406 posts
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Post by MrBunbury on Jan 28, 2017 9:26:29 GMT
I will be in F20 on Tuesday. I will use my imagination to fill the gaps...
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2,859 posts
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Post by couldileaveyou on Jan 28, 2017 9:28:24 GMT
A note on the "bargain seats". I'm sitting on F21 and unfortunately there is quite a bit happening on the far right of the stage, and I can't see any of that. The very last moment of Act 1 takes place in that corner and quite a long dialogue between Tom and Amanda. Of course nothing really happens, they're just talking, but it can be a bit frustrating to look at an empty stage for five minutes. For the rest of time it's perfectly fine and for 20£ I can't complain too much Ah what a shame. I'm on the opposite side in F1-2. Reckon I'll have the same problem? Uhmm I'm not sure actually... from my seat I couldn't absolutely see the "terrace", but I don't think you will miss much from the opposite side
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2,859 posts
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Post by couldileaveyou on Jan 28, 2017 13:07:54 GMT
I really liked this production, it might not be definitive or extraordinarily original, but there is a magical quality in it that fully captures its being a memory play. The cast is fantastic. Cherry Jones is magnificent with her ex-Southern belle mannerism and gorgeous accent. I liked how in a couple of occasions she seemed to suggest that Amanda is ill and this gives an urgent quality to her efforts to find a man for Laura.
This might be more controversial, but I really liked Kate O'Flynn as Laura and it was so moving to watch her warming up in her scene with the Gentleman Caller. Brian J. Smith is great in that role, he stole the show imho.
I wasn't crazy about Michael Esper, his performance was identical to his Valentine in Lazarus, a mixture of shyness and camp. He surely portrayed a troubled young man, but he never made me feel sympathetic for him. I loved that in the scene at table when the Gentleman Caller has just arrived all the three members of the family look like they want to bed him.
Oh, and the score is beautiful. It's a magical revival for me, I hope to see it again!
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Post by Deleted on Jan 28, 2017 19:27:46 GMT
Ive looked on theatremonkyes website and was looking at the day seats and saw there were three different sorts. Does anyone know where they are located and which ones would be the best. Thanks
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1,013 posts
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Post by talkstageytome on Jan 28, 2017 23:26:12 GMT
Saw this tonight and was breathtaken by it. Really, really spectacular in my opinion. I'll write more later but inshort I just loved it.
I cried at intervals all the way through act 2 and on the walk to the station as well.
Oh and my seat (A10 in the upper) was perfect. Only £20. A great bargain.
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7,183 posts
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Post by Jon on Jan 29, 2017 0:04:42 GMT
I've noticed they're selling Box B in the Dress Circle for £15 which has a restricted view, might be an option for anyone who doesn't mind leaning and missing a small part of the action.
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406 posts
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Post by MrBunbury on Feb 1, 2017 18:05:32 GMT
I really liked this production, it might not be definitive or extraordinarily original, but there is a magical quality in it that fully captures its being a memory play. The cast is fantastic. Cherry Jones is magnificent with her ex-Southern belle mannerism and gorgeous accent. I liked how in a couple of occasions she seemed to suggest that Amanda is ill and this gives an urgent quality to her efforts to find a man for Laura. This might be more controversial, but I really liked Kate O'Flynn as Laura and it was so moving to watch her warming up in her scene with the Gentleman Caller. Brian J. Smith is great in that role, he stole the show imho. I wasn't crazy about Michael Esper, his performance was identical to his Valentine in Lazarus, a mixture of shyness and camp. He surely portrayed a troubled young man, but he never made me feel sympathetic for him. I loved that in the scene at table when the Gentleman Caller has just arrived all the three members of the family look like they want to bed him. Oh, and the score is beautiful. It's a magical revival for me, I hope to see it again! I was there last night, sitting next to your ghost (in F20) :-) Great acting and use of the space and the music. I agree that Michael Esper was not totally convincing. It is a superb production!
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2,859 posts
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Post by couldileaveyou on Feb 3, 2017 0:58:36 GMT
4* reviews from whatsonstage, The Times and Telegraph
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225 posts
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Post by madsonmelo on Feb 3, 2017 5:36:48 GMT
I'm looking forward for this one, Jones is a titan of stage.
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1,936 posts
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Post by wickedgrin on Feb 3, 2017 12:16:45 GMT
A miserable 3 star review from Quentin Letts in the Mail - he called it gloomy and glum! It's got to be fabulous then?
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1,088 posts
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Post by andrew on Feb 3, 2017 23:24:53 GMT
Saw this a couple of days ago from middle of row D. If you're going to miss a side, you want to sit on the far left of the auditorium (low numbered seats). You also want to sit in a circle. Any circle. Anywhere in the stalls will lead you disappointed at what I'm sure was a very pretty stage floor. I won't spoil what it is (and to be honest with you I'd only be guessing as I couldn't see it at all) but everyone I overheard on the way out was complaining that they couldn't see the deck, and they didn't understand what the director was thinking. It's not important for the plot, but if you're in it for the aesthetics, you want height.
The actors and the play itself were great. I couldn't agree more with talkstagey and couldileaveyou. The second act was quite perfectly heartbreaking. Kate O'Flynn was excellent. It didn't really take off for me until the gentleman caller arrived, and then I was totally swept away.
Michael Esper I could take or leave. His accent was ropey at best, and despite being the central character and being able to talk directly to the audience, I couldn't get on board with him. Maybe that's what he wanted, but that's what happened anyway.
I got my tickets cheap on TodayTix as well, a couple of days ahead. I don't know if it was a particular deal or anything but central stalls for £32 wasn't bad. Even if I couldn't see the floor. And apparently I needed to see the floor.
