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Post by stagebyte on Jan 4, 2024 16:04:42 GMT
I can see that Carrie Hope Fletcher and husband Joel Montague have launched a business selling masterclasses and workshops with the stars of the west end. The first one is a Wicked one with 4 previous stars. They last an hour each, online. For me, a workshop of any benefit should be teaching something with interaction between workshop leader and students. This seems to be a monologue with preprepared questions? Thoughts?
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Post by theatrefan62 on Jan 4, 2024 16:22:26 GMT
Yeah it reads like a bit of a con to be honest.
It's all very vague but sounds more like a zoom lecture rather than a workshop. Workshops should be interactive, smaller group size, and you learn something
The whole thing so far seems unprofessional from the logo, the text for promoting it and the artwork. Even Oliver Thompsett has shared the poster saying he didn't know the headshot they used existed and it doesn't look like him.
Also it says its 13+, but a 14 year old will have different expectations and learn in different ways to a 30 year old.
Also, have they done things to cover themselves like safeguarding, GDPR etc. This isn't just a Covid era zoom chat, they're setting it up as a business (so they say).
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Post by theatreismagic on Jan 4, 2024 19:43:57 GMT
It does seem like a lazy, sloppy cash grab organised on the back of a napkin. The communication around it has been so poor and unprofessional.
Carrie sneered down at stage schools/professional training, continually boasts about the lack of time/effort she puts into her roles and clearly hasn't looked after her own voice or put any effort into learning to act or dance. Now she wants to put on her own online training for beginners?
But what is it? What are the learning outcomes? How is it being tailored to every age? What knowledge are these "beginners" going to leave with? What are they actually willing to guarantee paying customers?
It just comes across as a themed session with singing and a limited Q and A session for the lucky few customers who get to ask a question. "That'll be umpteen pounds please as we want the mansion and luxury lifestyle that Tom Fletcher has for seemingly as little effort as possible."
It'll probably be a success if they continually piggyback off genuine talent/stars as they have done with the Oz themed one, although embarrassing that Oliver has picked (a very politely worded) fault with the promo already.
Disclaimer/Clarification: in saying "genuine talent" - Joel has got to where he is off his own back. Carrie has continually been stuntcast, last did panto in Crawley, had to have tickets given away for free to her own show and had hissy fits when not being entered into an award she's not eligible for. In all seriousness, what can she teach someone about working their way up in a tough industry, always striving to be their best and remaining professional? Her former co-stars are having marvellous careers now - she'd be wise to get them involved.
Goodness, this influencer culture is so greedy and grasping. When trying to part people with their money, please put meaningful effort into it!
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Post by toomasj on Jan 4, 2024 20:55:59 GMT
What exactly makes it a “workshop”? Isn’t a workshop more of a group tutorial, working directly with performers giving instant feedback. This is an online lecture. Easiest couple of grand per hour they’ll ever make.
Not happy with this, at all. Oh and it looks very amateurish.
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Post by theatrefan62 on Jan 4, 2024 21:22:17 GMT
What exactly makes it a “workshop”? Isn’t a workshop more of a group tutorial, working directly with performers giving instant feedback. This is an online lecture. Easiest couple of grand per hour they’ll ever make. Not happy with this, at all. Oh and it looks very amateurish. Yeah exactly, there is nothing about it that says workshop. It sounds like an online lecture. Even the questions have to be sent in ahead of time. I just don't think some theatre people live in the real world and understand what some things are. Its very amateur hour.
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Post by theatreismagic on Jan 22, 2024 13:08:55 GMT
Tickets to this "workshop" haven't sold at all well, so now it's advertised that customers are able to join Carrie and Joel "as we chat and listen to Kerry Ellis...".
So now the business model is... Theatre Gogglebox...?!
Again, what are people paying for exactly? To listen to Carrie and Joel go "they've got a point there". Of course they have - they are Kerry Ellis, Alice Fearn, Dianne Pilkington and Oliver Tompsen! They've taken on roles Carrie and Joel can only dream of. Yikes!
My daughter alerted me to this change in 'strategy' but thankfully she's not suggesting she wants a ticket - I think that era is over now. I do get cross over things like this as it's not fun for parents when cash is restricted and you can see it drift into the pockets of someone who wants money for little to no effort.
They've grossly overestimated Carrie's popularity - Carrie is not a West End star or legend. She has a hard-core group of fans with a parasocial relationship thanks to YouTube. They want time with Carrie and won't buy just anything with her name attached. Just please treat fans with respect and give them quality and well-planned entertainment.
I hope Kerry, Alice, Dianne and Oliver are being paid a hefty fee for this. To see performers of this calibre being reduced to Theatre Gogglebox in order to shift sales of an ill-conceived "workshop" is disheartening. Hopefully other performers will think twice if approached by Carrie and Joel for more "workshops".
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Post by ladidah on Jan 22, 2024 13:18:25 GMT
I think they will be on a cut of the ticket fee?
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Post by toomasj on Jan 22, 2024 13:28:42 GMT
“Trimming the marks”.
