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Post by cavocado on May 7, 2024 17:29:31 GMT
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Post by kate8 on Jun 6, 2024 18:53:34 GMT
I just booked this and it is selling very well - the pit is almost sold out for the 4 or 5 dates I looked at. It looks appealing to me, but I didn’t expect it to be hard to find seats - must be Meera Syal’s tv popularity.
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Post by parsley1 on Jun 6, 2024 20:04:23 GMT
I just booked this and it is selling very well - the pit is almost sold out for the 4 or 5 dates I looked at. It looks appealing to me, but I didn’t expect it to be hard to find seats - must be Meera Syal’s tv popularity. Yes I noted this It’s a very good cast indeed so far Shobna Gulati Zubin Varla Are both very popular also My only concern is the playwright isn’t the best writer 🫣
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Post by parsley1 on Sept 5, 2024 12:22:14 GMT
Starts in three weeks
Has sold very well to date
Already a running time on the website
2h and 40m
I suspect will come down in previews
Fingers crossed it’s a good play
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Post by kallyloo on Sept 17, 2024 6:51:50 GMT
I saw Meera yesterday at the BFI on stage with Mark Kermode. She chatted a little bit about the play and mentioned the rehearsals were hard work because of the subject matter of dementia. It’s a subject I try to stay away from for personal reasons so I’m getting cold feet. I’ll see what the reviews say, but I’m so glad NT has an accommodating policy for returns.
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Post by thattheatreman on Sept 23, 2024 6:56:02 GMT
I saw Meera yesterday at the BFI on stage with Mark Kermode. She chatted a little bit about the play and mentioned the rehearsals were hard work because of the subject matter of dementia. It’s a subject I try to stay away from for personal reasons so I’m getting cold feet. I’ll see what the reviews say, but I’m so glad NT has an accommodating policy for returns. Have tickets for this and didn't realize also. Having just gone through this too with both parents, not sure I could sit through it too.
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Post by theoracle on Sept 23, 2024 7:42:21 GMT
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Post by catcat100 on Sept 27, 2024 22:18:35 GMT
Saw this tonight and thought it was quite excellent. Dorfman doing it again with a play that suits its size.
First thing first, this is about dementia and its quite brutal in its portrayal of it, doesn't really pull any punches. So not surprised Meera found it hard in rehearsals.
Its a well written and well acted portrayal of how dementia affects all around. Its also about family and their spiritual beliefs, but these beliefs don't over shadow the over riding portrayal, just brings more depth to the situation.
It is well balanced, there's both light and dark, tears and laughter, there's a couple of bits which have quite sudden atmosphere changes but they work well and seem right. The ending works very well.
I only brought a ticket for this about 20 mins before the start and very pleased that I did.
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Post by kallyloo on Sept 28, 2024 5:59:14 GMT
Thank you, sounds like that’s a no for me. I’m sure the cast and audience won’t want someone sobbing uncontrollably in the middle.
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Post by MrBunbury on Sept 30, 2024 21:25:19 GMT
I saw it on Saturday (a long weekend of ashes, with "The other place" tonight...). I was quite reluctant to go and see it because of personal experience taking care of someone with dementia, but actually I did not find the play upsetting or difficult to watch. It might because I found Queenie's trajectory quite different from what I have seen as a caregiver (Queenie seems to have much more awareness and agency in the first stages of the disease) or at least in the play her trajectory (and that of her family) is broken down in small scenes that are quite short, preventing too much emotional connection. I found Ameet, the husband, more a nuisance and distraction than a character useful to move the story forward, at least in the first scenes when he intervenes to comment what is happening in real time (and for reasons that I will not mention, it does not make sense that he does that in the middle of the other characters). I liked the second part more and the final scene is beautiful and really brings together the play.
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Post by parsley1 on Sept 30, 2024 21:34:52 GMT
I saw it on Saturday (a long weekend of ashes, with "The other place" tonight...). I was quite reluctant to go and see it because of personal experience taking care of someone with dementia, but actually I did not find the play upsetting or difficult to watch. It might because I found Queenie's trajectory quite different from what I have seen as a caregiver (Queenie seems to have much more awareness and agency in the first stages of the disease) or at least in the play her trajectory (and that of her family) is broken down in small scenes that are quite short, preventing too much emotional connection. I found Ameet, the husband, more a nuisance and distraction than a character useful to move the story forward, at least in the first scenes when he intervenes to comment what is happening in real time (and for reasons that I will not mention, it does not make sense that he does that in the middle of the other characters). I liked the second part more and the final scene is beautiful and really brings together the play. Thanks for this I shall see next week Is it well acted please?
