting it to have a life after Kingston. Recollect enjoying it on a 2 play Sunday despite not knowing the books but not special enough for a second viewing. I haven’t read the books. Would I enjoy this? I’m concerned that EVERYONE will see it and I’ll be muttering my usual, 'can’t fit it in' excuse which I use when really I’m not bothered. Please advise 🤪 |
|
|
|
Post by learfan on Jun 13, 2019 16:49:07 GMT
New season looks stunning. And there’s some sublime casting to boot. This is more like it from the NT! Oh well, nothing much here for me, all very meh. Saves me money i suppose. Even the upcoming 2020 shows dont really excite apart from the Kushner Visit update. |
|
|
|
Post by Deleted on Jun 13, 2019 17:51:18 GMT
Welcome to Iran by Nadia Fall directed by Nadia Fall Based on real-life testimonials, Nadia Fall's new play offers a tender and witty snapshot of modern life in Iran. Plays first @stratfordeast. Dorfman, May 2020 Booking is already open for the Stratford East run of this if you want to pay £10 rather than Dorfman prices! www.stratfordeast.com/whats-on/all-shows/welcome-to-iran |
|
|
|
Post by londonpostie on Jun 13, 2019 23:00:11 GMT
|
|
|
|
Post by Fleance on Jun 13, 2019 23:57:21 GMT
New season looks stunning. And there’s some sublime casting to boot. This is more like it from the NT! Oh well, nothing much here for me, all very meh. Saves me money i suppose. Even the upcoming 2020 shows dont really excite apart from the Kushner Visit update. update is not a new idea. In the late '50s/early '60s, there was a popular American television show called The Many Loves of Dobie Gillis, starring Dwayne Hickman.It was (I think) the first sitcom to focus on teenagers. In 1988, the cast was reunited for the film Bring Me the Head of Dobie Gillis, an updated re-working of The Visit. Here's a description of the film, from the Turner Classic Movies website: "A movie sequel to the "Dobie Gillis" series which ran on CBS from 1959-1963. The film focuses on the original characters 20 years later, with Dobie now wed to Zelda, his high school sweetheart, and introduces the new character of Georgie, the Gillis' 17-year-old son. Dobie and Zelda are trying to save their town, which is slowly going under because of economic reverses. Thalia Menninger, now the richest woman in the world, has a direct connection to the town's demise and offers an interesting proposition to save the town." I'm not sure Tony Kushner can do better than that! (And of course there was the recent musical starring Chita Rivera, which was quite good.) |
|
297 posts
|
Post by fossil on Jun 14, 2019 8:07:26 GMT
|
|
2,859 posts
|
Post by couldileaveyou on Jun 14, 2019 11:03:38 GMT
When do Entry Pass tickets go on sale?
|
|
|
|
Post by juicy_but_terribly_drab on Jun 14, 2019 11:25:35 GMT
When do Entry Pass tickets go on sale? Someone said earlier it's 3rd July I think. |
|
2,859 posts
|
Post by couldileaveyou on Jun 14, 2019 12:03:03 GMT
When do Entry Pass tickets go on sale? Someone said earlier it's 3rd July I think. Ops I missed it, thank you! |
|
5,707 posts
|
Post by lynette on Jun 14, 2019 17:39:41 GMT
Hmmmmm. Apparently this is not a theatre for ‘theatre aficianados’. So thank you very much. All that dosh I’ve chucked at you over the last forty years, can I have it back please~? Ha, I have every sympathy with getting young people into the NT. I’m v keen on the outreach, the entry pricing and studio plays etc. But saying that they won’t bother with the classics now unless rewritten to be relevant to today, then I am seriously miffed. We are like the 18th century lot who couldn’t face a sad ending to King Lear so they just rewrote it. Just like the only way a musical can get an grip on commercial backers is if it is a version of a hit movie, then are we only to see ‘versions’ of ‘classics’ from now on at the NT?
|
|
2,496 posts
|
Post by zahidf on Jun 14, 2019 18:34:51 GMT
Hmmmmm. Apparently this is not a theatre for ‘theatre aficianados’. So thank you very much. All that dosh I’ve chucked at you over the last forty years, can I have it back please~? Ha, I have every sympathy with getting young people into the NT. I’m v keen on the outreach, the entry pricing and studio plays etc. But saying that they won’t bother with the classics now unless rewritten to be relevant to today, then I am seriously miffed. We are like the 18th century lot who couldn’t face a sad ending to King Lear so they just rewrote it. Just like the only way a musical can get an grip on commercial backers is if it is a version of a hit movie, then are we only to see ‘versions’ of ‘classics’ from now on at the NT? In an interview I saw with him a couple of days ago, he said 2020/2021 is going to be more classics and less new stuff |
|
|
|
Post by learfan on Jun 14, 2019 19:28:40 GMT
Hmmmmm. Apparently this is not a theatre for ‘theatre aficianados’. So thank you very much. All that dosh I’ve chucked at you over the last forty years, can I have it back please~? Ha, I have every sympathy with getting young people into the NT. I’m v keen on the outreach, the entry pricing and studio plays etc. But saying that they won’t bother with the classics now unless rewritten to be relevant to today, then I am seriously miffed. We are like the 18th century lot who couldn’t face a sad ending to King Lear so they just rewrote it. Just like the only way a musical can get an grip on commercial backers is if it is a version of a hit movie, then are we only to see ‘versions’ of ‘classics’ from now on at the NT? In an interview I saw with him a couple of days ago, he said 2020/2021 is going to be more classics and less new stuff If he's still there then! |
|