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Post by theatreismagic on Jan 22, 2024 14:22:55 GMT
I've not heard this expression before - is that what ladidah was referring too? I did try looking it up but couldn't find a definition in this context. Re the performers taking a cut of the ticket fee, that doesn't seem very fair, especially for a new 'business'. I'm sure that's standard practice and all above board and I'm not suggesting otherwise but it's risky if it doesn't sell well, especially if the performers can't back out. I'm sure it will sell out now Carrie's doing the Gogglebox, however it's a lesson in due diligence and checking social media numbers vs actual engagement.
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Post by toomasj on Jan 22, 2024 14:43:10 GMT
I've not heard this expression before - is that what ladidah was referring too? I did try looking it up but couldn't find a definition in this context. Re the performers taking a cut of the ticket fee, that doesn't seem very fair, especially for a new 'business'. I'm sure that's standard practice and all above board and I'm not suggesting otherwise but it's risky if it doesn't sell well, especially if the performers can't back out. I'm sure it will sell out now Carrie's doing the Gogglebox, however it's a lesson in due diligence and checking social media numbers vs actual engagement. It’s old carny slang. Barnum famously said all his customers were marks (this comes from old carnivals, where carnies and pitchmen would quite literally “mark” the backs of gullible/wealthy targets for other carnies to focus on in sideshows/fixed games). “Trimming” means lightening their wallet… In short, I’m saying performers are not above making a little cash off their supporters. Check out services like Cameo. I am not suggesting anything illegal is occurring in this instance, and it may offer value for money for those who want to participate. That’s not for me to say. I am saying though that just because you’re a working name in a field, doesn’t mean they’re above a little “side hustle” for easy cash. This one in my opinion seems particularly low-effort, compared to the usual avenues of direct tutoring, wedding singing and the more common outlets. I repeat, I am not suggesting there is anything wrong with this - and it may provide a great experience. I just really can’t see who it’s for, apart from fans who want to pay to “spend time” with their favourite performer(s). Comic conventions have normalised this, and guests often make fortunes for a few hours of meet and greets
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Post by theatreismagic on Jan 22, 2024 15:12:06 GMT
I've not heard this expression before - is that what ladidah was referring too? I did try looking it up but couldn't find a definition in this context. Re the performers taking a cut of the ticket fee, that doesn't seem very fair, especially for a new 'business'. I'm sure that's standard practice and all above board and I'm not suggesting otherwise but it's risky if it doesn't sell well, especially if the performers can't back out. I'm sure it will sell out now Carrie's doing the Gogglebox, however it's a lesson in due diligence and checking social media numbers vs actual engagement. It’s old carny slang. Barnum famously said all his customers were marks (this comes from old carnivals, where carnies and pitchmen would quite literally “mark” the backs of gullible/wealthy targets for other carnies to focus on in sideshows/fixed games). “Trimming” means lightening their wallet… In short, I’m saying performers are not above making a little cash off their supporters. Check out services like Cameo. I am not suggesting anything illegal is occurring in this instance, and it may offer value for money for those who want to participate. That’s not for me to say. I am saying though that just because you’re a working name in a field, doesn’t mean they’re above a little “side hustle” for easy cash. This one in my opinion seems particularly low-effort, compared to the usual avenues of direct tutoring, wedding singing and the more common outlets. I repeat, I am not suggesting there is anything wrong with this - and it may provide a great experience. I just really can’t see who it’s for, apart from fans who want to pay to “spend time” with their favourite performer(s). Comic conventions have normalised this, and guests often make fortunes for a few hours of meet and greets Thank you for taking the time to explain that. I've learnt something new today! I do agree with everything you've said. I think the whole thing does appear to have been approached with a lazy entitled arrogance that's a little baffling and doesn't match reality e.g. Carrie not selling out her owns shows etc. I think fans should be treated with respect - particularly if someone 'famous' (for lack of a better word) wants to extract/obtain money from them, which Carrie and Joel do seem to want to do as evidenced by their own actions.
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Post by theatrefan62 on Jan 22, 2024 15:22:05 GMT
It’s old carny slang. Barnum famously said all his customers were marks (this comes from old carnivals, where carnies and pitchmen would quite literally “mark” the backs of gullible/wealthy targets for other carnies to focus on in sideshows/fixed games). “Trimming” means lightening their wallet… In short, I’m saying performers are not above making a little cash off their supporters. Check out services like Cameo. I am not suggesting anything illegal is occurring in this instance, and it may offer value for money for those who want to participate. That’s not for me to say. I am saying though that just because you’re a working name in a field, doesn’t mean they’re above a little “side hustle” for easy cash. This one in my opinion seems particularly low-effort, compared to the usual avenues of direct tutoring, wedding singing and the more common outlets. I repeat, I am not suggesting there is anything wrong with this - and it may provide a great experience. I just really can’t see who it’s for, apart from fans who want to pay to “spend time” with their favourite performer(s). Comic conventions have normalised this, and guests often make fortunes for a few hours of meet and greets Thank you for taking the time to explain that. I've learnt something new today! I do agree with everything you've said. I think the whole thing does appear to have been approached with a lazy entitled arrogance that's a little baffling and doesn't match reality e.g. Carrie not selling out her owns shows etc. I think fans should be treated with respect - particularly if someone 'famous' (for lack of a better word) wants to extract/obtain money from them, which Carrie and Joel do seem to want to do as evidenced by their own actions. I think its all down to how these side hustles are handled. Carrie and Joel's has been piss poor and amateur from the start. To even have Oliver Thompsett have to post he didn't know where the headshot they used came from, and he didn't even recognise himself in it, isn't a great start. This screams chasing a quick buck and taking advantage of her (dwindling) following. If you want something like this, check out Lucie Jones for example. She has set up her own workshops and it's an altogether more professional affair.
