Company

Go for Company, this production isn’t one to miss, I’d be kicking myself if I’d chosen something else for my trip

Company

Given I am both hopelessly devoted to Kushner and Elliott at this point I feel I should chime in....


Company. 

Caroline is great. It's a solid production. But Company in this format is a historic version. And I'd hate anyone to pass up the chance to at least say 'Oh yeah I saw when they did it that way' in years to come. 

Caroline will come around again I'm sure, and, actually it's better suited to venues like the Hampstead than bigger WE houses anyway. 

Also the chance to see Miss Patti belt Riiiiiissssseee is surely historic in itself. 

As Baemax says above Jamie will be around a while longer hopefully too. 

Looking forward to seeing this again tonight since last seeing it at the first preview. Loved it the first time and I’m excited to see how the show has evolved over the past few months.

I would like to thank you for your sacrifice in this noble research. (Of the abs obviously)

There's a lot of dynamic pricing going on if you can book last minute - a load of seats in the Royal Circle for the next few nights are down to £27.50.

I know how people are going to be but in the spirit of comparing visibility between theatre levels, I would just point out that you can appreciate this particular detail from the back row of the grand circle too. I hope Mr Fleeshman understands that we are recognising what is clearly a LOT of dedicated work on his part, and that our appreciation is rooted in genuine admiration.

They just aren’t doing it for anything today according to their twitter.

I saw Stasia mention on twitter she'd been charged for two rush tickets when she only had one in her basket, so presume that's the technical issue they are trying to fix?

Second visit last night for me too. Stalls row C, right at the end. I was in the dress circle box before and while I really enjoyed that, I got much more out of the show this time.

I’ve never revisited a show before (I blame this board) and I think there’s a lot that familiarity brings. I guess I can start to see why people see Wicked 300 times now.

I thought the audience was much more up for it last night and “Getting Married” and “Ladies” both got sustained show stopper applause. I couldn’t catch most of “Getting Married” from the box seat, both lyrics and staging, so it was a highlight for me last night.

Patti continues to enthrall me and I thought “Ladies” had even more depth last night. Someone used the term “MDMA theatre moment” on the Hello Dolly thread, and this is one of those for me. I am already planning my next trip and I am strongly considering being brave enough to start a standing ovation at the end of that song. The way that the “ladies who watch...drink scotch” lie lands with the gender-switch. I just can’t believe Bobbie was ever a man.