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Post by MrBunbury on Oct 1, 2024 9:07:07 GMT
I saw it on Saturday (a long weekend of ashes, with "The other place" tonight...). I was quite reluctant to go and see it because of personal experience taking care of someone with dementia, but actually I did not find the play upsetting or difficult to watch. It might because I found Queenie's trajectory quite different from what I have seen as a caregiver (Queenie seems to have much more awareness and agency in the first stages of the disease) or at least in the play her trajectory (and that of her family) is broken down in small scenes that are quite short, preventing too much emotional connection. I found Ameet, the husband, more a nuisance and distraction than a character useful to move the story forward, at least in the first scenes when he intervenes to comment what is happening in real time (and for reasons that I will not mention, it does not make sense that he does that in the middle of the other characters). I liked the second part more and the final scene is beautiful and really brings together the play. Thanks for this I shall see next week Is it well acted please? Yes, Meera Syal is very good and also the other actors do well.
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Post by catcat100 on Oct 1, 2024 10:36:01 GMT
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Post by mjh on Oct 1, 2024 12:31:10 GMT
They'd managed to get this down to 2hr30 last night - was finished by 10.02.
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Post by parsley1 on Oct 1, 2024 13:13:24 GMT
They'd managed to get this down to 2hr30 last night - was finished by 10.02. Did you enjoy it?
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Post by solotheatregoer on Oct 1, 2024 22:11:21 GMT
This is outstanding and the best play I have seen at the National for years. Superbly acted and a devastating performance by Meera Syal, who deserves much praise and recognition for this. Maybe it resonated more with me because I also have experience with this illness in my family and so I did find myself choking up on a few occasions. It's so easy to overact something like this considering the themes of the play but this is very nuanced and perfectly balanced.
I agree that the husband is a little distracting at times, but I will never complain about seeing Zubin Varla on stage so I can let that slide.
5 stars.
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Post by parsley1 on Oct 3, 2024 9:06:01 GMT
Quite a damning review from The Independent
I am seeing this next week
But I was sent the text
I have to say it’s very basic, unsophisticated and a very superficial exploration of dementia
It’s a shame the real impact isn’t explored in any meaningful manner
And again it’s a pity when given a chance and despite so much support and guidance from a place like the NT
New writing can so scrappy and substandard and lazy
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Post by mjh on Oct 3, 2024 10:09:05 GMT
They'd managed to get this down to 2hr30 last night - was finished by 10.02. I thought it was ok. In their pursuit for an ‘authentic’ dementia experience (something so wildly different for everyone), it turned into a very superficial, melodramatic piece. Cast were good with what they were given. Zubin very underused.
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Post by parsley1 on Oct 3, 2024 10:30:13 GMT
WOS 5 stars Reviews Hub 4.5 stars The Stage 4 stars Broadway World 4 stars London Theatre 4 stars Time Out 3 stars Independent 3 stars
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Post by Someone in a tree on Oct 3, 2024 10:48:25 GMT
I see the score is by Nitin Sawhney. How is it? Im a big fan. Im guessing its underscore ?
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Post by joem on Oct 3, 2024 22:56:42 GMT
I thought this was pretty good. Clearly Meera Syal is personally invested in the subject matter and her performance shows, she moves away from the witty, waspish persona she so often adopts (her own?) to develop a more nuanced character who is exasperating as well as pitiable, funny as well as downright nasty at times. Zubin Varla's puckish trickster of a husband is very effective at highlighting both sides of the drama but particularly the more darkly comic aspects.
A couple of dud lines but the play does hold together well and gives a portrayal of how Alzheimer's affects sufferers and their loved ones. It's not a medical treatise, it's a play - so it's meant to entertain as well as inform and it does this. It affects different people in different ways but this interpretation is at least as valid as the next one.
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Post by parsley1 on Oct 7, 2024 15:08:52 GMT
Around half of the remaining run is sold out now
With many performances having the odd ticket left only
Quite a success box office wise at least
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Post by showgirl on Oct 8, 2024 2:24:33 GMT
It was a few days before PN, oddly, that I noticed that the run - well, matinees, certainly, as those are the performances I can attend - was suddenly almost sold out, so maybe it was word of mouth? The positive reviews which followed can only have helped. However, as so often with the NT, a swathe of tickets appeared shortly before the next couple of performances so I bagged one of the more affordable ones as though that was more expensive than they can be via Friday Rush, doing the latter is difficult or impossible on a working day.
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Post by zahidf on Oct 9, 2024 21:09:18 GMT
I thought this was excellent. Great acting, really emotional and tough to watch in places
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Post by parsley1 on Oct 9, 2024 21:23:13 GMT
I also saw this finally at the matinee
And agree it is a good piece of theatre
Moving funny and staged effectively
The acting brings the rather pedestrian script to life very well
Intially I found the husband distracting
But he is essential for some relief from the often difficult reality in the here and now
And he is also the escape and companion for Queenie during her decline into Alzheimer’s
Overall I highly recommend as it covers many issues and presents them honestly and in a genuine manner
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