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Post by theatreismagic on Jan 22, 2024 15:45:24 GMT
Thank you for taking the time to explain that. I've learnt something new today! I do agree with everything you've said. I think the whole thing does appear to have been approached with a lazy entitled arrogance that's a little baffling and doesn't match reality e.g. Carrie not selling out her owns shows etc. I think fans should be treated with respect - particularly if someone 'famous' (for lack of a better word) wants to extract/obtain money from them, which Carrie and Joel do seem to want to do as evidenced by their own actions. I think its all down to how these side hustles are handled. Carrie and Joel's has been piss poor and amateur from the start. To even have Oliver Thompsett have to post he didn't know where the headshot they used came from, and he didn't even recognise himself in it, isn't a great start. This screams chasing a quick buck and taking advantage of her (dwindling) following. If you want something like this, check out Lucie Jones for example. She has set up her own workshops and it's an altogether more professional affair. I just had a look at Lucie Jones' academy and WOW the difference is incredible! It's really well presented, the aims and objectives are clear and Lucie has approached this as a business woman with knowledge of her industry and what delegates will want from a paid for class. I don't think Lucie has endorsed Carrie and Joel's "workshop" and I can see why! Carrie and Joel should be thoroughly ashamed and embarrassed by their 'efforts', although I don't think realism and self-awareness are in their repertoire. Their fans should actually be insulted by the tripe they try and serve them in exchange for a hefty price.
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Post by toomasj on Jan 22, 2024 17:22:11 GMT
For balance, I haven’t seen their workshop so I don’t know for certain how professional the content will be. But it seems just that - paid social media content. Certainly not something to further one’s skills as a performer as the term “workshop” would suggest.
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Post by theatrefan62 on Jan 22, 2024 18:06:58 GMT
For balance, I haven’t seen their workshop so I don’t know for certain how professional the content will be. But it seems just that - paid social media content. Certainly not something to further one’s skills as a performer as the term “workshop” would suggest. Yeah from everything they have said themselves these are zoom lectures/webinars. Nothing workshop about it, workshops mean interaction and learning together
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Post by ladidah on Jan 24, 2024 7:46:53 GMT
I can't see how anyone can learn anything in a giant zoom call with an interview then a couple of songs.
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Post by theatreismagic on Jan 24, 2024 8:31:16 GMT
I can't see how anyone can learn anything in a giant zoom call with an interview then a couple of songs. I don't think they can. It really does come across like "let's get money off fans" was the primary greedy objective. Everything about it had been so sloppily put together and as stated before even Oliver was very quick to pick fault (quite rightly) with the advertising.
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Post by hannechalk on Jan 24, 2024 10:25:14 GMT
I think they just started believing their own hype.
Joel fancied himself as West End Jonathan Groff, and he just isn't.
Many fans of Carrie's Heathers-time have grown up/older and moved on.
Now they are in their finding out-era.
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Post by theatreismagic on Jan 24, 2024 19:07:35 GMT
I think they just started believing their own hype. Joel fancied himself as West End Jonathan Groff, and he just isn't. Many fans of Carrie's Heathers-time have grown up/older and moved on. Now they are in their finding out-era. Agreed. Although the believing their own hype is interesting as it's ultimately so self-destructive. Carrie has always reacted badly and unprofessionally to any criticism and has always seemed to want to control the narrative and control what people say about her. Praise, is of course absolutely fine. Anything else? How dare you! My daughter was a fan and just wanted Carrie to acknowledge one of her comments but she was always so afraid of wording something 'wrong' and Carrie publicising her displeasure with the apparent goal of trying to set other fans on her. There's no way my daughter could have coped with that so I'm obviously glad she's stepped away from that toxicity now. Deliberately trying to cultivate an echo chamber, whilst it's obviously ego-boosting, it means Carrie believes her own hype and doesn't have to try to better herself in any way. The result? A poorly rolled-out business with a confusing and messy business model that can't hold a candle to other attempts e.g. Lucie Jones. Boasting about the lack of effort put into roles. An inability to act, dance and a voice that has deteriorated over the years and now seems the odd one out in panto as she yells above her peers. Her former co-workers, who don't insist on controlling what others say, can't rely on stunt casting and don't rest in the comfort zone of praise have gone from strength to strength.
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Post by ladidah on Jan 25, 2024 7:37:17 GMT
They both have a lot going on, multiple shows, a baby on the way.
I would have given the workshop more thought and time. A musical theatre workshop with 2 west end stars is a good idea, but it needs to be planned out, professional and in person.
Charging fans for a zoom isn't great.
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