330 posts
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Post by RedRose on Oct 23, 2017 14:53:53 GMT
After seeing a great version of Hedwig and the Angry Inch at Brotfabrik in Frankfurt yesterday I am listening to the Original and Original Broadway Cast albums
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3,057 posts
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Post by ali973 on Oct 28, 2017 10:15:35 GMT
I started listening to Bright Star again, now that it's touring the US. The music is really something, and that 11 o'clock number "At Last" is really spectacular. With some campaigning by Steve Martin, I think the show can have a good run in London in a small-ish theatre. If not, I would love it if Southwark Playhouse readapts it in a few years and gives us its own treatment of it.
I'm also listening to the two generic sounding but ear warm pre-released songs from The Greatest Showman, composed by Dear Evan Hanse's Pasek and Paul. The songs style is very, them. And by them, I mean it sounds like someone else's song that's been repurposed for this medium. I think I've come to terms with them not having a particular style, but being very good at doing pop pastiche, if that's even a thing. "The Great Show" is sung Hugh Jackman and Zac Effron, and it's pretty hard to tell them apart due to the overproduction of the track, which sounds like a "We Will Rock You" replica. "This Is Me", the misfits and outcasts song mandatory in every other musical, is a song that I'm sure sounds like something else, "This is Me" is sung by the ever talented Keala Settle (Waitress, Les Mis), who is such a fierce belter she even managed to belt her way through Madame Thenardier in Les Mis.
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1,103 posts
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Post by mallardo on Oct 28, 2017 10:31:39 GMT
Re Bright Star, it's currently playing in LA with Carmen Cusack and most of the Broadway cast. I'm heading for LA in Monday so will try to catch it even though I am not a particular fan of that style of music.
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1,133 posts
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Post by Stephen on Oct 28, 2017 17:45:34 GMT
I just can't stop listening Parade right now! Love Bertie Carvel in it. Especially when he sounds like Trunchbull!
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Post by danb on Oct 28, 2017 19:40:53 GMT
I can tell you which cast recording I’m still not listening too....
🦇🔥🦇🔥🦇🔥
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Post by Deleted on Oct 28, 2017 20:02:28 GMT
I've been thoroughly enjoying Anthony Rapp in Star Trek over recent weeks, so have had a few plays of his & Adam Pascal's Feinstein's/54 Below live album 'Acoustically Speaking'. It won't change your life, but it's a solid set of good music, well-sung, with flashes of passion and a warm atmosphere. There's a few numbers from Rent ('What You Own' stands out), a few old show tunes ('Joanna', 'But Not For Me'), a decent 'Origin of Love', a quite touching 'Happiness' from 'You're a Good Man, Charlie Brown' (nice to hear it in a grown-up voice), and a few popular populars - Squeeze (Tempted - sung better than Paul Carrack), REM, Jeff Buckley.
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Post by danb on Oct 28, 2017 20:34:57 GMT
I love ‘Open Arms’ off that album; well I love the song in any form but particularly love the blend of their voices.
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5,056 posts
Member is Online
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Post by Phantom of London on Oct 28, 2017 21:12:47 GMT
I started listening to Bright Star again, now that it's touring the US. The music is really something, and that 11 o'clock number "At Last" is really spectacular. With some campaigning by Steve Martin, I think the show can have a good run in London in a small-ish theatre. If not, I would love it if Southwark Playhouse readapts it in a few years and gives us its own treatment of it. I'm also listening to the two generic sounding but ear warm pre-released songs from The Greatest Showman, composed by Dear Evan Hanse's Pasek and Paul. The songs style is very, them. And by them, I mean it sounds like someone else's song that's been repurposed for this medium. I think I've come to terms with them not having a particular style, but being very good at doing pop pastiche, if that's even a thing. "The Great Show" is sung Hugh Jackman and Zac Effron, and it's pretty hard to tell them apart due to the overproduction of the track, which sounds like a "We Will Rock You" replica. "This Is Me", the misfits and outcasts song mandatory in every other musical, is a song that I'm sure sounds like something else, "This is Me" is sung by the ever talented Keala Settle (Waitress, Les Mis), who is such a fierce belter she even managed to belt her way through Madame Thenardier in Les Mis. I respectfully disagree!!! I love the song 'I had a Vision'. I also love to see Bright Star in London, love the cast recording. Re Bright Star, it's currently playing in LA with Carmen Cusack and most of the Broadway cast. I'm heading for LA in Monday so will try to catch it even though I am not a particular fan of that style of music. I hope to catch this in San Francisco, in just over a months time. I am on the train home after catching a couple of shows up town (Labour of Love & Lady From The Sea) and so listening to Young Frankenstein.
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Post by Deleted on Oct 28, 2017 21:20:06 GMT
On a long train journey today I've been listening to 'Baby' A great show with a fantastic score and a cast of big Broadway names in the early stages of their careers. Its a small show and would be perfect for the Southwark Playhouse. I've heard many versions of The Story Goes On but none better than Liz Callaway.
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1,483 posts
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Post by steve10086 on Oct 28, 2017 22:43:56 GMT
I can tell you which cast recording I’m still not listening too.... 🦇🔥🦇🔥🦇🔥 I can tell you the cast recording I’ve been listening to all day... and absolutely loving! 🦇🔥🦇🔥🦇🔥
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3,057 posts
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Post by ali973 on Oct 29, 2017 5:04:24 GMT
On a long train journey today I've been listening to 'Baby' A great show with a fantastic score and a cast of big Broadway names in the early stages of their careers. Its a small show and would be perfect for the Southwark Playhouse. I've heard many versions of The Story Goes On but none better than Liz Callaway. I agree on the score, and TOTALLY think Southwark is written all over it. Though it might be a bit dated and could require an update. There was a revisal of it many years ago in the early 2000's with La Chanze in the Liz Callaway role, which had some rewrites.
