|
|
Post by thaneofglamis on Oct 24, 2024 22:38:41 GMT
When people ask why I love going to the theatre so much, my answer is simple - to experience 5⭐️ shows like this one this afternoon. A 2hr 20 minute masterpiece of theatre from the pen of Mark Rosenblatt brought brilliantly to the Royal Court stage by Director Nick Hytner, his wonderful team and stellar cast. There have been few shows this year where all the pieces that make a great trip to the theatre come together nicely for me, but this has been one of them. Having thought I would miss out on seeing this as I didn’t book early on, a single ticket appeared late on in row L of the stalls and quite honestly I think this maybe be the bargain ticket of the year. £22 for what was a fantastic view and to watch top talent on stage led by a tour de force performance from John Lithgow. Though all the cast should get a mention, all playing their part here. If there is any justice in the world, this play should be getting a fair few awards at the next awards season. A really thought provoking and challenging play sprinkled nicely with some lovely moments of humour that really earned the standing ovation at the end. Whether it be script, set, lighting or casting, all hit the bullseye here. I haven’t been a regular at the RC like other members and the stuff I have seen has been ok but nothing that I thought wow, that was special until today. Well if this one is a sign of things to come, then I’ll happily sign up for more visits to the RC. I was in the same audience this afternoon and will just say ‘ditto’ because you’ve summed up my thoughts perfectly! I booked very early, based purely on Lithgow’s name, but as you say the whole cast were excellent - particularly Romola Garai in the closing scene of act 1. I think my tickets were £32 for dead centre of the third row dress circle and I also came out thinking what a great price this was for such great seats and the quality of the production. |
|
3,301 posts
|
Post by david on Oct 24, 2024 22:42:21 GMT
I was in the same audience this afternoon and will just say ‘ditto’ because you’ve summed up my thoughts perfectly! I booked very early, based purely on Lithgow’s name, but as you say the whole cast were excellent - particularly Romola Garai in the closing scene of act 1. I think my tickets were £32 for dead centre of the third row dress circle and I also came out thinking what a great price this was for such great seats and the quality of the production. Oh yes that Act 1 closing scene was just top drawer stuff watching it. |
|
77 posts
|
Post by avfan on Oct 28, 2024 16:29:49 GMT
Adored this on Saturday. Superb writing and a fantastic cast. I hope it has another life so I can watch it again. My favourite play of 2024.
|
|
4,778 posts
|
Post by Mark on Oct 30, 2024 12:48:05 GMT
Romola Garai is only in The Years transfer until 8/3. I’d imagine it’s because Giant is also transferring.
|
|
546 posts
|
Post by drmaplewood on Oct 30, 2024 13:07:33 GMT
Romola Garai is only in The Years transfer until 8/3. I’d imagine it’s because Giant is also transferring. Fawlty Towers ends on 1/3... |
|
3,528 posts
Member is Online
|
Post by Rory on Oct 31, 2024 0:17:06 GMT
Elliot Levey is playing Polonius in the Luke Thallon Hamlet until 29th March so maybe no transfer until April?
|
|
1,217 posts
|
Post by nash16 on Oct 31, 2024 11:48:01 GMT
When are the Oliviers next year?
They’ll want to get it on again to remind the panellists nearer voting time. Hope Elliot can do it.
|
|
374 posts
|
Post by theatrenerd on Oct 31, 2024 12:17:40 GMT
When are the Oliviers next year? They’ll want to get it on again to remind the panellists nearer voting time. Hope Elliot can do it. 6 April, but the eligibility cut off is usually mid-late February I believe. |
|
1,826 posts
|
Post by Dave B on Oct 31, 2024 12:23:55 GMT
6 April, but the eligibility cut off is usually mid-late February I believe. Almost certainly Friday 28th Feb. |
|