Oh if I'd only seen the floor.
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Post by Deleted on Feb 3, 2017 23:34:49 GMT
everyone I overheard on the way out was complaining that they couldn't see the deck, and they didn't understand what the director was thinking. Is it a design issue, rather than direction. And really the culprit is the West End producer who decided to transfer this show to a West End theatre which we all know are inadequate by most modern standards. I admit that some have lovely candelabra, although it's best not to risk sitting directly underneath them, but they are poor places to see modern theatre.
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1,064 posts
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Post by bellboard27 on Feb 3, 2017 23:50:18 GMT
Thoroughly enjoyed this. We had the £15 dress circle box B seats. Well worth the value. You miss a bit to the side but it's a great view of the set including reflections of the cast in the water, lights in the water, etc. Plus the usual benefits of a box for legroom, etc.
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1,088 posts
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Post by andrew on Feb 4, 2017 0:21:11 GMT
everyone I overheard on the way out was complaining that they couldn't see the deck, and they didn't understand what the director was thinking. Is it a design issue, rather than direction. I didn't correct them...
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4 posts
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Post by olly2288 on Feb 4, 2017 9:24:43 GMT
Saw this on Tuesday night and had a wonderful time. I'd got front row rush tickets on TodayTix and used a discount code so the two tickets were £15 each - fantastic. Missed a lot of the beautiful staging by being so close, but to be right up there seeing Cherry Jones in this role so close and personal was a real treat - she is the shining star of the production and totally becomes the character. I also loved Kate O'Flynn for the delicate, clever qualities she brought to the role - I liked the general dynamic between the cast, but honestly Michael Esper was all over the place, the first act in particular. He did pick it up to being actually really quite engaging, and his accent was far stronger towards the end - I think he'll grow in to this as the production goes on, as he really is a fantastic actor but something is still missing and the accent is a killer. Over all a really great night and I think this one will be a huge success.
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2,302 posts
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Post by Tibidabo on Feb 4, 2017 10:58:09 GMT
Saw this on Tuesday night and had a wonderful time. I'd got front row rush tickets on TodayTix and used a discount code so the two tickets were £15 each - fantastic. Missed a lot of the beautiful staging by being so close, but to be right up there seeing Cherry Jones in this role so close and personal was a real treat - she is the shining star of the production and totally becomes the character. I also loved Kate O'Flynn for the delicate, clever qualities she brought to the role - I liked the general dynamic between the cast, but honestly Michael Esper was all over the place, the first act in particular. He did pick it up to being actually really quite engaging, and his accent was far stronger towards the end - I think he'll grow in to this as the production goes on, as he really is a fantastic actor but something is still missing and the accent is a killer. Over all a really great night and I think this one will be a huge success. Thanks for this olly2288 - I'm one who loves to be right up there, watching the actors strut their craft but was worried about booking front row for this after reading some of the comments. It certainly seems like it might be worth missing a bit of the floor for this. Food for thought. And welcome by the way.
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524 posts
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Post by callum on Feb 4, 2017 17:13:05 GMT
Saw this in Edinburgh but does Laura {Spoiler - click to view} still do that bizarre thing where she gets spat out / swallowed up again by the sofa?!
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1,013 posts
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Post by talkstageytome on Feb 4, 2017 18:25:46 GMT
Yes, that does still happen.
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324 posts
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Post by ilovewemusicals on Feb 4, 2017 18:29:43 GMT
Has anyone met Cherry at stage door? Did she have a good chat?
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1,013 posts
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Post by talkstageytome on Feb 5, 2017 12:24:17 GMT
Guys, I don't want to be melodramatic but I think I may actually be in love with this production. I've been thinking about it ever since I first saw it! I've seen 3 other shows since and they paled in comparison. I'm ruined! I know we're not a bloggy lot on this board, but I did write up my thoughts on my own blog, mostly because I've been telling everyone and their mom to go and see this show and needed some way of summing up all my feelings for them! (link - www.talkstageytome.co.uk/2017/02/review-glass-menagerie-duke-of-yorks.html ) Gosh, this was so up my street. I'd been feeling a bit down because a lot of the stuff I saw in the latter half of 2016 was just okay, but this production really cheered me up, hence the raving! (oh, and regarding the stage door, I don't know about Cherry Jones but when I walked past the theatre yesterday Michael Esper was chatting with some audience members, and when he left they stuck around waiting...)
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324 posts
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Post by ilovewemusicals on Feb 5, 2017 15:32:01 GMT
(oh, and regarding the stage door, I don't know about Cherry Jones but when I walked past the theatre yesterday Michael Esper was chatting with some audience members, and when he left they stuck around waiting...) Thanks. A friend of mine met her on Sat and got a photo with her, said she was lovely. I heard she likes a chat at stage door from a Broadway too. Can't wait to go down in March.
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1,936 posts
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Post by wickedgrin on Feb 8, 2017 13:21:20 GMT
Seeing this tonight from the stalls.
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1,936 posts
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Post by wickedgrin on Feb 8, 2017 13:47:15 GMT
LOL. No actually from Row D in the stalls which was only £20 (plus £3.50 fee) from the ATG website late last night. I am beginning to like this dynamic pricing malarkey!
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Post by Deleted on Feb 8, 2017 16:44:38 GMT
LOL. No actually from Row D in the stalls which was only £20 (plus £3.50 fee) from the ATG website late last night. I am beginning to like this dynamic pricing malarkey! Snap! Just got some front row for a week on Saturday. This Saturday's still at £59.95, so very odd, but a result.
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324 posts
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Post by ilovewemusicals on Feb 8, 2017 22:47:49 GMT
Anyone heard how Sally Field's first preview on Broadway went? Hope that production transfers to London too.
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