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Post by danb on Oct 29, 2017 6:11:48 GMT
I can tell you which cast recording I’m still not listening too.... 🦇🔥🦇🔥🦇🔥 I can tell you the cast recording I’ve been listening to all day... and absolutely loving! 🦇🔥🦇🔥🦇🔥 ...guess who just dropped below Steve Davis and Steve Guttenberg on my list of fave Steves! 😂
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1,483 posts
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Post by steve10086 on Oct 29, 2017 6:54:50 GMT
I can tell you the cast recording I’ve been listening to all day... and absolutely loving! 🦇🔥🦇🔥🦇🔥 ...guess who just dropped below Steve Davis and Steve Guttenberg on my list of fave Steves! 😂 Am I above or below Steve Wright (the Suffolk Strangler)?
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Post by danb on Oct 29, 2017 7:17:32 GMT
...guess who just dropped below Steve Davis and Steve Guttenberg on my list of fave Steves! 😂 Am I above or below Steve Wright (the Suffolk Strangler)? Oh, well below! (but thankfully above Steve Wright; unbearable radio dj). x
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914 posts
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Post by karloscar on Oct 29, 2017 7:40:12 GMT
Much as I love the original cast recordings of Falsettos and A New Brain, the recent revivals have produced brilliant new versions provoking smiles and laughs and a few tears. I'd Rather Be Sailing and Unlikely Lovers never fail to please.
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1,483 posts
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Post by steve10086 on Oct 29, 2017 8:56:36 GMT
Am I above or below Steve Wright (the Suffolk Strangler)? Oh, well below! (but thankfully above Steve Wright; unbearable radio dj). x Below a serial killer, but above a DJ. Oh well, I’ll take it.
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1,103 posts
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Post by mallardo on Oct 29, 2017 9:01:19 GMT
On a long train journey today I've been listening to 'Baby' A great show with a fantastic score and a cast of big Broadway names in the early stages of their careers. Its a small show and would be perfect for the Southwark Playhouse. I've heard many versions of The Story Goes On but none better than Liz Callaway. I agree on the score, and TOTALLY think Southwark is written all over it. Though it might be a bit dated and could require an update. There was a revisal of it many years ago in the early 2000's with La Chanze in the Liz Callaway role, which had some rewrites.
Re Baby I saw a concert performance of it a few years back in LA - it worked very well as a semi-staged piece, btw - where the three ladies were Kerry Butler, Alice Ripley and Faith Prince. Wow!! Ms Butler blew the roof off the building with "The Story Goes On" and the three of them combined did likewise with "I Want It All". The book is a bit dated, as Ali 973 says, but the score is a miracle. Yes, it needs to be revived!
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Post by danb on Oct 29, 2017 14:43:26 GMT
Oh, well below! (but thankfully above Steve Wright; unbearable radio dj). x Below a serial killer, but above a DJ. Oh well, I’ll take it. Apologies if it reads as disrespectful to those poor girls. It was meant more as a comment on my distain of Steve Wright “in the afternoon”.
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Post by Deleted on Nov 2, 2017 22:49:58 GMT
I'm loving the cast recording of Wonderland. Saw the bootleg, and the story isn't very good, but the music is fantastic in my opinion.
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5,179 posts
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Post by Being Alive on Nov 3, 2017 1:02:11 GMT
I'm loving the cast recording of Wonderland. Saw the bootleg, and the story isn't very good, but the music is fantastic in my opinion. I love finding people that love Wonderland! I think the score is brilliant! Kate Shindle as the Mad Hatter on the recording is INSANE!
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578 posts
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Post by michalnowicki on Nov 3, 2017 10:27:58 GMT
Listening to Chess, as I never heard of the musical before I saw a thread on here.
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134 posts
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Post by spendleb on Nov 3, 2017 10:33:46 GMT
Currently in love with Hadestown and The Bridges of Madison County!
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Post by Deleted on Nov 3, 2017 11:04:13 GMT
I'm loving the cast recording of Wonderland. Saw the bootleg, and the story isn't very good, but the music is fantastic in my opinion. I love finding people that love Wonderland! I think the score is brilliant! Kate Shindle as the Mad Hatter on the recording is INSANE! I know right! And there's that video of her doing it in the show. Her acting is fantastic. For some reason she reminds me of Famke Janssen as Xenia Onatopp in Goldeneye It's so great to have a great female villain in a musical. Sure, there are others like Madame Morrible and Ursula in The Little Mermaid. But they're usually slightly older. It's quite refreshing to have a younger attractive woman be the villain.
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Post by Deleted on Nov 5, 2017 16:08:34 GMT
Had a few plays this week of Heatwave - Patti Lupone Sings Irving Berlin. Orchestral arrangements, big overture, expressive Doin What Comes Naturally (one way or another, I keep coming back to Annie Get Your Gun, lately). A bit brash at times, but a decent listien.
I've been digging around Paul Williams' music quite a bit since Bugsy last year. His songs for the Carpenters alone put him in the top rank of songwriters - Rainy Days and Mondays, We've Only Just Begun, Ordinary Fool... So I also found myself listening to Happy Days - A New Musical - which, astonishingly, turns out not to be his finest work. Mostly identikit 50s early rock & do-wop, with a few snatches of neat construction, and the odd song that takes flight, only to be interrupted by clunky dialogue.
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Post by Deleted on Nov 8, 2017 12:18:10 GMT
Falsettos. So obsessed!
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